<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5728499551905977068</id><updated>2012-01-28T02:08:48.230-08:00</updated><category term='Chytilova'/><category term='scene selections'/><category term='media'/><category term='drama'/><category term='may'/><category term='emc'/><category term='reviews'/><category term='undergound'/><category term='foreign films'/><category term='streaming'/><category term='new'/><category term='new stuff'/><category term='collection'/><category term='top ten albums'/><category term='indie music'/><category term='Pitchfork Media'/><category term='Menzel'/><category term='libraries'/><category term='library'/><category term='music documentary'/><category term='boarding school'/><category term='pixar'/><category term='ELP'/><category term='screening'/><category term='learning english'/><category term='animation'/><category term='library snapshot day'/><category term='bad movie'/><category term='ESL'/><category term='football'/><category term='new wave'/><category term='Godard'/><category term='uw'/><category term='recommendations'/><category term='nouveau vague'/><title type='text'>UW Libraries Media Center Blog</title><subtitle type='html'>News and Resources from the University of Washington Libraries Media Center</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default?start-index=101&amp;max-results=100'/><author><name>UW Libraries Media Center</name><uri>http://www.blogger.com/profile/04088013319307048002</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>165</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5971577677937104430</id><published>2012-01-24T13:49:00.000-08:00</published><updated>2012-01-24T13:53:45.372-08:00</updated><title type='text'>Films From The Vaults (1/25 from 12-1pm)</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-xOmaRl4uE94/Tx8oXLq5CjI/AAAAAAAAASE/KnINXQl5YbM/s1600/Slide1.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 150px; height: 200px;" src="http://3.bp.blogspot.com/-xOmaRl4uE94/Tx8oXLq5CjI/AAAAAAAAASE/KnINXQl5YbM/s200/Slide1.jpg" alt="" id="BLOGGER_PHOTO_ID_5701320032009128498" border="0" /&gt;&lt;/a&gt;&lt;span class="messageBody" ft="{&amp;quot;type&amp;quot;:3}"&gt;Rare Piet Mondrian &amp;amp; Franklin Watkins films to be screened/digitized tomorrow (1/25), from 12-1 in Allen Auditorium: &lt;a href="http://bit.ly/x6DyeY" target="_blank" rel="nofollow nofollow"&gt;http://bit.ly/x6DyeY&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5971577677937104430?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5971577677937104430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5971577677937104430' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5971577677937104430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5971577677937104430'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2012/01/films-from-vaults-125-from-12-1pm.html' title='Films From The Vaults (1/25 from 12-1pm)'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-xOmaRl4uE94/Tx8oXLq5CjI/AAAAAAAAASE/KnINXQl5YbM/s72-c/Slide1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5123743854294441186</id><published>2011-10-30T21:11:00.001-07:00</published><updated>2011-10-30T21:12:52.943-07:00</updated><title type='text'>Films From the Vaults, Nov 2 - Native American Films</title><content type='html'>&lt;span class="Apple-style-span"   style="border-collapse: collapse;   font-family:'Lucida Grande', Verdana, Lucida, Helvetica, Arial, sans-serif;font-size:100%;"&gt;&lt;div class=" kssattr-atfieldname-text kssattr-templateId-widgets/rich kssattr-macro-rich-field-view" id="parent-fieldname-text"&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;Join us this Wednesday, November 2, from 1-3 as we digitize films at our 2nd Friends of the Libraries funded Films From the Vault screening. November is Native American Month, so we will be selecting rare films of import to Native American and American Indian Studies. Can't make it in person to the Odegaard Conference Room? Tune in live &lt;a class="external-link" href="http://www.ustream.tv/channel/uwlibs" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; width: 1px; "&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;Screening schedule includes...&lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;&lt;span style="height: 18px; "&gt;&lt;strong&gt;Quillayute Story&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;ul style="line-height: 1.5em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: square; margin-top: 0.5em; margin-right: 0px; margin-bottom: 0px; margin-left: 1.5em; "&gt;&lt;li style="margin-bottom: 0.5em; "&gt;----- color ----- 25 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2362&amp;amp;format=16mm" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;(Historical Collection) Shows ways in which the Quillayute Indians of Washington have adapted themselves to their environment. Illustrates their handicraft activities, sports, festivals, games, dances, fishing, agriculture and religious worship. (The film is dated in its attitude.)&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/10" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;American Indian Studies&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/108" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Pacific Northwest&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt; &lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;&lt;strong&gt;Treaties Made, Treaties Broken&lt;/strong&gt;&lt;/p&gt;&lt;ul style="line-height: 1.5em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: square; margin-top: 0.5em; margin-right: 0px; margin-bottom: 0px; margin-left: 1.5em; "&gt;&lt;li style="margin-bottom: 0.5em; "&gt;1970 ----- color ----- 17 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2940&amp;amp;format=16mm" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;(&lt;a href="http://www.css.washington.edu/emc/title/S1061" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;North American Indian&lt;/a&gt; series, Part 3) The Treaty of Medicine Creek, made in 1854, which guarantees the Indians of Washington State the rights of fishing, hunting, gathering roots and berries and pasturing for their animals is now in hot dispute. To many Indians this dispute exemplifies, in part, the continuing abrogation of treaties on the part of White America in its dealings with the Indians. Includes comments by members of Indian tribes, as well as testimonies by the Department of Fish and Game official concerning the demonstration at Frank's Landing.&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/10" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;American Indian Studies&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/70" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;History: American&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/108" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Pacific Northwest&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt; &lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;&lt;strong&gt;Zaculeu&lt;/strong&gt;&lt;/p&gt;&lt;ul style="line-height: 1.5em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: square; margin-top: 0.5em; margin-right: 0px; margin-bottom: 0px; margin-left: 1.5em; "&gt;&lt;li style="margin-bottom: 0.5em; "&gt;1961 ----- color ----- 20 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=3236&amp;amp;format=16mm" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;(Historical Collection) Explains how archeologists were sponsored by the United Fruit Company for the purpose of restoring the highland city of Zaculeu in Central America. Compares shrines, temples, dance platforms and ballcourts in 1946 and after their restoration in 1949. (&lt;i&gt;Restricted to use on University of Washington campuses only&lt;/i&gt;)&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/14" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Archaeology&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/83" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Latin America&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt; &lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;&lt;strong&gt;Timber and Totem Poles&lt;/strong&gt;&lt;/p&gt;&lt;ul style="line-height: 1.5em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: square; margin-top: 0.5em; margin-right: 0px; margin-bottom: 0px; margin-left: 1.5em; "&gt;&lt;li style="margin-bottom: 0.5em; "&gt;1949 ----- color ----- 10 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2886&amp;amp;format=16mm" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;(Historical Collection) Southeast Alaska, land of timber and totem poles. Tongass National Forest timber waiting to be harvested. Native Alaskan Indians, in ceremonial garb, restore and copy their totem poles.&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/10" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;American Indian Studies&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/19" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Art: Tribal&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/108" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Pacific Northwest&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt; &lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;&lt;strong&gt;Totems&lt;/strong&gt;&lt;/p&gt;&lt;ul style="line-height: 1.5em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: square; margin-top: 0.5em; margin-right: 0px; margin-bottom: 0px; margin-left: 1.5em; "&gt;&lt;li style="margin-bottom: 0.5em; "&gt;1950 ----- color ----- 10 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2925&amp;amp;format=16mm" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;(Historical Collection) Against a background of tribal chants historical and interpretive facts concerning the totem poles of coastal British Columbia tribes are presented.&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/10" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;American Indian Studies&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/19" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Art: Tribal&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/33" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Canadian Studies&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt; &lt;/p&gt;&lt;p style="margin-top: 0px; margin-right: 0px; margin-bottom: 0.75em; margin-left: 0px; line-height: 1.5em; "&gt;&lt;strong&gt;Seminoles of the Everglades&lt;/strong&gt;&lt;/p&gt;&lt;ul style="line-height: 1.5em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-type: square; margin-top: 0.5em; margin-right: 0px; margin-bottom: 0px; margin-left: 1.5em; "&gt;&lt;li style="margin-bottom: 0.5em; "&gt;1950 ----- color ----- 20 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2554&amp;amp;format=16mm" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;(Historical Collection) Seminole Indians of Florida and the great swamp area in which they live: the problems of the tribe in changing world and what the U. S. Government is doing to help them in the realm of education and health economy. Includes some advertising of tobacco products.&lt;/li&gt;&lt;li style="margin-bottom: 0.5em; "&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/10" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;American Indian Studies&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/19" style="color: rgb(67, 105, 118); background-color: transparent; text-decoration: none; border-bottom-width: 1px; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; "&gt;Art: Tribal&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5123743854294441186?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5123743854294441186/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5123743854294441186' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5123743854294441186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5123743854294441186'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/10/films-from-vaults-nov-2-native-american.html' title='Films From the Vaults, Nov 2 - Native American Films'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4502224386244874036</id><published>2011-10-12T08:15:00.000-07:00</published><updated>2011-10-12T08:45:24.110-07:00</updated><title type='text'>Films From The Vaults: NW Architecture &amp; Structures</title><content type='html'>&lt;p&gt;                      The Media Center has been awarded a Friends of the  Libraries grant to simultaneously screen,  digitize, and broadcast several hundred orphaned films from the &lt;a class="external-link" href="http://www.lib.washington.edu/media/emc.html"&gt;Educational Media  Collection&lt;/a&gt;. The project, called &lt;a class="external-link" href="http://uwmediacenter.blogspot.com/2011/06/media-center-awarded-friends-grant.html"&gt;Films From The Vaults&lt;/a&gt;,  begins this October 19 (in OUGL 220, from 9-Noon) and will focus on NW  architecture and structures. Esteemed Built Environments Librarian Alan  Michelson will be on hand to offer pithy insights and critiques in those  awkward silences that crop up between films.&lt;span class="" id="parent-fieldname-description"&gt; &lt;/span&gt; Can't make it in person?  Tune in live for an even grainier experience &lt;a class="external-link" href="http://www.ustream.tv/channel/uwlibs"&gt;here&lt;/a&gt;. &lt;span class="" id="parent-fieldname-description"&gt;This is our inaugural (1st of 18) screenings, so check back here periodically for updates on future dates and themes.  &lt;/span&gt;&lt;/p&gt;&lt;p&gt;Screening schedule for the 19th:&lt;/p&gt;&lt;div class="" id="parent-fieldname-text"&gt;               &lt;ol&gt;&lt;li&gt;&lt;span id="internal-source-marker_0.7089762086457253"&gt;Tacoma Narrows Bridge Failure&lt;/span&gt;&lt;span&gt; - 1964 - color - 21 min -&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/prints/?mid=2792&amp;amp;format=16mm"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;16mm&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  - Photographs showing the construction and opening day ceremonies and   then the movements of the bridge that led to its collapse. Scale models   made later by the Engineering Experiment Station at the University of   Washington show the identical movements when subjected to stresses   duplicating those which caused the bridge collapse. Topics: (&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/39"&gt;&lt;span&gt;Civil Engineering&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/53"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Engineering&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/108"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Pacific Northwest&lt;/span&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Newsreel 1940, Includes Tacoma Bridge Collapse&lt;/span&gt;&lt;span&gt; - 1940 - b &amp;amp; w - 10 min -&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/prints/?mid=2021&amp;amp;format=16mm"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;16mm&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  - Events of 1940 including: The Battle of Britain, the military draft   in the United States, President Roosevelt defeating Wendell Wilkie and   the Tacoma Narrows Bridge collapsing in the wake of heavy winds. Topics:   (&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/40"&gt;&lt;span&gt;Communications&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/70"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;History: American&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/108"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Pacific Northwest&lt;/span&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The Space Needle Story &lt;/span&gt;&lt;span&gt;- 1965 ----- b &amp;amp; w ----- 14 min -----&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/prints/?mid=2662&amp;amp;format=16mm"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;16mm&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  - Contains historic footage of the erection of the needle from the   foundation in which the center of gravity is below ground level, to the   50 foot spire at its' top rising over 600 feet in the air. Topics: (&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/30"&gt;&lt;span&gt;Building Construction&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/39"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Civil Engineering&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/108"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Pacific Northwest&lt;/span&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The Rebuilding of a Port &lt;/span&gt;&lt;span&gt;- 1972 ----- color ----- 12 min -----&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/prints/?mid=2380&amp;amp;format=16mm"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;16mm&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  - In 1960 as a result of a television documentary exposing the   inadequacies of the Port of Seattle, the city presented a bond issue to   the voters. Subsequently the improvements in the ability of the port to   handle the new container mode of shipped goods has made Seattle the   third largest port in the United States and the sixth largest in the   world, just behind London. Together with the massive rebuilding of the   waterfront facilities, the port undertook the complete modernization of   the Sea-Tac International Airport. Topics: (&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/108"&gt;&lt;span&gt;Pacific Northwest&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/156"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Transportation&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/158"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Urban Planning/Restoration&lt;/span&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Fountain/Sculpture&lt;/span&gt;&lt;span&gt; - 1975 ----- color ----- 18 min -----&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/prints/?mid=1077&amp;amp;format=16mm"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;16mm&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  Documents the step by step fabrication of a major fountain/sculpture   commission by George Tsutakawa. Starting with the design of the model,   the evolution of the work is followed through to the final installation   at the 1974 World's Fair, Spokane, Washington. The artist discusses his   approach and philosophy. Mr. Tsutakawa has completed over 50 major   fountain/sculpture commissions during the past 17 years. Topics: (&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/20"&gt;&lt;span&gt;Artists&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/173"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Landscape Architecture&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/108"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Pacific Northwest&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/144"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Sculpture&lt;/span&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;The &lt;/span&gt;&lt;span&gt;Kingdome &lt;/span&gt;&lt;span&gt;- 1977 ----- color ----- 17 min -----&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/prints/?mid=1604&amp;amp;format=16mm"&gt;&lt;span&gt;16mm&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  - Chronicles the construction of King County's multi-purpose, domed   stadium. Traces the stadium project from ground-breaking to completion.   Reference to Pioneer Square and the history of the stadium site is   included. Film of the inaugural ceremonies and dedication on March 27,   1976, is interwoven with construction scenes in a series of flashbacks.   The arrival of the Seattle Sounders, the Seattle Seahawks and the   Seattle Mariners provides an additional dimension and meaning to the   Kingdome and this presentation. Topics: (&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/53"&gt;&lt;span&gt;Engineering&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/108"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Pacific Northwest&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/158"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Urban Planning/Restoration&lt;/span&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;Ports: The Peoples' Business&lt;/span&gt;&lt;span&gt; - 1979 ----- color ----- 29 min -----&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/prints/?mid=2257&amp;amp;format=16mm"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;16mm&lt;/span&gt;&lt;/a&gt;&lt;span&gt;  - From 1852 when the first cargo of logs was shipped out of Seattle to   San Francisco, ports around the Puget Sound have been an increasingly   complicated issue. In 1910 the railroads covered the entire length of   Seattle's waterfront. Yet the Port of Seattle is a public industry--a   servant of the people--providing more than 60,000 jobs in the Greater   Seattle area. (Produced by the Washington Sea Grant Program). Topics: (&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/38"&gt;&lt;span&gt;Cities and Towns&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/49"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Economics&lt;/span&gt;&lt;/a&gt;&lt;span&gt;,&lt;/span&gt;&lt;a href="http://www.css.washington.edu/emc/topic/108"&gt;&lt;span&gt; &lt;/span&gt;&lt;span&gt;Pacific Northwest&lt;/span&gt;&lt;/a&gt;&lt;span&gt;)&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;                      &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4502224386244874036?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4502224386244874036/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4502224386244874036' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4502224386244874036'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4502224386244874036'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/10/films-from-vaults-nw-architecture.html' title='Films From The Vaults: NW Architecture &amp; Structures'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4282276621125046370</id><published>2011-09-21T14:20:00.000-07:00</published><updated>2011-09-21T14:28:17.473-07:00</updated><title type='text'>Libraries Dance Party!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/--mr6joPJlHE/TnpWvLGeVkI/AAAAAAAAAR8/-rCpjTqIoa0/s1600/gw90.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 144px; height: 90px;" src="http://3.bp.blogspot.com/--mr6joPJlHE/TnpWvLGeVkI/AAAAAAAAAR8/-rCpjTqIoa0/s200/gw90.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5654927650550863426" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;What?  UW Libraries Dance Party&lt;br /&gt;When?  September 27, 2011 - Noon to 4pm&lt;br /&gt;Where? Odegaard Library' on UW's Red Square&lt;br /&gt;$?     Free&lt;br /&gt;&lt;br /&gt;Why?   &lt;br /&gt;Experience a postmodern pastiche of music and sounds at the first annual UW Libraries Dance Party. Nerdy (but welcoming) archivists will be on hand, playing tunes and spinning vinyl from UW Libraries' audio holdings. Come to dance, listen, and learn more about the Libraries' unique holdings, such as the Crocodile Cafe and Kearney Barton collections. Visit us online for more information: &lt;br /&gt;http://www.lib.washington.edu/media&lt;br /&gt;&lt;br /&gt;Sponsored by the UW Libraries Media Center&lt;br /&gt;&lt;br /&gt;Contact John Vallier for more info: vallier "at" uw.edu&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4282276621125046370?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4282276621125046370/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4282276621125046370' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4282276621125046370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4282276621125046370'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/09/libraries-dance-party.html' title='Libraries Dance Party!'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/--mr6joPJlHE/TnpWvLGeVkI/AAAAAAAAAR8/-rCpjTqIoa0/s72-c/gw90.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-188145701207337561</id><published>2011-08-10T08:29:00.000-07:00</published><updated>2011-08-10T08:30:21.228-07:00</updated><title type='text'>American documentary filmmaker Ken Burns at MOHAI</title><content type='html'>&lt;div class="entry"&gt; &lt;p&gt;I recently had the opportunity to attend a preview for Ken Burns’ upcoming 3 part documentary, &lt;em&gt;Prohibition&lt;/em&gt;,  at MOHAI. Although it was only a ~15 minute clip, it intrigued me to  say the least. I do not recall seeing any of Ken Burns’ other works,  such as &lt;em&gt;The Civil War&lt;/em&gt; or &lt;em&gt;Baseball&lt;/em&gt;, so I was not sure  what to be prepared for. It turns out that he seems to be a very  traditional documentary filmmaker. He strives to be very historically  accurate and to take an objective stance on the subject mater. Burns  combines historical footage and interviews with historians and authors  to further this accuracy.&lt;/p&gt; &lt;p&gt;I cannot help but compare him to Errol Morris, another documentary filmmaker (Have you seen &lt;em&gt;The Thin Blue Line&lt;/em&gt;?),  who is not as traditional. Morris seems to be more interested in  allowing the audience to go through the facts and choose how they feel  about the topic. He chooses to use reenactments of an event; however,  changes them as actual testimonies are being told. Quite the opposite of  Ken Burns, I would say.&lt;/p&gt; &lt;p&gt;I appear to be a fan of both filmmakers and would recommend Ken Burns’ &lt;em&gt;Prohibition &lt;/em&gt;(airs in October on KCTS) and Errol Morris’ recently released film, &lt;em&gt;Tabloid&lt;/em&gt;  (I have only seen the trailer, but ended up researching it further, and  it looks super interesting! And also my professor said it was great),  and &lt;em&gt;The Thin Blue Line&lt;/em&gt; if you have yet to see it (we have it in the Media Center).&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-188145701207337561?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/188145701207337561/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=188145701207337561' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/188145701207337561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/188145701207337561'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/08/american-documentary-filmmaker-ken.html' title='American documentary filmmaker Ken Burns at MOHAI'/><author><name>KellyS</name><uri>http://www.blogger.com/profile/04822452355136528853</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2025532964864061807</id><published>2011-07-27T16:55:00.000-07:00</published><updated>2011-07-27T16:58:10.993-07:00</updated><title type='text'>22 Documentaries Online</title><content type='html'>UW community! Watch 22 docs online and for free. From The Most Dangerous Man in America to Barbie Nation, look for New Day Films here: http://bit.ly/n7T8VI&lt;br /&gt;&lt;br /&gt;The complete list of docs includes... &lt;br /&gt;&lt;br /&gt;The Double Burden&lt;br /&gt;What is it like to grow up in a family where mothers have always worked outside the home?&lt;br /&gt;&lt;br /&gt;Barbie Nation&lt;br /&gt;The new Barbie Nation Collector's Edition DVD plumbs the cult of the Barbie doll, revealing attitudes about sexuality, body image, gender roles and creativity. Starring Barbie creator Ruth Handler.&lt;br /&gt;&lt;br /&gt;Becoming American&lt;br /&gt;A Hmong refugee family resettles in the United States: Culture shock, prejudice and gradual adaptation.&lt;br /&gt;&lt;br /&gt;Daddy and Papa&lt;br /&gt;A story of gay fathers in America&lt;br /&gt;&lt;br /&gt;Downside Up&lt;br /&gt;What happens when a poor, working-class town decides its best hope for survival is contemporary art? A personal and family story about MASS MoCA, America's largest museum of contemporary art.&lt;br /&gt;&lt;br /&gt;Golden Venture&lt;br /&gt;The epic tale of 286 Chinese immigrants on a freighter that ran aground off New York in 1993. With immigration dominating political debate, the fate of the Golden Venture passengers is more relevant than ever.&lt;br /&gt;&lt;br /&gt;Holding Ground: The Rebirth of Dudley Street&lt;br /&gt;Holding Ground is at once a cautionary tale of urban policies gone wrong and a message of hope for all American cities.&lt;br /&gt;&lt;br /&gt;Home Economics: A Documentary of Suburbia&lt;br /&gt;As mortgage market "meltdowns" and the environmental crisis bespeak its wider consequences, HOME ECONOMICS bursts the bubble of the American Dream of homeownership and reveals the deep human costs of suburbanization and automobilization.&lt;br /&gt;&lt;br /&gt;Homeless in Paradise&lt;br /&gt;The intimate profile of four homeless people.&lt;br /&gt;&lt;br /&gt;It's Elementary&lt;br /&gt;The ground- breaking documentary that has inspired thousands of schools to pro-actively address anti-gay prejudice by by incorporating age-appropriate lessons into K-12 curricula.&lt;br /&gt;&lt;br /&gt;It's Still Elementary&lt;br /&gt;Ten years after the original "It's Elementary" the filmmakers investigate the impact on the original students who were filmed learning about LGBT people. A riveting story about the impact of documentary film and activism.&lt;br /&gt;&lt;br /&gt;Let's Get Real&lt;br /&gt;An in-depth look at name-calling and bullying in middle schools today, told entirely from a youth perspective.&lt;br /&gt;&lt;br /&gt;Letters from the Other Side&lt;br /&gt;Post-NAFTA immigration stories from the Mexican women left behind.&lt;br /&gt;&lt;br /&gt;No Dumb Questions&lt;br /&gt;Uncle Bill is becoming a woman in this funny and touching exploration of gender and sexuality through the eyes of 6, 9 and 11 year old sisters.&lt;br /&gt;&lt;br /&gt;Power and Control&lt;br /&gt;"Power and Control: Domestic Violence in America" is a comprehensive and timely exploration of the shocking persistence of domestic violence in our society.&lt;br /&gt;&lt;br /&gt;Straightlaced - How Gender's Got Us All Tied Up&lt;br /&gt;With a fearless look at a highly charged subject, Straightlaced unearths how popular pressures around gender and sexuality are confining American teens.&lt;br /&gt;&lt;br /&gt;That's a Family!&lt;br /&gt;A poignant, funny, and crucial documentary in which children were asked what they would like other kids to know about their diverse family structures.&lt;br /&gt;&lt;br /&gt;The Last Atomic Bomb&lt;br /&gt;Age ten and hiding in a Nagasaki shelter near ground zero when the bomb dropped, Sakue Shimohira survived to wage a personal campaign — joined by student activists — to abolish all nuclear weapons.&lt;br /&gt;&lt;br /&gt;The Most Dangerous Man in America: Daniel Ellsberg and the Penta&lt;br /&gt;In 1971, Daniel Ellsberg, a high-level Pentagon official and Vietnam War strategist, concludes that the war is based on decades of lies and leaks 7,000 pages of top secret documents to The New York Times, making headlines around the world.&lt;br /&gt;&lt;br /&gt;Red Pines&lt;br /&gt;A pioneering Japanese American community perseveres.&lt;br /&gt;&lt;br /&gt;Union Maids&lt;br /&gt;A vivid history of women organizing in the 1930's&lt;br /&gt;&lt;br /&gt;View from a grain of sand&lt;br /&gt;Three Afghan women tell how international interventions, war, and the rise of political Islam has stripped Afghan women of rights and freedom over the last 30 years.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2025532964864061807?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2025532964864061807/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2025532964864061807' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2025532964864061807'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2025532964864061807'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/07/22-documentaries-online.html' title='22 Documentaries Online'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6453992513429729346</id><published>2011-06-23T09:37:00.000-07:00</published><updated>2011-06-23T11:57:28.749-07:00</updated><title type='text'>Media Center Awarded Friends Grant</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/-3QYKosZtMqA/TgOJPnOShpI/AAAAAAAAAR0/j4iPRJnjUVo/s1600/bs7.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 104px; height: 200px;" src="http://2.bp.blogspot.com/-3QYKosZtMqA/TgOJPnOShpI/AAAAAAAAAR0/j4iPRJnjUVo/s200/bs7.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5621487661208471186" /&gt;&lt;/a&gt;&lt;br /&gt;The Media Center has been awarded a grant to simultaneously screen, digitize, and broadcast orphaned films from the Educational Media Collection. The project, called Films From The Vaults, will begin in the Fall Quarter, 2011. Check back to this site for more information about the project, including a schedule of films to be screened and digitized. &lt;br /&gt;&lt;br /&gt;In the meantime, here's more information from the grant proposal: &lt;br /&gt;&lt;br /&gt;A. OVERVIEW: Archives are rarely sexy. There's dust, mold, metadata conventions, and copyright entanglements. And each format we aim to archive brings with it a unique mash-up of preservation ills. In the world of vintage 16mm films, we find vinegar syndrome, color dye fading, warping, and shrinkage.&lt;br /&gt;&lt;br /&gt;Though rarely sexy, some archival collections do emanate historical significance, not just clouds of vinegar-scented off gassing. The Educational Media Collection (EMC) is such an example. Its holdings cover a broad array of rare and deteriorating 16mm titles, many of which were &lt;a href="http://bit.ly/duu4Jh"&gt;produced by UW departments&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;With this project the Media Center is asking for funds to hire a student to digitize and simultaneously screen dozens of EMC films. We will use an existing telecine—which converts the film signal into a video signal—to project the film onto a screen in Odegaard 220. We also take the video signal from the telecine and plug it into an existing portable computer, where we digitize and later burn it to DVD-R for access through the Media Center.&lt;br /&gt;&lt;br /&gt;Since 2009 the Media Center has hosted four of these &lt;a href="http://www.washington.edu/news/archive/uweek/58025"&gt;“Films from the Vaults”&lt;/a&gt; sessions. Each one allowed us to preserve and make accessible rare films, while also performing outreach to community members on and off campus.  With the last one, in conjunction with &lt;a href="http://uwmediacenter.blogspot.com/2011/04/poetry-films-from-vaults.html"&gt;Poetry Month and Preservation Week&lt;/a&gt;, we also webcasted the screenings live via Ustream.tv. As we had more people watch the screenings via Ustream.tv than we had show up in person, we expect to webcast all 18 events proposed here.&lt;br /&gt;&lt;br /&gt;We have given the issue of copyright considerable thought in regards to this project. Section 108 of the Copyright Code allows libraries and archives to preserve unique and rare materials for preservation purposes. Therefore, digitization of the films raises no copyright issues. In terms of screening the films, we will only choose films that we have explicit permission from the copyright holder to screen or are orphaned works (i.e., works for which a copyright holder cannot be identified). We have already identified numerous orphaned films in the EMC. These await digitization.&lt;br /&gt; &lt;br /&gt;This project supports the following three criteria:&lt;br /&gt;&lt;br /&gt;·      Research and Scholarship: Many researchers and scholars—from UW and beyond—have already expressed interest in many of the films in the EMC. There is simply nowhere else to get this material. It will be lost without digitization. A small sampling of the EMC films we have already digitized is available on the &lt;a href="http://www.youtube.com/user/uwmediacenter"&gt;Media Center’s Youtube Channel&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;·      Teaching and Learning: As many UW instructors have used EMC films in their classrooms, we still receive requests to make these films available on DVD. By supporting the digitization of these films, more titles will be available for these and future instructors. Additionally, the digitization process itself provides a learning opportunity for screening participants. On several occasions participants have asked about the process and we have provided a step-by-step overview of how we project, digitize, and make accessible these relics.&lt;br /&gt;&lt;br /&gt;·      Engagement and Sustainability: This project has a key outreach component and is, therefore, focused on engaging community members both in-person and online. Furthermore, since this project is also a preservation project, it is committed to the long-term sustainability of the knowledge and heritage captured in these films. &lt;br /&gt;&lt;br /&gt;B. GOALS: We expect to digitize and screen—both in person and online—dozens of films over the course of 18 sessions. If we are able to do this and also make the digital files accessible via the Media Center’s collections, we have succeeded.&lt;br /&gt;&lt;br /&gt;C. WORK PLAN: In order to raise maximum awareness about the project, we will coordinate all 18 of these screening/digitization sessions (6 per quarter) with AC Peterson, Libraries Communications Officer.  Each session will be 3 three hours in length and will enable us to digitize anywhere between 2 and 8 films per session (depending on the length of the films). The student hired to complete this work will also spend an equal amount of time prepping the films prior to the sessions and processing them for access following the sessions. John Vallier—Head, Distributed Media—will coordinate and be responsible for the work. No other units will be impacted by this work.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6453992513429729346?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6453992513429729346/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6453992513429729346' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6453992513429729346'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6453992513429729346'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/06/media-center-awarded-friends-grant.html' title='Media Center Awarded Friends Grant'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-3QYKosZtMqA/TgOJPnOShpI/AAAAAAAAAR0/j4iPRJnjUVo/s72-c/bs7.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6328311870330670245</id><published>2011-06-19T10:44:00.000-07:00</published><updated>2011-06-19T10:46:39.754-07:00</updated><title type='text'>Ruins - "Burning Stone" (CD SHIMMY 001)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-YHjLoEOffys/Tf41-MTE0_I/AAAAAAAAARo/J_cUs8BGRBI/s1600/ruins-burning.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 170px;" src="http://1.bp.blogspot.com/-YHjLoEOffys/Tf41-MTE0_I/AAAAAAAAARo/J_cUs8BGRBI/s200/ruins-burning.jpg" alt="" id="BLOGGER_PHOTO_ID_5619988727574352882" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="post-header"&gt;  &lt;/div&gt;  This early-90's release from Japan's premier complexi-core duo, Ruins,  takes the listener on an unpredictable sonic journey. Like being  blindfolded and put on a psychotic roller coaster ride,  bandleader/drummer/singer &lt;a href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=11:wbfixq9hld6e"&gt;Tatsuya  Yoshida&lt;/a&gt; and bassist/singer &lt;a href="http://www.allmusic.com/cg/amg.dll?p=amg&amp;amp;sql=11:3cfqxqrhldde"&gt;Ryuichi  Masuda&lt;/a&gt; toss the listener about by throwing hairpin-turn changes and  free-fall melodic dementia into the mix. Driving polyrhythmic  drumbeats, a heavily processed bass guitar, and vocal lines that dip  into the operatic, comedic, and ominous characterize the tunes on this  CD. Though the vocals sound and are meant to be nonsensical, their  phonetic renderings are written down in liner notes in case you want to  try following along.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://tinyurl.com/3q78os"&gt;Check it out  from the Media Center today: Call # CD SHIMMY 001&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6328311870330670245?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6328311870330670245/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6328311870330670245' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6328311870330670245'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6328311870330670245'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/06/ruins-burning-stone-cd-shimmy-001.html' title='Ruins - &quot;Burning Stone&quot; (CD SHIMMY 001)'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-YHjLoEOffys/Tf41-MTE0_I/AAAAAAAAARo/J_cUs8BGRBI/s72-c/ruins-burning.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-911713671096667770</id><published>2011-06-07T09:27:00.000-07:00</published><updated>2011-06-07T09:45:20.432-07:00</updated><title type='text'>June's New DVDs, VHS, and CDs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-hoXx-bi2XwQ/Te5VR4svlXI/AAAAAAAAARg/PQiLsFBFj_8/s1600/Screen%2Bshot%2B2011-06-07%2Bat%2B9.42.31%2BAM.png"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 108px;" src="http://3.bp.blogspot.com/-hoXx-bi2XwQ/Te5VR4svlXI/AAAAAAAAARg/PQiLsFBFj_8/s200/Screen%2Bshot%2B2011-06-07%2Bat%2B9.42.31%2BAM.png" alt="" id="BLOGGER_PHOTO_ID_5615519551143777650" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;       &lt;style&gt;@font-face {   font-family: "Courier New"; }@font-face {   font-family: "Wingdings"; }@font-face {   font-family: "ＭＳ ゴシック"; }@font-face {   font-family: "Verdana"; }@font-face {   font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 10pt; font-size: 12pt; font-family: "Times New Roman"; }p.MsoHeader, li.MsoHeader, div.MsoHeader { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }a:link, span.MsoHyperlink { color: blue; text-decoration: underline; }a:visited, span.MsoHyperlinkFollowed { color: purple; text-decoration: underline; }p.MsoNoteLevel1, li.MsoNoteLevel1, div.MsoNoteLevel1 { margin: 0in 0in 0.0001pt; text-indent: 0in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel1CxSpFirst, li.MsoNoteLevel1CxSpFirst, div.MsoNoteLevel1CxSpFirst { margin: 0in 0in 0.0001pt; text-indent: 0in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel1CxSpMiddle, li.MsoNoteLevel1CxSpMiddle, div.MsoNoteLevel1CxSpMiddle { margin: 0in 0in 0.0001pt; text-indent: 0in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel1CxSpLast, li.MsoNoteLevel1CxSpLast, div.MsoNoteLevel1CxSpLast { margin: 0in 0in 0.0001pt; text-indent: 0in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel2, li.MsoNoteLevel2, div.MsoNoteLevel2 { margin: 0in 0in 0.0001pt 0.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel2CxSpFirst, li.MsoNoteLevel2CxSpFirst, div.MsoNoteLevel2CxSpFirst { margin: 0in 0in 0.0001pt 0.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel2CxSpMiddle, li.MsoNoteLevel2CxSpMiddle, div.MsoNoteLevel2CxSpMiddle { margin: 0in 0in 0.0001pt 0.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel2CxSpLast, li.MsoNoteLevel2CxSpLast, div.MsoNoteLevel2CxSpLast { margin: 0in 0in 0.0001pt 0.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel3, li.MsoNoteLevel3, div.MsoNoteLevel3 { margin: 0in 0in 0.0001pt 1.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel3CxSpFirst, li.MsoNoteLevel3CxSpFirst, div.MsoNoteLevel3CxSpFirst { margin: 0in 0in 0.0001pt 1.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel3CxSpMiddle, li.MsoNoteLevel3CxSpMiddle, div.MsoNoteLevel3CxSpMiddle { margin: 0in 0in 0.0001pt 1.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel3CxSpLast, li.MsoNoteLevel3CxSpLast, div.MsoNoteLevel3CxSpLast { margin: 0in 0in 0.0001pt 1.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel4, li.MsoNoteLevel4, div.MsoNoteLevel4 { margin: 0in 0in 0.0001pt 1.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel4CxSpFirst, li.MsoNoteLevel4CxSpFirst, div.MsoNoteLevel4CxSpFirst { margin: 0in 0in 0.0001pt 1.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel4CxSpMiddle, li.MsoNoteLevel4CxSpMiddle, div.MsoNoteLevel4CxSpMiddle { margin: 0in 0in 0.0001pt 1.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel4CxSpLast, li.MsoNoteLevel4CxSpLast, div.MsoNoteLevel4CxSpLast { margin: 0in 0in 0.0001pt 1.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel5, li.MsoNoteLevel5, div.MsoNoteLevel5 { margin: 0in 0in 0.0001pt 2.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel5CxSpFirst, li.MsoNoteLevel5CxSpFirst, div.MsoNoteLevel5CxSpFirst { margin: 0in 0in 0.0001pt 2.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel5CxSpMiddle, li.MsoNoteLevel5CxSpMiddle, div.MsoNoteLevel5CxSpMiddle { margin: 0in 0in 0.0001pt 2.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel5CxSpLast, li.MsoNoteLevel5CxSpLast, div.MsoNoteLevel5CxSpLast { margin: 0in 0in 0.0001pt 2.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel6, li.MsoNoteLevel6, div.MsoNoteLevel6 { margin: 0in 0in 0.0001pt 2.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel6CxSpFirst, li.MsoNoteLevel6CxSpFirst, div.MsoNoteLevel6CxSpFirst { margin: 0in 0in 0.0001pt 2.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel6CxSpMiddle, li.MsoNoteLevel6CxSpMiddle, div.MsoNoteLevel6CxSpMiddle { margin: 0in 0in 0.0001pt 2.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel6CxSpLast, li.MsoNoteLevel6CxSpLast, div.MsoNoteLevel6CxSpLast { margin: 0in 0in 0.0001pt 2.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel7, li.MsoNoteLevel7, div.MsoNoteLevel7 { margin: 0in 0in 0.0001pt 3.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel7CxSpFirst, li.MsoNoteLevel7CxSpFirst, div.MsoNoteLevel7CxSpFirst { margin: 0in 0in 0.0001pt 3.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel7CxSpMiddle, li.MsoNoteLevel7CxSpMiddle, div.MsoNoteLevel7CxSpMiddle { margin: 0in 0in 0.0001pt 3.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel7CxSpLast, li.MsoNoteLevel7CxSpLast, div.MsoNoteLevel7CxSpLast { margin: 0in 0in 0.0001pt 3.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel8, li.MsoNoteLevel8, div.MsoNoteLevel8 { margin: 0in 0in 0.0001pt 3.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel8CxSpFirst, li.MsoNoteLevel8CxSpFirst, div.MsoNoteLevel8CxSpFirst { margin: 0in 0in 0.0001pt 3.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel8CxSpMiddle, li.MsoNoteLevel8CxSpMiddle, div.MsoNoteLevel8CxSpMiddle { margin: 0in 0in 0.0001pt 3.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel8CxSpLast, li.MsoNoteLevel8CxSpLast, div.MsoNoteLevel8CxSpLast { margin: 0in 0in 0.0001pt 3.75in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel9, li.MsoNoteLevel9, div.MsoNoteLevel9 { margin: 0in 0in 0.0001pt 4.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel9CxSpFirst, li.MsoNoteLevel9CxSpFirst, div.MsoNoteLevel9CxSpFirst { margin: 0in 0in 0.0001pt 4.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel9CxSpMiddle, li.MsoNoteLevel9CxSpMiddle, div.MsoNoteLevel9CxSpMiddle { margin: 0in 0in 0.0001pt 4.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoNoteLevel9CxSpLast, li.MsoNoteLevel9CxSpLast, div.MsoNoteLevel9CxSpLast { margin: 0in 0in 0.0001pt 4.25in; text-indent: -0.25in; page-break-after: avoid; font-size: 12pt; font-family: "Times New Roman"; }p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph { margin: 0in 0in 10pt 0.5in; font-size: 12pt; font-family: "Times New Roman"; }p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst { margin: 0in 0in 0.0001pt 0.5in; font-size: 12pt; font-family: "Times New Roman"; }p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle { margin: 0in 0in 0.0001pt 0.5in; font-size: 12pt; font-family: "Times New Roman"; }p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast { margin: 0in 0in 10pt 0.5in; font-size: 12pt; font-family: "Times New Roman"; }span.HeaderChar {  }div.Section1 { page: Section1; }ol { margin-bottom: 0in; }ul { margin-bottom: 0in; }&lt;/style&gt;What's new for June 2011 @ the Media Center? 211 new DVDs (see below), 85 "new" VHS tapes, and  13 CDs. &lt;a href="http://www.lib.washington.edu/media/searches/"&gt;Check them out!&lt;/a&gt;&lt;br /&gt;&lt;p class="MsoNoteLevel1" style="margin-left: 0in; text-indent: 0in;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNoteLevel1" style="margin-left: 0in; text-indent: 0in;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNoteLevel1" style="margin-left: 0in; text-indent: 0in;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNoteLevel1" style="margin-left: 0in; text-indent: 0in;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNoteLevel1"  style="margin-left: 0in; text-indent: 0in;font-family:arial;"&gt;&lt;span style="font-size:78%;"&gt;DVDs&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNoteLevel1" style="margin-left: 0in; text-indent: 0in;"&gt;&lt;span style="font-size:78%;"&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6562859"&gt;2 mums and a dad&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6234858"&gt;2 ou 3 choses que je sais d'elle&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877788"&gt;8 seconds&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6498601"&gt;10:30 p.m. summer&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6311443"&gt;13 years of UMNO &amp;amp; Barisan Nasional rule of Sabah&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6562103"&gt;20 straws: Growing up gay&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6554791"&gt;2501 migrants: Ajourney&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879015"&gt;Adventure in Sahara&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6042362"&gt;Alam-i Islam par maghribi yalghar ke mukhtalif pahlu aur Pakistan ke dakhli aur ilaqa'i alat&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6567586"&gt;Antichrist&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6815715"&gt;Art of Spain&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6085647"&gt;Die Artisten in der Zirkuskuppel, ratlos &amp;amp; Die unbezähmbare Leni Peickert&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5893370"&gt;Au revoir les enfants&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6825631"&gt;Backfire&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5861036"&gt;Bad timing&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5259681"&gt;Bande à part: Band of outsiders&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5182720"&gt;Les bas-fonds: The lower depths&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5523346"&gt;Bawang Puteh, Bawang Merah&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507713"&gt;Beneath clouds&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877616"&gt;Beni kujaku&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6422040"&gt;Beyoglu beyoglu 1&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507640"&gt;Bez svidetelei: Without witness &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877308"&gt;Biker boys of the dirt island &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b4656418"&gt;Black narcissus &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6748336"&gt;Blue valentine &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507723"&gt;Bluegreen &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6509332"&gt;Boyhood shadows &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6748332"&gt;Brutal beauty: Tales of the Rose City Rollers&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5031354"&gt;Buffy, the vampire slayer: The complete fourth season&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507658"&gt;Bulletproof salesman &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6829133"&gt;The burning plain &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6414232"&gt;Büyük oyun: A step into the darkness &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6310713"&gt;Can yue&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6465804"&gt;Car bomb&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6764826"&gt;Carrington &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6456724"&gt;Cary Grant: The early years&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507719"&gt;The children's war: Life in Northern Uganda&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b4379187"&gt;A Chinese ghost story: Chien nü yu hun&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5968014"&gt;Classe tous risques &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6880068"&gt;Cocaine angel &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6828639"&gt;Connected &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6576471"&gt;Cornered &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6827287"&gt;Cracking the colour code &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6825611"&gt;Crime in the streets &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6878985"&gt;The Crimson kimono &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6580989"&gt;Cronos&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831714"&gt;Darkness on the edge of town &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507643"&gt;David Hockney: A bigger picture &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5865793"&gt;Deng dai Geduo, En attendant Godot, Waiting for Godot &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6453758"&gt;Devi Dutt's Masoon: Masuma &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6748814"&gt;Les Diaboliques &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6311452"&gt;Disebalik propaganda Hindraf &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5990895"&gt;Disfigured&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6880493"&gt;The edge&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6576486"&gt;Edge of darkness &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831743"&gt;The Elephants' dream of peace &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5888507"&gt;Der Fangschuss &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b4427450"&gt;Fight club &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6827280"&gt;Finding Christa &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507656"&gt;Fish out of water &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507646"&gt;Four seasons lodge &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6414231"&gt;Four stories of St. Julian &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6166979"&gt;The friends of Eddie Coyle &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5968020"&gt;Fröken Julie &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6499619"&gt;Fue fuki doji &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5845948"&gt;Fukushusuru wa ware ni ari;Vengeance is mine&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6591880"&gt;Gegege no nyobo &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6311464"&gt;Gempur: 5010 sertai &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6764825"&gt;Glee &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5960557"&gt;Goodbye boys &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831708"&gt;Grace under fire &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6418911"&gt;La graine et le mulet &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6748819"&gt;The great dictator &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5755275"&gt;La haine &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507672"&gt;Hand Of Death &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877309"&gt;Hassan and the graduates &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6499987"&gt;Hayashiya Sanpei monogatari &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507659"&gt;Heinrich Himmler: Anatomy of a mass murderer &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6003383"&gt;Hi no tori &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6818662"&gt;Hibakusha: Sekai no owari ni &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831732"&gt;How to become a president &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6447513"&gt;Yesterday, today and tomorrow &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6748727"&gt;The illusionist &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6880290"&gt;Infernal affairs &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6829620"&gt;Innovation in irrigation: 6 case studies from across Australia &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6826710"&gt;The Iron giant &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5906875"&gt;Iskwaterpangk;Squatterpunk &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6499757"&gt;Isse Ogata, the best of best collection &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879004"&gt;It happened in Hollywood, or, once a hero &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6042350"&gt;Jamiah-yi Hafsah aur Lal Masjid par tabsarah &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6078524"&gt;Janji Anwar &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6399845"&gt;Kaali saladus &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6450323"&gt;Kabhi kabhie: Love is life &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5259685"&gt;Kagemusha: Kagemusha (the shadow warrior) &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6591894"&gt;Kanki no uta &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6412484"&gt;Karol: A man who became pope &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6748828"&gt;Kawaita hana &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6090090"&gt;Kenka erejii: Fighting elegy &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6703662"&gt;Kes &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6819109"&gt;Khayal Darpan;a mirror of imagination &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831174"&gt;Kibera kids &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6591885"&gt;Kitaro ga mita gyokusai;Mizuki Shigeru no senso &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b4787984"&gt;Kluzap: Nima-yi nazdik &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6830298"&gt;Koi zora: Sky of love &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5582341"&gt;Lacombe Lucien &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507653"&gt;L´éon Blum: For all mankind &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6387358"&gt;A lesson of Belorusian &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6823114"&gt;The little mermaid &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877341"&gt;Looting the seas &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6048432"&gt;Magnificent obsession &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6760754"&gt;Magnum P.I: The complete first season &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507721"&gt;Make me young: Youth knows no pain &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6763237"&gt;The man who stopped the desert &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6465802"&gt;Manuela y Manuel &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831173"&gt;The mayor's dream &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6505716"&gt;Merry Christmas, Mr. Lawrence &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5861040"&gt;Metropolitan &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831531"&gt;Whisper of the heart: Mimi o sumaseba &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6571552"&gt;La Mission &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6571580"&gt;Modern times &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831695"&gt;Moments of truth &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6763570"&gt;The silent world &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5031362"&gt;Monsoon wedding &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5755197"&gt;Monsters and madmen &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879161"&gt;Much ado about nothing &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6499618"&gt;Musashi;Musashi &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831175"&gt;My first day at school &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5684433"&gt;Naked &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877965"&gt;The Naked gun 2 1/2: The smell of fear &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6878044"&gt;The Naked gun 33 1/3: The final insult &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6066515"&gt;The naked gun: From the files of Police squad! &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6683898"&gt;The naked kiss &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877614"&gt;Nanatsu no chikai &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6509330"&gt;Never enough: A documentary &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507660"&gt;The night of broken glass: The November 1938 pogroms &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5900752"&gt;Nisab-i ta lim men mubayanah raushan khayali ka paivand &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6763195"&gt;No dumb questions &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6764806"&gt;The Norman conquests &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6048431"&gt;El norte: The north &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6090097"&gt;Le notti bianche &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877321"&gt;Nottingham lace &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6509246"&gt;The oath &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6353169"&gt;Oblomov &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6509335"&gt;Oceans of plastic: Des Oceans de plastique &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507650"&gt;Off and running: An American coming of age story &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6827277"&gt;Once more removed &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6414230"&gt;One night &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5900502"&gt;Pakistan aur Islam &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5900746"&gt;Pakistan me zalzalah: afat ya azab. &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6881535"&gt;Passchendaele &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6817101"&gt;Patiala house &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6825594"&gt;The Phenix City story &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879327"&gt;Piat vecherov &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6881377"&gt;Las poquianchis &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879031"&gt;Power of the press &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831704"&gt;The president's dilemma &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6880313"&gt;Qian shou guan yin &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5864273"&gt;Qun zhong yan yuan;Extras &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879287"&gt;Raba liubvi&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6202166"&gt;Raihan (karaoke) &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831700"&gt;Reclaim the condom &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6571430"&gt;Reel injun &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507705"&gt;Reline &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877137"&gt;Rewers &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5671389"&gt;Ride with the devil&lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6555047"&gt;Rio breaks &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5898813"&gt;Robinson Crusoe on Mars &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507717"&gt;Rock prophecies &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6819707"&gt;Romanzo criminale;la serie. &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6311466"&gt;Saifudin Nasution, Jelutong &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5777471"&gt;Le salaire de la peur: Wages of fear &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5952089"&gt;Salt of the earth &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879064"&gt;Scandal sheet &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877312"&gt;Scent of the street &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6450834"&gt;Seeta aur Geeta: Sita aura Gita &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6422044"&gt;Sen hiç atesböcegi gördün mü &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5523431"&gt;Seniman bujang lapok: The nitwit movie stars &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6311480"&gt;Seri melati ghazal Johor Bahru &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6507683"&gt;Shiranui kengyo: The secrets of a court masseur &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6879047"&gt;Shockproof &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6746813"&gt;Shokudo katatsumuri &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831724"&gt;Silk ceiling &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6450838"&gt;Silsila &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b4491819"&gt;Soliaris &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6831828"&gt;Sorie K. and the MDGs &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6576542"&gt;Soul Kitchen &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6815714"&gt;Spain's multicultural past &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5984620"&gt;Straw dogs &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6498084"&gt;Sud'ba cheloveka &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6827261"&gt;Sukai kurora: The sky crawlers &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6591961"&gt;Supesharu dorama Sakano ueno kumo: Kanren dokyumentari &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6748793"&gt;Sweet smell of success &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6042357"&gt;Tahzibon ka tasadum &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6817558"&gt;Tanzträume: Jugendliche tanzen Kontakthof , ein Stück von Pina Bausch &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6820654"&gt;Tapestries of hope &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6505704"&gt;The thin red line &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5746833"&gt;Tirez sur le pianiste &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6827253"&gt;Tokyo godfathers &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6703659"&gt;Topsy-turvy &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5416191"&gt;Tout va bien &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877307"&gt;Trawler girl &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6877413"&gt;Two: A film fable &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6384672"&gt;The unborn &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6823882"&gt;Understanding calculus: Problems, solutions, and tips &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6760584"&gt;Underworld U.S.A. &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5085034"&gt;Utomlennye solntsem: Burnt by the sun &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5820202"&gt;La voie lactée: The milky way &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b5820182"&gt;Walkabout &lt;/a&gt;&lt;br /&gt;&lt;a style="font-family: arial;" href="http://catalog.lib.washington.edu/record=b6880265"&gt;Wu jian dao II: Infernal affairs 2 &lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6345978"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-family:arial;"&gt;Yan mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p class="MsoNoteLevel1" style="margin-left: 0in; text-indent: 0in;"&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-911713671096667770?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/911713671096667770/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=911713671096667770' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/911713671096667770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/911713671096667770'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/06/junes-new-dvds-vhs-and-cds.html' title='June&apos;s New DVDs, VHS, and CDs'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-hoXx-bi2XwQ/Te5VR4svlXI/AAAAAAAAARg/PQiLsFBFj_8/s72-c/Screen%2Bshot%2B2011-06-07%2Bat%2B9.42.31%2BAM.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2047300152245795494</id><published>2011-05-10T11:13:00.000-07:00</published><updated>2011-05-10T11:17:25.788-07:00</updated><title type='text'>DIVE! Free Screening on 5/5/11</title><content type='html'>College Greens UW, is holding its 2nd annual three-part film/speaker series dedicated to issues of environmental and social justice.&lt;br /&gt;&lt;br /&gt;At this event they will be showing &lt;span style="font-weight: bold;"&gt;DIVE!&lt;/span&gt; (Media Center &lt;a href="http://catalog.lib.washington.edu/search%7ES3?/fDVD+COMPE+001/fdvd+compe+001/-3,-1,,E/browse"&gt;DVD COMPE 001&lt;/a&gt;), a film about 'dumpster-diving' as a means of raising awareness to food waste and justice. Following the film, UW graduate student and CHID instructor David Giles will lead a discussion about how we can engage food waste and justice issues here in Seattle.&lt;br /&gt;&lt;br /&gt;It's a free event and open to the public.&lt;br /&gt;&lt;br /&gt;"Free yummy food will be provided at the showing!" Liberated from a dumpster? Not sure.&lt;br /&gt;&lt;br /&gt;What: DIVE!—Living Off America’s Waste&lt;br /&gt;Website: http://www.divethefilm.com/&lt;br /&gt;When: Thursday, May 12th @ 5:30pm&lt;br /&gt;Where: Smith 120&lt;br /&gt;Speaker: David Giles&lt;br /&gt;&lt;br /&gt;Film Description: Inspired by a curiosity about society’s careless habit of sending food straight to landfills, DIVE! follows filmmaker Jeremy Seifert and friends as they dumpster dive in the back alleys and gated garbage receptacles of Los Angeles supermarkets. In the process, they salvage thousands of dollars worth of good, edible food–resulting in an eye-opening documentary that is equal parts entertainment, guerilla journalism and call to action.&lt;br /&gt;&lt;br /&gt;Speaker Bio: David Giles, a PhD candidate in anthropology at the University of Washington, is teaching an advanced special topics CHID course about everyday experience in the shared spaces of the city. The course, titled The Vagaries of Home: Vagrancy, Value and the Abject, encourages students to examine the unknown and unnoticed cultural, political and ecological histories of the city, “from the desks of city planners and politicians to the alleys and interstices written in between the lines of their decisions and the homeless who sleep there.” After the film screening, David will speak about the political and cultural aspects of hunger and waste in Seattle.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2047300152245795494?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2047300152245795494/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2047300152245795494' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2047300152245795494'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2047300152245795494'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/05/dive-free-screening-on-5511.html' title='DIVE! Free Screening on 5/5/11'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6214378956940617772</id><published>2011-05-09T08:24:00.000-07:00</published><updated>2011-05-09T14:49:17.583-07:00</updated><title type='text'>New Audio &amp; Video Guide</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://guides.lib.washington.edu/av"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 190px;" src="http://1.bp.blogspot.com/-HIq5AP6pBZY/Tcg92y2zVPI/AAAAAAAAAQ4/SaZlwg7wKlY/s200/Screen%2Bshot%2B2011-05-09%2Bat%2B12.17.14%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5604797747836441842" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:small;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://guides.lib.washington.edu/av"&gt;Check out the new audio &amp;amp; video guide&lt;/a&gt;. It's designed to help you find music  CDs, audiobooks, movies, TV shows, copyright information, links to music  and film criticism resources, and more. &lt;/strong&gt;&lt;/span&gt; &lt;ul&gt;&lt;li style="text-align: justify;"&gt;&lt;span style="font-size:small;"&gt;&lt;strong&gt;&lt;a href="http://guides.lib.washington.edu/aecontent.php?pid=70037&amp;amp;sid=518640"&gt;Audio&lt;/a&gt; - Listen to music, plays, books, speeches, sound effects &amp;amp; more. &lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="text-align: justify;"&gt;&lt;span style="font-size:small;"&gt;&lt;strong&gt;&lt;a href="http://guides.lib.washington.edu/aecontent.php?pid=70037&amp;amp;sid=518605"&gt;Video&lt;/a&gt; - Watch films, TV shows, documentaries, news, arts &amp;amp; much more.     &lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="text-align: justify;"&gt;&lt;span style="font-size:small;"&gt;&lt;strong&gt;&lt;a href="http://guides.lib.washington.edu/aecontent.php?pid=70037&amp;amp;sid=518806"&gt;Copyright&lt;/a&gt; - Learn about copyright &amp;amp; how it impacts your use  of av.     &lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;li style="text-align: justify;"&gt;&lt;span style="font-size:small;"&gt;&lt;strong&gt;&lt;a href="http://guides.lib.washington.edu/aecontent.php?pid=70037&amp;amp;sid=1589660"&gt;Criticism&lt;/a&gt; - Find scholarly criticism on music, cinema, TV, video &amp;amp; more.&lt;/strong&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6214378956940617772?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6214378956940617772/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6214378956940617772' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6214378956940617772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6214378956940617772'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/05/new-audio-video-guide.html' title='New Audio &amp; Video Guide'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-HIq5AP6pBZY/Tcg92y2zVPI/AAAAAAAAAQ4/SaZlwg7wKlY/s72-c/Screen%2Bshot%2B2011-05-09%2Bat%2B12.17.14%2BPM.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5642009880286355064</id><published>2011-05-06T16:01:00.000-07:00</published><updated>2011-05-06T16:36:53.901-07:00</updated><title type='text'>New Movies and Music!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-q3j6dyNFGvo/TcSF70z3BtI/AAAAAAAAAQg/QYPT9TKMCqU/s1600/Screen%2Bshot%2B2011-05-06%2Bat%2B4.35.45%2BPM.png"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 356px; height: 164px;" src="http://1.bp.blogspot.com/-q3j6dyNFGvo/TcSF70z3BtI/AAAAAAAAAQg/QYPT9TKMCqU/s200/Screen%2Bshot%2B2011-05-06%2Bat%2B4.35.45%2BPM.png" alt="" id="BLOGGER_PHOTO_ID_5603751099190675154" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/Media/new/default.html"&gt;Check out new movie, music, and spoken word recording titles for April and May.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Movie highlights include:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6755894"&gt;A Film Unfinished&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http:///"&gt;American Zombie&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6507708"&gt;Project 798: New art in new China&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6508239"&gt;Soylent Green&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6576530"&gt;What's the matter with Kansas?&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6774692"&gt;Witness to Hiroshima&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6748338"&gt;Harry Potter and the Deathly Hallows&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;Music highlights include:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Surrealestate&lt;a href="http://catalog.lib.washington.edu/record=b6758171"&gt;'s Lacunae&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;strong style="font-weight: normal;"&gt;&lt;/strong&gt;Beach House&lt;span style="text-decoration: underline;"&gt;'s &lt;/span&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6703543"&gt;Teen dream&lt;/a&gt;&lt;/li&gt;&lt;li&gt;LCD Soundsystem&lt;span style="text-decoration: underline;"&gt;'s &lt;/span&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6703540"&gt;This is happening&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;Spoken word recording highlights include:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5944409"&gt;Lessig's "Is Google (2008) Microsoft (1998)?&lt;/a&gt;"&lt;/li&gt;&lt;li&gt;&lt;strong style="font-weight: normal;"&gt;Pasuk Phongpaichit&lt;/strong&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6773066"&gt;'s Corporate corruption, conflict of interest, crime:  Local complexities and global connections &lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5642009880286355064?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5642009880286355064/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5642009880286355064' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5642009880286355064'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5642009880286355064'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/05/new-movies-and-music.html' title='New Movies and Music!'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-q3j6dyNFGvo/TcSF70z3BtI/AAAAAAAAAQg/QYPT9TKMCqU/s72-c/Screen%2Bshot%2B2011-05-06%2Bat%2B4.35.45%2BPM.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-8496680657811925568</id><published>2011-05-04T20:19:00.000-07:00</published><updated>2011-05-04T20:21:26.251-07:00</updated><title type='text'>Langston Hughes African American Film Festival</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-F2vCw7WS1o8/TcIXsLkffEI/AAAAAAAAAQY/AjPSSqYltEM/s1600/Picture%2B1.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 78px;" src="http://4.bp.blogspot.com/-F2vCw7WS1o8/TcIXsLkffEI/AAAAAAAAAQY/AjPSSqYltEM/s200/Picture%2B1.png" border="0" alt=""id="BLOGGER_PHOTO_ID_5603066934189849666" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.langstonblackfilmfest.org/"&gt;LANGSTON HUGHES AFRICAN AMERICAN FILM FESTIVAL (LHAAFF) CONTINUES THIS WEEK&lt;/a&gt; - The 8th annual Langston Hughes African American Film Festival kicked off this past weekend and will run through Sunday, May 8. The films screened so far have done well, with last night's showing of local film 23rd and Union selling out (an additional screening has been added for tonight, May 4 at 9 PM). You can catch all the films at Central Cinema with the exception of the closing day schedule, which will screen at Garfield High Schools' Quincy Jones Theater. Make sure to see some of the great films at LHAAFF this week while you can. Highlights include the Seattle soul documentary Wheedle's Groove, a brunch event with filmmakers at the Northwest African American Museum, and the closing night film Butterfly Rising (directed by True Blood actress Tanya Wright). Filmmakers will be in attendance at most screenings. Check out the full schedule here.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-8496680657811925568?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/8496680657811925568/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=8496680657811925568' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8496680657811925568'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8496680657811925568'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/05/langston-hughes-african-american-film.html' title='Langston Hughes African American Film Festival'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-F2vCw7WS1o8/TcIXsLkffEI/AAAAAAAAAQY/AjPSSqYltEM/s72-c/Picture%2B1.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6865944371850747614</id><published>2011-04-19T14:33:00.000-07:00</published><updated>2011-04-21T21:24:17.990-07:00</updated><title type='text'>Poetry Films from the Vaults</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-pNwGiWqbObY/Ta4iIhhMP3I/AAAAAAAAAQQ/s0am6QB2sPw/s1600/Slide1.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 183px; height: 238px;" src="http://3.bp.blogspot.com/-pNwGiWqbObY/Ta4iIhhMP3I/AAAAAAAAAQQ/s0am6QB2sPw/s200/Slide1.jpg" alt="" id="BLOGGER_PHOTO_ID_5597448916699987826" border="0" /&gt;&lt;/a&gt;Attention poetry film fans. In celebration of National Poetry month and this year's Common Book (You Are Never Where You Are), the Media Center will screen 3 rare poetry films this Wednesday (April 27) from 11am to 1pm, in Odegaard 220. While being projected in all their deteriorating analog glory, we will simultaneously digitize the films for preservation and access.&lt;br /&gt;&lt;br /&gt;Can't make it in person? Tune in live @&lt;br /&gt;&lt;a href="http://www.ustream.tv/channel/uwlibs"&gt;http://www.ustream.tv/channel/uwlibs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Films include...&lt;br /&gt;&lt;br /&gt;Leopold Sedar Senghor (1967 ----- b &amp;amp; w ----- 29 min ----- 16mm)&lt;br /&gt;Introduces Leopold Sedar Senghor, his poetry and the environment that his poems reflect. Discusses his philosophy concerning the blending of the African and the Western cultural traditions. Describes Senghor as the poet laureate and President of the Republic of Senegal and presents, in English, a reading of five of his poems. Held by UW and NYPL.&lt;br /&gt;&lt;br /&gt;Tagore (1961 ----- b &amp;amp; w ----- 53 min ----- 16mm)&lt;br /&gt;A documentary-biography of the great Bengali poet, Rabindranth Tagore, made for the centenary of his birth by India's foremost director, Satyajit Ray. Includes news footage, sketches, photos and a dramatization of his early life. Reveals the poet, novelist, philosopher, composer, painter, rebel and educational reformer, one of the great and noble men of this century. Held by UW, UC Berkeley, University of Texas, &amp;amp; Library System of Lancaster County (PA).&lt;br /&gt;&lt;br /&gt;W. B. Yeats: A Tribute (1951 ----- b &amp;amp; w ----- 20 min ----- 16mm)&lt;br /&gt;Ireland's greatest poet--his life in Ireland and the inspiration he drew from the Irish landscape. Held by UW, San Francisco State University, Florida International University, State Library of New South Wales, &amp;amp; the National Film and Sound Archive (Australia).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6865944371850747614?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6865944371850747614/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6865944371850747614' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6865944371850747614'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6865944371850747614'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/04/poetry-films-from-vaults.html' title='Poetry Films from the Vaults'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-pNwGiWqbObY/Ta4iIhhMP3I/AAAAAAAAAQQ/s0am6QB2sPw/s72-c/Slide1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3971429670368656551</id><published>2011-04-19T09:06:00.000-07:00</published><updated>2011-04-19T09:35:06.631-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='library'/><category scheme='http://www.blogger.com/atom/ns#' term='library snapshot day'/><category scheme='http://www.blogger.com/atom/ns#' term='uw'/><category scheme='http://www.blogger.com/atom/ns#' term='media'/><category scheme='http://www.blogger.com/atom/ns#' term='libraries'/><title type='text'>Library Snapshot Day @ the Media Center</title><content type='html'>April 12th was "Library Snapshot Day" at the UW. It was a typically busy  day for us in the Media Center: nearly 1,200 audio and video items accessed, 1 unique music recording and 1 unique film digitized, and dozens of ILL requests filled. Nonetheless, we managed to carve out a bit of  time to make this noir-inspired video-trailer, documenting some of the  things we were up to.&lt;br /&gt;&lt;br /&gt;&lt;iframe title="YouTube video player" src="http://www.youtube.com/embed/4c6VXK2hTCo" allowfullscreen="" frameborder="0" height="260" width="400"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3971429670368656551?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3971429670368656551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3971429670368656551' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3971429670368656551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3971429670368656551'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/04/library-snapshot-day-media-center.html' title='Library Snapshot Day @ the Media Center'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/4c6VXK2hTCo/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7368154334395220211</id><published>2011-04-01T09:01:00.001-07:00</published><updated>2011-04-01T09:06:56.888-07:00</updated><title type='text'>Kearney Barton in the Stranger</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-qrF6Y4psOJQ/TZX4GA_7Z8I/AAAAAAAAAQI/gTX4he3iX38/s1600/Screen%2Bshot%2B2011-04-01%2Bat%2B8.32.32%2BAM.png"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 170px; height: 200px;" src="http://3.bp.blogspot.com/-qrF6Y4psOJQ/TZX4GA_7Z8I/AAAAAAAAAQI/gTX4he3iX38/s200/Screen%2Bshot%2B2011-04-01%2Bat%2B8.32.32%2BAM.png" alt="" id="BLOGGER_PHOTO_ID_5590647294681376706" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Check out the featured article in the music section of this week's The Stranger: &lt;a href="http://www.thestranger.com/seattle/planet-of-the-tapes/Content?oid=7439493"&gt;Planet of the Tapes: &lt;/a&gt;&lt;a href="http://www.thestranger.com/seattle/planet-of-the-tapes/Content?oid=7439493"&gt;The Incredible Life and Sounds of Studio Wiz Kearney Barton&lt;/a&gt;&lt;br /&gt;It's a an overview of the collection your Media Center has been working with this past year, thanks to a grant from the &lt;a href="http://depts.washington.edu/uwch/projects_AMPS.htm"&gt;American Music Partnership of Seattle&lt;/a&gt;. You can see some of the work we have been up to by visiting &lt;a href="http://www.lib.washington.edu/media/ps/barton.html"&gt;this page&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7368154334395220211?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7368154334395220211/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7368154334395220211' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7368154334395220211'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7368154334395220211'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/04/kearney-barton-in-stranger.html' title='Kearney Barton in the Stranger'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-qrF6Y4psOJQ/TZX4GA_7Z8I/AAAAAAAAAQI/gTX4he3iX38/s72-c/Screen%2Bshot%2B2011-04-01%2Bat%2B8.32.32%2BAM.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7076202683573197606</id><published>2011-03-25T11:37:00.000-07:00</published><updated>2011-03-25T11:42:57.873-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='streaming'/><title type='text'>Streaming Reserves Consolidated @ Media Center</title><content type='html'>Beginning Spring Quarter 2011 the Music Library will partner with the Media Center in centralize streaming audio and video reserves services.&lt;br /&gt;&lt;br /&gt;What does this mean for UW faculty?&lt;br /&gt;&lt;br /&gt;*Audio Streaming for School of Music: The Music Library will continue to accept streaming reserve request forms and audio materials to stream. Audio materials with forms will be delivered by student courier to the Media Center weekdays at 10:30 and 2:30. Audio materials with forms may also be dropped off directly to the Media Center. NOTE: In order to allow for your streaming audio requests to be processed, we request that you drop off materials one week prior to the date that you need them made available online. Materials will be processed in the order they are received.&lt;br /&gt;&lt;br /&gt;*Print and Electronic Reserves for School of Music: The pilot will not effect School of Music related print reserves, electronic document reserves, and media materials physically on reserve in the Listening Center. They will continue to be processed and available in the Music Library.&lt;br /&gt;&lt;br /&gt;*Streaming Videos: If you are interested in having videos streamed for your class, please email&lt;br /&gt;medialib@uw.edu or visit this page: http://tinyurl.com/uwvideoreserves&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7076202683573197606?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7076202683573197606/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7076202683573197606' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7076202683573197606'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7076202683573197606'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/03/streaming-reserves-consolidated-media.html' title='Streaming Reserves Consolidated @ Media Center'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1521763816352655436</id><published>2011-03-07T21:32:00.000-08:00</published><updated>2011-03-07T22:43:00.613-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collection'/><category scheme='http://www.blogger.com/atom/ns#' term='foreign films'/><title type='text'>47 Ronin (Media Center DVD IEF 039)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-jb663W-hdGw/TXXL53cqYyI/AAAAAAAAAP0/p2WX5waAGPo/s1600/51KTW83ERAL._SL500_AA300_.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 200px;" src="http://1.bp.blogspot.com/-jb663W-hdGw/TXXL53cqYyI/AAAAAAAAAP0/p2WX5waAGPo/s200/51KTW83ERAL._SL500_AA300_.jpg" alt="" id="BLOGGER_PHOTO_ID_5581591508192748322" border="0" /&gt;&lt;/a&gt;Weighing in at just over 4 hours in length, &lt;a href="http://catalog.lib.washington.edu/record=b4484285%7ES6"&gt;Kenji Mizoguichi&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b4484285%7ES6"&gt;'s&lt;span style="font-weight: bold;"&gt; 47 Ronin&lt;/span&gt;&lt;/a&gt; tells the story of 47 lordless samurai (or ronin) dead set on avenging the death of their master. They succeed about 3 hours in--sorry to spoil it for you--and by doing so restore the honor of  their master, as well as their own as samurai.&lt;br /&gt;&lt;br /&gt;A fact-inspired story, Mizoguichi's epic is a black and white cinematic  exploration of heroism and self-sacrifice. If you are looking for a blood soaked samurai action film, 47 Ronin is not it (&lt;a href="http://catalog.lib.washington.edu/record=b5657372%7ES6"&gt;try this one instead&lt;/a&gt;). Yes, there is a lot of harakiri, but 47 Ronin is more about the long (very long) shot and dialogic expanses. It is a tragic paean to the samurai code (bushido). And that's why Japanese censors allowed Mizoguichi to release it just weeks before the attack on Pearl Harbor. OK, but why are American censors allowing &lt;a href="http://catalog.lib.washington.edu/search%7ES6?/aReeves%2C+Keanu./areeves+keanu/-3%2C-1%2C0%2CB/exact&amp;amp;FF=areeves+keanu&amp;amp;1%2C32%2C"&gt;Keanu Reeves&lt;/a&gt; to star in a &lt;a href="http://www.imdb.com/title/tt1335975/"&gt;remake come 2012&lt;/a&gt;?&lt;br /&gt;&lt;h4 class="inline"&gt;   &lt;/h4&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1521763816352655436?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1521763816352655436/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1521763816352655436' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1521763816352655436'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1521763816352655436'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/03/47-ronin-media-center-dvd-ief-039.html' title='47 Ronin (Media Center DVD IEF 039)'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-jb663W-hdGw/TXXL53cqYyI/AAAAAAAAAP0/p2WX5waAGPo/s72-c/51KTW83ERAL._SL500_AA300_.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-424650132155182615</id><published>2011-03-03T12:12:00.000-08:00</published><updated>2011-03-15T09:51:28.962-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collection'/><title type='text'>Pacific NorthWest Film Collection (Updated</title><content type='html'>We're working on putting together a list, and then later a collection, of films shot in the Pacific Northwest including Washington, Oregon, Idaho and Alaska by local Directors/Writers/Producers.&lt;br /&gt;&lt;br /&gt;So far ( ...and this is very much at the early stage of progress and compilation...):&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;p class="MsoNormalCxSpFirst"&gt;AMPLIFIED SEATTLE&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;2010&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;ASK NOT&lt;span style="mso-tab-count:1"&gt;              &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;AT THE BACK OF THE NORTH WIND&lt;span style="mso-tab-count:1"&gt;          &lt;/span&gt;2006&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;BACK TO THE GARDEN&lt;span style="mso-tab-count:1"&gt;   &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;BASS ACKWARDS&lt;span style="mso-tab-count:1"&gt;             &lt;/span&gt;2010&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;BOOK OF STARS&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;1999&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;BOOKENDS&lt;span style="mso-tab-count:1"&gt;         &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2003&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Edmonds, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;BUTTERFLY DREAMING&lt;span style="mso-tab-count:1"&gt; &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;CHIHULY FIRE &amp;amp; LIGHT&lt;span style="mso-tab-count: 1"&gt;   &lt;/span&gt;2010&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;CLOTHES&lt;span style="mso-tab-count:1"&gt;              &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2001&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Edmonds, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;COMING OUT...&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2004&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;CREATIVE NATURE&lt;span style="mso-tab-count:1"&gt;          &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;CRIMES OF THE PAST&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;DANCING ACROSS BORDERS&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;DARK HORSE, THE&lt;span style="mso-tab-count:1"&gt;            &lt;/span&gt;2007&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;DAY MY PARENTS BECAME COOL, THE&lt;span style="mso-tab-count:1"&gt;    &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Burien - Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;DEAR LEMON LIMA&lt;span style="mso-tab-count:1"&gt;         &lt;/span&gt;2010&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA / Fairbanks, AK (?)&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;FAREWELL TO HARRY&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;2002&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Bainbridge Island - Port Townsend - Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;FINDING BLISS&lt;span style="mso-tab-count:1"&gt;  &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Spokane, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;GIRLS MAKE MEDIA THAT MATTERS&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;2005&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;GOOD FOOD&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;GREAT SPEECHES FROM A DYING WORLD&lt;span style="mso-tab-count:1"&gt;             &lt;/span&gt;2007&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;GRRL X-ING&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2006&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;HUMPDAY&lt;span style="mso-tab-count:1"&gt;          &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2009&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;ICONS AMONG US&lt;span style="mso-tab-count:1"&gt;          &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;IMMACULATE CONCEPTION OF LITTLE DIZZLE, THE&lt;span style="mso-tab-count:1"&gt;           &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;INDEPENDENT AMERICA: RISING FROM RUINS / THE TWO LANE SEARCH FOR MOM AND POP&lt;span style="mso-tab-count:1"&gt;    &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Yelm, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;IT TAKES A CULT&lt;span style="mso-tab-count:1"&gt;               &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Queen Anne - Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;JUNK&lt;span style="mso-tab-count:1"&gt;     &lt;/span&gt;&lt;span style="mso-tab-count:2"&gt;                                &lt;/span&gt;2011&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;JUSTICE FOR ALL: A PUBLIC HEARING&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;2003&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;LAST CAMPAIGN OF GOVERNOR BOOTH GARDNER, THE&lt;span style="mso-tab-count:1"&gt;               &lt;/span&gt;2009&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;MIX IT UP: YOUTH &amp;amp; RACE&lt;span style="mso-tab-count: 1"&gt;           &lt;/span&gt;2005&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;MR. BIG&lt;span style="mso-tab-count:1"&gt;               &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2007&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;MORNING&lt;span style="mso-tab-count:1"&gt;          &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2010&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;MY EFFORTLESS BRILLIANCE&lt;span style="mso-tab-count: 1"&gt;        &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;A NOT SO STILL LIFE&lt;span style="mso-tab-count: 1"&gt;        &lt;/span&gt;2010&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;OUTSOURCED&lt;span style="mso-tab-count:1"&gt;   &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2006&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;PENITENT MAN, THE&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;2010&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Des Moines - Mill Creek - Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;PERFECT 10&lt;span style="mso-tab-count:1"&gt;         &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2010&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;PERFECT SPORT&lt;span style="mso-tab-count:1"&gt;              &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;   &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Vashon Island, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;REEL GRRLS TV 2009&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;RELATIVE THING, A&lt;span style="mso-tab-count:1"&gt;         &lt;/span&gt;2003&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Bainbridge Island, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;SEATTLE WOMEN IN FILM&lt;span style="mso-tab-count: 1"&gt;            &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;SECONDHAND HANGOVER: THE EFFECTS OF ADDICTION&lt;span style="mso-tab-count:1"&gt;               &lt;/span&gt;2006&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;SENIOR PROM&lt;span style="mso-tab-count:1"&gt;   &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2010&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Mountlake Terrace - Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;SMOKE SIGNALS&lt;span style="mso-tab-count:1"&gt;              &lt;/span&gt;1998&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;ID, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;STORY TIME&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;SWEET CRUDE&lt;span style="mso-tab-count:1"&gt;   &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;SWEET THING&lt;span style="mso-tab-count:1"&gt;    &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;                &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;TRIMPIN: THE SOUND OF INVENTION&lt;span style="mso-tab-count:1"&gt;    &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;TRUE ADOLESCENTS&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;UNFINISHED NOVEL, THE&lt;span style="mso-tab-count: 1"&gt;             &lt;/span&gt;2004&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;VISIONEERS&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;span style="mso-tab-count:1"&gt;             &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;WHALE WARRIOR, THE: PIRATE FOR THE SEA&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;WHEEDLE’S GROOVE&lt;span style="mso-tab-count:1"&gt;      &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Central District - Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;WHOLE TRUTH, THE&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Seattle - Tacoma, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;WINK AND A SMILE, A&lt;span style="mso-tab-count: 1"&gt;   &lt;/span&gt;2008&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;WORLD'S GREATEST DAD&lt;span style="mso-tab-count: 1"&gt;              &lt;/span&gt;2009&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;Wallingford - Seattle, WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;YEAR OF THE GRRL DIRECTOR&lt;span style="mso-tab-count: 1"&gt;     &lt;/span&gt;2010&lt;span style="mso-tab-count:1"&gt;       &lt;/span&gt;WA&lt;/p&gt;  &lt;p class="MsoNormalCxSpMiddle"&gt;ZMD: ZOMBIES OF MASS DESTRUCTION&lt;span style="mso-tab-count:1"&gt;   &lt;/span&gt;2008&lt;span style="mso-tab-count: 1"&gt;       &lt;/span&gt;Port Gamble, WA&lt;/p&gt;&lt;/div&gt;&lt;div&gt;-Alex&lt;br /&gt;&lt;img src="file:///C:/Users/OUGLDesk/AppData/Local/Temp/moz-screenshot.png" alt="" /&gt;&lt;img src="file:///C:/Users/OUGLDesk/AppData/Local/Temp/moz-screenshot-1.png" alt="" /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-424650132155182615?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/424650132155182615/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=424650132155182615' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/424650132155182615'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/424650132155182615'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/03/pacific-northwest-film-collection.html' title='Pacific NorthWest Film Collection (Updated'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2652280244383562002</id><published>2011-02-18T09:01:00.000-08:00</published><updated>2011-03-04T12:11:50.015-08:00</updated><title type='text'>Radiohead, Radiohead, Radiohead</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/-zC8c4ctZRn8/TV6qp-Ynb2I/AAAAAAAAAE0/ZuU9N7NNuZw/s1600/radiohead.jpg"&gt;&lt;img style="float: right; margin: 0pt 0pt 10px 10px; cursor: pointer; width: 200px; height: 162px;" src="http://3.bp.blogspot.com/-zC8c4ctZRn8/TV6qp-Ynb2I/AAAAAAAAAE0/ZuU9N7NNuZw/s200/radiohead.jpg" alt="" id="BLOGGER_PHOTO_ID_5575081026828857186" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Radiohead is back with a new album, and if you pre-ordered your purchase you get to download the album a day early!  Strawberry Radiohead Surprise!&lt;br /&gt;&lt;br /&gt;We have Radiohead o'plenty at the Media Center including:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;7 Television Commercials&lt;/span&gt; (2003) -Radiohead&lt;br /&gt;Collection of music videos&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5729482~S6"&gt;DVD CAP 001&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt;Bends, The&lt;/span&gt; - &lt;a href="http://catalog.lib.washington.edu/record=b6097862~S6"&gt;CD CAP 127&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Hail to the Thief&lt;/span&gt; - &lt;a href="http://catalog.lib.washington.edu/record=b5289987~S6"&gt;CD CAP 105&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;In Rainbows&lt;/span&gt; - &lt;a href="http://catalog.lib.washington.edu/record=b5963484~S6"&gt;CD TBD 001&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kid A&lt;/span&gt; - &lt;a href="http://catalog.lib.washington.edu/record=b5963465~S6"&gt;CD CAP 124&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;OK Computer&lt;/span&gt; - &lt;a href="http://catalog.lib.washington.edu/record=b4463353~S6"&gt;CD CAP 073&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Watch the video for the new song "Lotus Flower" from "King of Limbs" on YouTube &lt;a href="http://www.youtube.com/watch?v=cfOa1a8hYP8&amp;amp;feature=youtu.be"&gt;here&lt;/a&gt;.&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;-Alex&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2652280244383562002?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2652280244383562002/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2652280244383562002' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2652280244383562002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2652280244383562002'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/02/radiohead-radiohead-radiohead.html' title='Radiohead, Radiohead, Radiohead'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-zC8c4ctZRn8/TV6qp-Ynb2I/AAAAAAAAAE0/ZuU9N7NNuZw/s72-c/radiohead.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-8498472892269586953</id><published>2011-02-11T10:03:00.000-08:00</published><updated>2011-03-07T15:28:56.338-08:00</updated><title type='text'>Romantic Comedies at the Media Center - RomComs for V-Day</title><content type='html'>Grab a guy or grab a gal, and spend a little time on the couch with a Romantic Comedy from the Media Center. We've selected a few of our favorites, but you can browse and search all 390 Rom-Coms at our website by &lt;a href="http://catalog.lib.washington.edu/search~S6?/hRomantic+comedy+films./hromantic+comedy+films/-3%2C-1%2C0%2CB/exact&amp;amp;FF=hromantic+comedy+films&amp;amp;1%2C390%2C"&gt;clicking this link&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;10 THINGS I HATE ABOUT YOU (1999) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b5729363~S6"&gt;DVD BVHE 178&lt;/a&gt;&lt;br /&gt;Julia Stiles, Heath Ledger, Joseph Gordon-Levitt&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;(500) DAYS OF SUMMER (2009) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6317326~S6"&gt;DVD TCFHE 332&lt;/a&gt;&lt;br /&gt;Joseph Gordon-Levitt, Zooey Deschanel&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;AWAY WE GO (2009) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6290106~S6"&gt;DVD UNIV 053&lt;/a&gt;&lt;br /&gt;John Krasinski, Maya Rudolph&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;FOUR WEDDINGS AND A FUNERAL (1993) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b4435722~S6"&gt;DVD MGM 032&lt;/a&gt;&lt;br /&gt;Hugh Grant, Andie MacDowell&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;GROUNDHOG DAY (1993) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6066555~S6"&gt;DVD SONYHE 110&lt;/a&gt;&lt;br /&gt;Bill Murray, Andie MacDowell&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;HIGH FIDELITY (2000) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b4427811~S6"&gt;DVD BVHE 007&lt;/a&gt;&lt;br /&gt;John Cusack, Jack Black, Based on Nick Hornby book&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;I LOVE YOU, MAN (2009) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6268373~S6"&gt;DVD PARA 243&lt;/a&gt;&lt;br /&gt;Paul Rudd, Jason Segel&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;IT HAPPENED ONE NIGHT (1934) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b4428813~S6"&gt;DVD CTHV 030&lt;/a&gt;&lt;br /&gt;Clark Gable, Claudette Colbert&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;IT'S COMPLICATED (2009) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6395142~S6"&gt;DVD UNIV 261&lt;/a&gt;&lt;br /&gt;Meryl Streep, Alec Baldwin, Steve Martin&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;LARS AND THE REAL GIRL (2007) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b5930734~S6"&gt;DVD TCFHE 225&lt;/a&gt;&lt;br /&gt;Ryan Gosling, Patricia Clarkson&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;PALM BEACH STORY, THE (1942) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6230368~S6"&gt;DVD UNIV 238&lt;/a&gt;&lt;br /&gt;Claudette Colbert, Dir. Preston Sturges&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;PHILADELPHIA STORY, THE (1940) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b4426957~S6"&gt;DVD WHV 039&lt;/a&gt;&lt;br /&gt;Cary Grant, Katharine Hepburn, James Stewart&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;THEY ALL LAUGHED - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6447507~S6"&gt;DVD HBO 098&lt;/a&gt;&lt;br /&gt;John Ritter, Audrey Hepburn, dir. Peter Bogdanovitch&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-WEIGHT: bold"&gt;WHEN HARRY MET SALLY (1989) - &lt;/span&gt;&lt;a style="FONT-WEIGHT: bold" href="http://catalog.lib.washington.edu/record=b6356951~S6"&gt;DVD MGM 275&lt;/a&gt;&lt;br /&gt;Billy Crystal, Meg Ryan&lt;br /&gt;&lt;br /&gt;&lt;span style="FONT-STYLE: italic"&gt;What are your favorite Romantic Comedies?&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Follow the #RomCom conversation at our Twitter - &lt;a href="http://twitter.com/uwmediacenter"&gt;@uwmediacenter&lt;/a&gt;. &lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;-Alex&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-8498472892269586953?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/8498472892269586953/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=8498472892269586953' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8498472892269586953'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8498472892269586953'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/02/romantic-comedies-at-media-center.html' title='Romantic Comedies at the Media Center - RomComs for V-Day'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2231019243500212709</id><published>2011-02-09T10:18:00.000-08:00</published><updated>2011-03-04T12:12:23.817-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collection'/><category scheme='http://www.blogger.com/atom/ns#' term='new'/><category scheme='http://www.blogger.com/atom/ns#' term='new stuff'/><title type='text'>New on DVD, VHS and CD at the Media Center - February</title><content type='html'>Every month we post a list of films and CDs that are new to the Media Center.  Some of the films are new releases, some are award winners, and some are older films that haven't made it to DVD yet but we have them on VHS for the first time.&lt;br /&gt;&lt;br /&gt;Click the following links:&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/dvds201102.html"&gt;New on DVD at the Media Center&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/vhs201102.html"&gt;New on VHS at the Media Center&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/cds201102.html"&gt;New on CD at the Media Cent&lt;/a&gt;&lt;a href="http://www.lib.washington.edu/media/new/cds201102.html"&gt;er&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;-Alex&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2231019243500212709?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2231019243500212709/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2231019243500212709' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2231019243500212709'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2231019243500212709'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/02/new-on-dvd-vhs-and-cd-at-media-center.html' title='New on DVD, VHS and CD at the Media Center - February'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-519054995440938391</id><published>2011-02-04T10:08:00.000-08:00</published><updated>2011-03-04T12:12:38.180-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collection'/><category scheme='http://www.blogger.com/atom/ns#' term='football'/><title type='text'>Football Films at the Media Center</title><content type='html'>Get ready for Super Sunday with some films that show there is more to the game off the field than there is between the sidelines.&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-weight: bold; "&gt;ANY GIVEN SUNDAY&lt;span style="font-weight: normal;"&gt; (1999) – DVD WHV 044&lt;/span&gt;&lt;/span&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="" lang="FR"&gt;   Hollywood pro football film with Al Pacino, Cameron Diaz, and Jamie Foxx.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;BIG FAN&lt;/span&gt; (2010) – DVD VIVE 004&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Patton Oswalt as a NY Giants fan whose life spirals into total disaster.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;BLACK SUNDAY&lt;/span&gt; (1977) – VHS PHV 8855&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Terrorists attempt to blow up a Goodyear blimp at the Super Bowl.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;BLIND SIDE, THE&lt;/span&gt; (2010) – DVD WHV 520&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Sandra Bullock won an Oscar for her performance.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;EASY LIVING&lt;/span&gt; (1949) –VHS THE 015&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Politics. Football. Money. Lucille Ball…? Yes, Lucille Ball.&lt;/p&gt;  &lt;img src="http://upload.wikimedia.org/wikipedia/en/thumb/2/27/Go_Tigers.jpg/220px-Go_Tigers.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 150px; height: 217px;" alt="" border="0" /&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;GO, TIGERS!&lt;/span&gt; (2002) – DVD NVG 034&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Massillon, OH – Where high school football is religion (documentary). &lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;HARVARD BEATS YALE 29-29&lt;/span&gt; (2008) – DVD KINO 196&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   11-23-1968, an unforgettable, baffling contest between two undefeated teams (documentary).&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;HORSE FEATHERS&lt;/span&gt; (1932) – DVD UNIV 143&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Marx Brothers.&lt;span style=""&gt;  &lt;/span&gt;College.&lt;span style=""&gt;  &lt;/span&gt;Football.&lt;span style=""&gt;  &lt;/span&gt;Hilarity. &lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;HUSKY BAND ROSE BOWL SHOWS &lt;/span&gt;(2004) – DVD UW 002&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Start getting excited for next year’s Husky Football season, or re-live the gameday experience.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;KNUTE ROCKNE, ALL-AMERICAN&lt;/span&gt; (1940) – VHS MGM 400555&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Story of legendary Notre Dame football coach.&lt;/p&gt;  &lt;img src="http://www.flixray.com/dvd_covers/200209/6019.jpg" style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 150px; height: 214px;" alt="" border="0" /&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;MONDAY NIGHT MAYHEM&lt;/span&gt; (2002) – DVD WHV 134&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   John &amp;amp; Nick Turturro explore Monday Night Football (Howard Cosell, Frank Gifford, Don Meredith) in this made-for-TV film.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-weight: bold;"&gt;TILLMAN STORY, THE&lt;/span&gt; (2011) – DVD SONYHE 158&lt;/p&gt;  &lt;p class="MsoNormal"&gt;   Documentary about NFL player who was killed by friendly fire in Afghanistan.&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Search for and request the films &lt;a href="http://www.lib.washington.edu/media/"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;-Alex&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-519054995440938391?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/519054995440938391/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=519054995440938391' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/519054995440938391'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/519054995440938391'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/02/football-films-at-media-center.html' title='Football Films at the Media Center'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5637204252529073493</id><published>2011-02-03T12:36:00.000-08:00</published><updated>2011-03-04T12:12:50.830-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collection'/><category scheme='http://www.blogger.com/atom/ns#' term='pixar'/><category scheme='http://www.blogger.com/atom/ns#' term='animation'/><title type='text'>Pixar: Happy 25th!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.luispita.com/uploaded_images/wall-eee-729629.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 165px; height: 139px;" src="http://www.luispita.com/uploaded_images/wall-eee-729629.jpg" alt="" border="0" /&gt;&lt;/a&gt;Pixar is turning 25 and you should celebrate by coming to the media center and checking out some of our 17 Pixar related films including:&lt;br /&gt;&lt;br /&gt;A Bug's Life - &lt;a href="http://catalog.lib.washington.edu/record=b5962231~S6"&gt;DVD BVHE 222&lt;/a&gt;&lt;br /&gt;Cars - &lt;a href="http://catalog.lib.washington.edu/record=b5729366~S6"&gt;DVD BVHE 166&lt;/a&gt;&lt;br /&gt;Finding Nemo - &lt;a href="http://catalog.lib.washington.edu/record=b5083925~S6"&gt;DVD BVHE 078&lt;/a&gt;&lt;br /&gt;Incredbles, The - &lt;a href="http://catalog.lib.washington.edu/record=b5288483~S6"&gt;DVD BVHE 117&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3538/3310505275_f08503690b.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 165px; height: 241px;" src="http://farm4.static.flickr.com/3538/3310505275_f08503690b.jpg" alt="" border="0" /&gt;&lt;/a&gt;Luxo, Jr. - &lt;a href="http://catalog.lib.washington.edu/record=b3543618~S6"&gt;VHS DCL 011&lt;/a&gt;&lt;br /&gt;Monsters, Inc. - &lt;a href="http://catalog.lib.washington.edu/record=b4673630~S6"&gt;DVD BVHE 066&lt;/a&gt;&lt;br /&gt;Pixar Short Films Collection - &lt;a href="http://catalog.lib.washington.edu/record=b6317285~S6"&gt;DVD BVHE 259&lt;/a&gt;&lt;br /&gt;Ratatouille - &lt;a href="http://catalog.lib.washington.edu/record=b5888533~S6"&gt;DVD BVHE 203&lt;/a&gt;&lt;br /&gt;Toy Story - &lt;a href="http://catalog.lib.washington.edu/record=b6163356~S6"&gt;DVD BVHE 001&lt;/a&gt;&lt;br /&gt;Toy Story 2 - &lt;a href="http://catalog.lib.washington.edu/record=b4564831~S6"&gt;DVD BVHE 018&lt;/a&gt;&lt;br /&gt;Toy Story 3 - &lt;a href="http://catalog.lib.washington.edu/record=b6576475~S6"&gt;DVD BVHE 267&lt;/a&gt;&lt;br /&gt;Up - &lt;a href="http://catalog.lib.washington.edu/record=b6329012~S6"&gt;DVD BVHE 056&lt;/a&gt;&lt;br /&gt;WALL-E - &lt;a href="http://catalog.lib.washington.edu/record=b6027964~S6"&gt;DVD BVHE 226&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/"&gt;http://www.lib.washington.edu/media/&lt;/a&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;-Alex&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5637204252529073493?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5637204252529073493/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5637204252529073493' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5637204252529073493'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5637204252529073493'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/02/pixar-happy-25th.html' title='Pixar: Happy 25th!'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm4.static.flickr.com/3538/3310505275_f08503690b_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6897265270457130074</id><published>2011-02-02T09:27:00.000-08:00</published><updated>2011-03-04T12:13:03.320-08:00</updated><title type='text'>Egypt: Culture, Society, Politics and Current Events - films at the Media Center</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.isisc.org/public/egypt-flag.gif"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 300px; height: 200px;" src="http://www.isisc.org/public/egypt-flag.gif" border="0" alt="" /&gt;&lt;/a&gt;&lt;p class="MsoNormal"&gt;These six films are a selection from our collection that reflect the culture and society of Egypt that are worth taking a look at as the politics and culture of the nation have taken a place on the world stage.  Come to the Media Center in Odegaard and explore the culture of Egypt through film!  Or click the links of the call numbers to request the film through our library website.&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;“&lt;span style="font-weight: bold;"&gt;A VOICE LIKE EGYPT / UMM KULTHUM&lt;/span&gt;” (1996) – &lt;a href="http://catalog.lib.washington.edu/record=b5945724~S6"&gt;DVD AFD 030&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Documentary film about Egypt’s legendary superstar singer-performer Umm Kulthum (Om Koultoum) and her influence across levels of Egyptian society. &lt;span style=""&gt; &lt;/span&gt;Narrated by Omar Sharif and Directed by Michal Goldman.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=""&gt; &lt;/span&gt;“&lt;span style="font-weight: bold;"&gt;AN EGYPTIAN SALAD / SALATA BALADI&lt;/span&gt;” (2008) – &lt;a href="http://catalog.lib.washington.edu/record=b6413623~S6"&gt;DVD WMM 039&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Egyptian filmmaker Nadia Kamel directs this documentary look at a family whose cultures include Jewish, Italian, Christian, Islam, Turkish, Ukranian, and Egyptian.&lt;span style=""&gt;  &lt;/span&gt;The film explores the cultural fears and prejudices between these cultures, religions, and nationalities. &lt;/p&gt;  &lt;p class="MsoNormal"&gt;“&lt;span style="font-weight: bold;"&gt;DRIVING AN ARAB STREET&lt;/span&gt;” (2002) – &lt;a href="http://catalog.lib.washington.edu/record=b5051423~S6"&gt;VHS AFD 012&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;This documentary follows Egyptian taxi drivers as they navigate the streets of Cairo and share their diverse perspectives on both American and Egyptian society, culture, politics and the relationship between these civilizations [-from film box]. &lt;span style=""&gt; &lt;/span&gt;Directed by Arthur Hurley.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=""&gt; &lt;/span&gt;“&lt;span style="font-weight: bold;"&gt;GARBAGE DREAMS&lt;/span&gt;” (2009) - &lt;a href="http://catalog.lib.washington.edu/record=b6289266~S6"&gt;DVD CG 080&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=""&gt; &lt;/span&gt;This documentary explores the way of life of the Zaballeen, Egypt’s ‘garbage people,’ who live in a ghetto on the outskirts of Cairo collecting trash and turning 80% of what they collect into recyclable materials.&lt;span style=""&gt;  &lt;/span&gt;The film follows three teenage boys over four years as their way of life is taken over by globalized garbage disposal companies.&lt;span style=""&gt;  &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style=""&gt; &lt;/span&gt;“&lt;span style="font-weight: bold;"&gt;SHAYFEEN.COM: WE’RE WATCHING YOU&lt;/span&gt;” (2007) – &lt;a href="http://catalog.lib.washington.edu/record=b6343111~S6"&gt;DVD CG 065&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;This documentary film is a look at President Mubarak’s new democracy.&lt;span style=""&gt;  &lt;/span&gt;Three women activists film the election process exploring violence and voter fraud. &lt;/p&gt;  &lt;p class="MsoNormal"&gt;“&lt;span style="font-weight: bold;"&gt;THE BAND’S VISIT&lt;/span&gt;” (2007) – &lt;a href="http://catalog.lib.washington.edu/record=b5982317~S6"&gt;DVD SONYHE 124&lt;/a&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Winner of over 35 international film awards, this film follows an Egyptian police band arriving in Israel to play at an Arab Cultural Center, but they take the wrong bus and end up in a desolate Israeli village.&lt;span style=""&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;***We have &lt;span style="color: rgb(255, 0, 0); font-weight: bold;"&gt;254&lt;/span&gt; feature films from Egypt in our collection.&lt;/p&gt;&lt;p class="MsoNormal"&gt;Click &lt;a href="http://catalog.lib.washington.edu/search~S6?/hFeature+films+--+Egypt./hfeature+films+egypt/-3%2C-1%2C0%2CB/exact&amp;amp;FF=hfeature+films+egypt&amp;amp;1%2C254%2C"&gt;here&lt;/a&gt; to browse the list of Egyptian feature films.&lt;br /&gt;&lt;span style=""&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;-Alex&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6897265270457130074?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6897265270457130074/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6897265270457130074' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6897265270457130074'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6897265270457130074'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/02/egypt-culture-society-politics-and.html' title='Egypt: Culture, Society, Politics and Current Events - films at the Media Center'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1696675650326693762</id><published>2011-01-21T10:26:00.000-08:00</published><updated>2011-01-21T11:08:27.236-08:00</updated><title type='text'>New Shelving!  Huzzah!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://69940.com/DVD_Cases_the_Pile_op_760x570.jpg"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 239px; height: 180px;" src="http://69940.com/DVD_Cases_the_Pile_op_760x570.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Hooray for more efficient browsing!   No more piles of DVDs on the floor!  Now with our new shelving for browsing DVDs it is even easier to check out some movies or television shows on DVD for your own entertainment or knowledge needs.  We have documentaries, Criterion Collection, classic and current TV series, feature films and more.  Browse our collection &lt;a href="http://lib.washington.edu/media/searches/"&gt;here&lt;/a&gt;!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1696675650326693762?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1696675650326693762/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1696675650326693762' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1696675650326693762'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1696675650326693762'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/01/new-shelving-huzzah.html' title='New Shelving!  Huzzah!'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3595674965988956841</id><published>2011-01-14T21:31:00.000-08:00</published><updated>2011-01-14T22:47:25.577-08:00</updated><title type='text'>Martin Luther King, Jr., 1929-1968</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_OGml_wzutRk/TTFCWI3dF1I/AAAAAAAAAOo/yb8e9BpYAag/s1600/martin%2Bluther%2Bking%2Bcolor%2Bimage.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 98px; height: 143px;" src="http://1.bp.blogspot.com/_OGml_wzutRk/TTFCWI3dF1I/AAAAAAAAAOo/yb8e9BpYAag/s200/martin%2Bluther%2Bking%2Bcolor%2Bimage.JPG" alt="" id="BLOGGER_PHOTO_ID_5562299962883905362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;This Monday, January 17, is MLK Day. But who was Dr. Martin Luther King, Jr? What did he stand for? Why do we honor him? To learn more about his life and legacy, check out the Libraries' MLK relevant &lt;a href="http://bit.ly/hlSK2C"&gt;video&lt;/a&gt;, &lt;a href="http://bit.ly/hcFIGs"&gt;music,&lt;/a&gt; and &lt;a href="http://catalog.lib.washington.edu/search/X?%28King,%20Martin%20Luther,%20Jr.,%201929-1968%29&amp;amp;p=i"&gt;spoken word recordings&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3595674965988956841?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3595674965988956841/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3595674965988956841' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3595674965988956841'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3595674965988956841'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/01/martin-luther-king-jr-1929-1968.html' title='Martin Luther King, Jr., 1929-1968'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_OGml_wzutRk/TTFCWI3dF1I/AAAAAAAAAOo/yb8e9BpYAag/s72-c/martin%2Bluther%2Bking%2Bcolor%2Bimage.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-9051577780536192570</id><published>2011-01-05T15:45:00.001-08:00</published><updated>2011-03-04T12:13:40.153-08:00</updated><title type='text'>Media Center Destination: Hawai'i!</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-style: italic;"&gt;Hang 10, Huskies!  Say, “Aloha Mr. Hand” to January!&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/commons/0/0e/Statue-Duke-Kahanamoku-Hawaii.JPG"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 225px; height: 300px;" src="http://upload.wikimedia.org/wikipedia/commons/0/0e/Statue-Duke-Kahanamoku-Hawaii.JPG" alt="" border="0" /&gt;&lt;/a&gt;If the January weather in Seattle has got you feeling down, then try an escape to the Hawaiian islands for a few hours with a film from the Media Center!  These films feature dudes without shirts, chicks in bikinis, sun, fun, surf, turf, luaus, leis, hula and sand - all without having to fly over an ocean.&lt;br /&gt;&lt;br /&gt;Oh, and by the way, we have loads and loads of educational films concerning Hawaii and its unique language, the attacks on Pearl Harbor, the Mauna Kea international observatory site, civil rights, as well as a number of biographical documentaries.&lt;br /&gt;&lt;br /&gt;Kick it with Elvis in “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3Ft%253A%2528blue%2520hawaii%2529%26p%3Dg%26b%3Dug&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNEVwxIG1yUfVsT8RY1PnzCf3iJX-g"&gt;Blue Hawaii&lt;/a&gt;” (1961) or savor the epic “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%7ES3%3F%2FXt%253A%2528hawaii%2529%26p%3Dg%26SORT%3DD%2FXt%253A%2528hawaii%2529%26p%3Dg%26SORT%3DD%26SUBKEY%3Dt%253A%2528hawaii%2529%2F1%252C8%252C8%252CB%2Fframeset%26FF%3DXt%253A%2528hawaii%2529%26p%3Dg%26SORT%3DD%267%252C7%252C&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNGeCDNW6nsp1lGAhcKkIMw-CSG2nw"&gt;Hawaii&lt;/a&gt;” (1966) featuring Julie Andrews and Gene Hackman.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3Ft%253A%2528blue%2520hawaii%2529%26p%3Dg%26b%3Dug&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNEVwxIG1yUfVsT8RY1PnzCf3iJX-g"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 210px; height: 300px;" src="http://img.filmlinks4u.net/2010/11/Blue-Hawaii-1961-%E2%80%93-Hollywood-Movie-Watch-Online.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3Ft%253A%2528blue%2520hawaii%2529%26p%3Dg%26b%3Dug&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNEVwxIG1yUfVsT8RY1PnzCf3iJX-g"&gt;&lt;span style="font-weight: bold;"&gt;DVD UNIV 030&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;If you prefer your Hawaii a little more animated we have Disney’s “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3Ft%253A%2528lilo%2520%2526%2520stitch%2529%26p%3Dg&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNEQif_sHHTdYgVMqG1WYp58OAlHWA"&gt;Lilo &amp;amp; Stitch&lt;/a&gt;” (2002).  If you liked the films “Lords of Dogtown,” and “Dogtown and Z-Boys”, you won’t want to miss the Edward Norton narrated documentary “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3Ft%253A%2528bustin%2527%2520down%2520the%2520door%2529%26p%3Dg&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNGqFJBOpxKHwiIf2QtmhKMqA7NOwA"&gt;Bustin’ Down the Door&lt;/a&gt;” (2008) about a group of surfers who revolutionized their sport in 1975 Hawaii.  For further surfing see “&lt;a href="http://catalog.lib.washington.edu/search~S3/?searchtype=f&amp;amp;searcharg=dvd+bot-1053&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;extended=1&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=fdvd+bothell"&gt;Riding Giants&lt;/a&gt;” (2004) as well as the bio-doc of legendary surfer Rell "Kapolioka'ehukai" Sunn who died of breast cancer at age 47 - "&lt;a href="http://catalog.lib.washington.edu/search/X?t:%28heart%20of%20the%20sea%29&amp;amp;p=g"&gt;Heart of the Sea&lt;/a&gt;" (2002).&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://catalog.lib.washington.edu/search~S3/?searchtype=f&amp;amp;searcharg=dvd+bot-1053&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;extended=1&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=fdvd+bothell"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 200px; height: 302px;" src="http://www.moviegoods.com/Assets/product_images/1010/221612.1010.A.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/search~S3/?searchtype=f&amp;amp;searcharg=dvd+bot-1053&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;extended=1&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=fdvd+bothell"&gt;&lt;span style="font-weight: bold;font-size:85%;"&gt;DVD BOT-1053&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;“&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3F%2528to%2520you%2520sweetheart%2520aloha%2529%26p%3Dg&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNFk6CVCaWWv8e9mB-DrnDm5MosXOg"&gt;To You Sweetheart, Aloha&lt;/a&gt;” (2004) is a biographical documentary about 94-year-old ukulele master Bill Tapia reaching the pinnacle of his career and finding his muse in his 26-year-old manager Alyssa.  Humphrey Bogart received a Best Actor Oscar nomination in the Best Picture nominated film “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3F%2528caine%2520mutiny%2529%26p%3Dg&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNFLcFi9DXSb8imtanpiezKmG7L3lg"&gt;The Caine Mutiny&lt;/a&gt;” (1954) about a fictitious naval destroyer at Pearl Harbor.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://catalog.lib.washington.edu/search/X?%28caine%20mutiny%29&amp;amp;p=g"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 213px; height: 300px;" src="http://americanthings.files.wordpress.com/2010/07/caine-by-i36-tinypicdotcom.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/search/X?%28caine%20mutiny%29&amp;amp;p=g"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;DVD CTHV 056&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;Speaking of Pearl Harbor, we have DVDs “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3F%28pearl%2520harbor%2520dastar%29%26p%3Dg&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNGZ-Qywir-ryXDmshvn1T1t8VDOeg"&gt;Pearl Harbor - A Documentary&lt;/a&gt;” (2001) and “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%7ES3%3F%2FX%28pearl%2520harbor%2520history%29%26p%3Dg%26SORT%3DD%2FX%28pearl%2520harbor%2520history%29%26p%3Dg%26SORT%3DD%26SUBKEY%3D%28pearl%2520harbor%2520history%29%2F1%2C19%2C19%2CB%2Fframeset%26FF%3DX%28pearl%2520harbor%2520history%29%26p%3Dg%26SORT%3DD%261%2C1%2C&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNGZF3WAnBT5iLCFD1VWwr337wRfdg"&gt;The History Channel Presents Pearl Harbor&lt;/a&gt;” (2001) as well a number of other historical explorations of the attack on Pearl Harbor available on &lt;a href="http://catalog.lib.washington.edu/search~S3/X?SEARCH=%28pearl%20harbor%29%20and%20%28vhs%29&amp;amp;searchscope=3&amp;amp;SORT=D&amp;amp;p=g"&gt;VHS&lt;/a&gt; including one presented by the University of Washington's history professor emeritus Jon Bridgman: "&lt;a href="http://catalog.lib.washington.edu/search~S3?/X%28pearl%20harbor%29&amp;amp;p=g&amp;amp;SORT=D/X%28pearl%20harbor%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28pearl%20harbor%29/1,37,37,B/frameset&amp;amp;FF=X%28pearl%20harbor%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;5,5,"&gt;Pearl Harbor: Parallels and Perspectives&lt;/a&gt;" (2001).   We have the classic Hollywood dramatization of the attack on Pearl Harbor "&lt;a href="http://catalog.lib.washington.edu/search/X?%28tora%20tora%20tora%29&amp;amp;p=g"&gt;Tora! Tora! Tora!&lt;/a&gt;" (1970) as well as the more modern Hollywood dramatization by Michael Bay, “&lt;a href="http://catalog.lib.washington.edu/search/X?%28pearl%20harbor%20touchstone%29&amp;amp;p=g"&gt;Pearl Harbor&lt;/a&gt;” (2001) starring Ben Affleck.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://catalog.lib.washington.edu/search/X?%28pearl%20harbor%20touchstone%29&amp;amp;p=g"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 210px; height: 300px;" src="http://popcritics.com/blog/wp-content/uploads/2009/05/Pearl_harbor_movie_poster.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/search/X?%28pearl%20harbor%20touchstone%29&amp;amp;p=g"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;DVD BVHE 035&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Did you know they filmed the television show “&lt;a href="http://www.google.com/url?q=http%3A%2F%2Fcatalog.lib.washington.edu%2Fsearch%2FX%3F%28lost%2520television%29%26p%3Dg&amp;amp;sa=D&amp;amp;sntz=1&amp;amp;usg=AFQjCNEz9OLG2F1NS97b7Z6Z3y-9jETeRA"&gt;Lost&lt;/a&gt;” in Hawaii?&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://catalog.lib.washington.edu/search/X?%28lost%20television%29&amp;amp;p=g"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 217px; height: 300px;" src="http://naturalfake.files.wordpress.com/2010/05/lost-poster.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;a href="http://catalog.lib.washington.edu/search/X?%28lost%20television%29&amp;amp;p=g"&gt;DVD BVHE 161&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;"&lt;a href="http://catalog.lib.washington.edu/search/X?%28pidgin%20voice%29&amp;amp;p=g"&gt;Pidgin: The Voice of Hawaii&lt;/a&gt;" (2009) profiles the language of the working people of Hawaii, its cultural importance, and explores how it is under attack by politicians and educators; the film  won the Audience Award at the Hawai'i International Film Festival.  "&lt;a href="http://catalog.lib.washington.edu/search/X?%28noho%20hewa%29&amp;amp;p=g"&gt;Noho Hewa: The Wrongful Occupation of Hawaii&lt;/a&gt;" (2009) is a documentary about contemporary politics, ethnicity and social conditions on the islands and features music by Billy Bragg; won best documentary at the Hawai'i International Film Festival.&lt;br /&gt;&lt;br /&gt;Astronomers should check out "&lt;a href="http://catalog.lib.washington.edu/search/X?%28mauna%20kea%20verge%29&amp;amp;p=g"&gt;Mauna Kea: On the Verge of Other Worlds&lt;/a&gt;" (1989) by Hawaii Public Television and featuring narration by stargazer Johnny Carson; the film takes a look at an internationally operated observatory that offers near-perfect conditions for studying the farthest reaches of the universe.  Follow that up with a more recent look at the observatory at Mauna Kea and the controversy surrounding the sacred site in "&lt;a href="http://catalog.lib.washington.edu/search/X?%28mauna%20kea%20temple%29&amp;amp;p=g"&gt;Mauna Kea: Temple Under Siege&lt;/a&gt;" (2006).  Also see "&lt;a href="http://catalog.lib.washington.edu/search/X?%28oral%20hawaii%20telescope%29&amp;amp;p=g"&gt;Gathering the Forgotten Voices: An Oral History of the Canada-France- Hawaii Telescope's Early Years&lt;/a&gt;" (2006) for more about the Mauna Kea observatory.&lt;br /&gt;&lt;br /&gt;For a look at Japanese-American civil rights in Hawaii, see "&lt;a href="http://catalog.lib.washington.edu/search/X?%28first%20battle%20equality%20hawaii%29&amp;amp;p=g"&gt;The First Battle: The Battle for Equality in War-time Hawaii&lt;/a&gt;" (2006).  "&lt;a href="http://catalog.lib.washington.edu/search~S6?/fDVD+BOT-2113/fdvd+bot+2113/-3%2C-1%2C0%2CE/frameset&amp;amp;FF=fdvd+bot+2113&amp;amp;1%2C1%2C"&gt;Patsy Mink: Ahead of the Majority&lt;/a&gt;" (2008) is a documentary about the first woman of color elected to congress who also helped enact Title IX.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Enjoy!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;span style="font-weight: bold;"&gt;Coming Soon:&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: right;"&gt;&lt;div style="text-align: center;"&gt;"50 First Dates" (2004) Drew Barrymore, Adam Sandler&lt;br /&gt;"Forgetting Sarah Marshall" (2008) Jason Segel, Mila Kunis, Russell Brand&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;-Alex&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-9051577780536192570?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/9051577780536192570/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=9051577780536192570' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/9051577780536192570'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/9051577780536192570'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2011/01/media-center-destination-hawaii.html' title='Media Center Destination: Hawai&apos;i!'/><author><name>Rag:Tag:Mag</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_nLVx-NjE7eE/Srbrs13wcGI/AAAAAAAAAB8/9T4S8ASDDd0/S220/second_degree_burn.png'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1344001821148605312</id><published>2010-12-17T09:28:00.001-08:00</published><updated>2010-12-17T15:43:53.977-08:00</updated><title type='text'>Closed Media Center = Extended Due Dates!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_OGml_wzutRk/TQv1sKKfxSI/AAAAAAAAAOc/_4tQgp3q1nU/s1600/closed.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 160px;" src="http://1.bp.blogspot.com/_OGml_wzutRk/TQv1sKKfxSI/AAAAAAAAAOc/_4tQgp3q1nU/s200/closed.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5551801104655697186" /&gt;&lt;/a&gt;&lt;br /&gt;The Media Center (and Odegaard Library as a whole) will be closed December 21, 2010, through January 2, 2011. We will be re-openning on Monday, January 3 at 8:00 a.m.&lt;br /&gt;&lt;br /&gt;But don't despair! We have a holiday treat for you. If you check out Media Center videos or sound recordings TODAY (Friday 12/17) or MONDAY 12/20, you won't have to return them until January 3rd, 2011. Isn't that nice of us? Happy New Year!&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1344001821148605312?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1344001821148605312/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1344001821148605312' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1344001821148605312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1344001821148605312'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/12/closed-media-center-extended-due-dates.html' title='Closed Media Center = Extended Due Dates!'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_OGml_wzutRk/TQv1sKKfxSI/AAAAAAAAAOc/_4tQgp3q1nU/s72-c/closed.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1185930676849370849</id><published>2010-12-07T21:07:00.000-08:00</published><updated>2010-12-07T22:45:32.771-08:00</updated><title type='text'>New December DVDs, VHS, and CDs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_OGml_wzutRk/TP8oN_AU2BI/AAAAAAAAAOU/naXesSAtMnI/s1600/Picture%2B7.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 130px;" src="http://1.bp.blogspot.com/_OGml_wzutRk/TP8oN_AU2BI/AAAAAAAAAOU/naXesSAtMnI/s200/Picture%2B7.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5548197486659950610" /&gt;&lt;/a&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-family:georgia;"&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;A diverse lot of DVDs, VHS tapes, and CDs have arrived for December at this Media Center. Check them out. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Noteworthy among the hundreds of titles include: &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- Some 20 ethnographic titles from the &lt;a href="http://tinyurl.com/2wv3xmh"&gt;Encyclopaedia Cinematographica&lt;/a&gt; film project (Institut für den Wissenschaftlichen Film), depicting Southeast Asian traditional customs, practices, and rituals. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://tinyurl.com/2u2qtku"&gt;Babies&lt;/a&gt; (2010) Follows four babies from different parts of the globe as they navigate their first year of life. Features Ponijao from Namibia, Bayarjargal from Mongolia, Hattie who lives in San Francisco, and Mari from Tokyo. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b5745686~S6"&gt;Bad Brains / I Against I&lt;/a&gt; (1986) - Intro -- I against i -- House of suffering -- Re-ignition -- Secret 77 -- Let me help -- She's calling you -- Sacred love -- Hired gun -- Return to heaven &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6465797"&gt;Countdown Zero&lt;/a&gt; (2010) - Tracing the history of the atomic bomb from its origins to the present state of global affairs: nine nations possessing nuclear weapons capabilities with others racing to join them, with the world held in a delicate balance that could be shattered by an act of terrorism, failed diplomacy, or a simple accident. The film makes a compelling case for worldwide nuclear disarmament, an issue more topical than ever as over 40 nations have the technical capacity to construct nuclear weapons. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6463677~S6"&gt;Desert Victory&lt;/a&gt; (1943) - The British Army and R.A.F. captured the Battle of El Alamein while it happened. Teams of cameramen followed the 8th Army troops into battle against Rommel's Afrika Korps, recording some of the most extraordinary footage of the war. Features rare and fascinating original film preserved in the Museum's archives. Some materials have never been released to the public before. It won the Academy Award for Best Documentary in 1943. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6565780~S6"&gt;House&lt;/a&gt; (1977) - After learning that she will be sharing the summer with her father's new girlfriend, a young girl invites some friends to join her at her aunt's house instead. With a sick aunt, a bloodthirsty cat, and evil spirits lurking around, the girls find that it might have been better to stay at home.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6569859~S6"&gt;Howdy Doody Show&lt;/a&gt; (1955) - Howdy Doody, Buffalo Bob Smith, Clarabelle the Clown, Zippy the Chimp, Gabby Hayes. Enough said? &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6395151"&gt;Lady Day&lt;/a&gt; (2009) - Most presentations feature Lady Day as the sad victim of hard times and drugs. Mining a treasure trove of new information, the producers set the record straight - and beautifully. In a voice that is Billie-like in its rasping wiseness and its ring, stage and screen star Ruby Dee reads from Holiday's autobiography, Lady sings the blues.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6571580"&gt;Modern Times&lt;/a&gt; (1936) - odern Times, Charlie Chaplin’s last outing as the Little Tramp, puts the iconic character to work as a giddily inept factory employee who becomes smitten with a gorgeous gamine (Paulette Goddard). With its barrage of unforgettable gags and sly commentary on class struggle during the Great Depression, Modern Times—though made almost a decade into the talkie era and containing moments of sound (even song!)—is a timeless showcase of Chaplin’s untouchable genius as a director of silent comedy. This Criterion release feature a new, restored 2K-resolution digital transfer, created in collaboration with the Cineteca di Bologna, as well as numerous extras/interviews/commentaries. &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6416894~S6"&gt;Star Trek&lt;/a&gt;, the original series - (1966-69) - The spaceship U.S.S. Enterprise, with its 430 crew members captained by James T. Kirk, travels the universe "to boldly go where no man has gone before."&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6465803~S6"&gt;Tapped&lt;/a&gt; (2010) - s access to clean drinking water a basic human right, or a commodity that should be bought and sold like any other article of commerce? Stephanie Soechtig exams the big business of bottled water. Viewers get a behind-the-scenes look into the unregulated and unseen world of an industry that aims to privatize and sell back the one resource that ought never to become a commodity: our water. Here is a powerful portrait of the lives affected by the bottled water industry.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;- &lt;a href="http://catalog.lib.washington.edu/record=b6462891~S6"&gt;Usiimmaluguq&lt;/a&gt; (2010) - In 1953, Inuit from Port Harrison, now Inukjuak, Quebec, were relocated to new settlements in Resolute Bay and Grise Fiord, in the Northwest Territories, only one of a series of relocations. A slump in the fur market, the Inuit's chief source of income, and a need to increase settlement in the Arctic to protect Canada's sovereignty, were factors in the government's decision. Archival footage and interviews with survivors tell of the hardships the Inuit endured.&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1185930676849370849?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1185930676849370849/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1185930676849370849' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1185930676849370849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1185930676849370849'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/12/new-december-dvds-vhs-and-cds.html' title='New December DVDs, VHS, and CDs'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_OGml_wzutRk/TP8oN_AU2BI/AAAAAAAAAOU/naXesSAtMnI/s72-c/Picture%2B7.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3169421953686097671</id><published>2010-11-23T11:14:00.000-08:00</published><updated>2010-11-23T11:16:31.198-08:00</updated><title type='text'>Media Center Closed Today</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_OGml_wzutRk/TOwS03eR8jI/AAAAAAAAAOM/XFmMN6FhFxY/s1600/Picture%2B4.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 200px; height: 149px;" src="http://3.bp.blogspot.com/_OGml_wzutRk/TOwS03eR8jI/AAAAAAAAAOM/XFmMN6FhFxY/s200/Picture%2B4.png" border="0" alt="" id="BLOGGER_PHOTO_ID_5542825940839690802" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"   style="  color: rgb(51, 51, 51); font-family:'lucida grande', tahoma, verdana, arial, sans-serif;font-size:11px;"&gt;&lt;h3 class="UIIntentionalStory_Message" ft="{&amp;quot;type&amp;quot;:&amp;quot;msg&amp;quot;}"  style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-weight: normal; font-size:13px;"&gt;&lt;span class="UIStory_Message"&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;The Media Center - and all UW Libraries' units - are closed today, but don't despair: the Media Center continues to educate! Watch this short film on how to dress for and play in the snow: &lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.archive.org/details/PlayInTheSno" rel="nofollow" target="_blank" style="cursor: pointer; text-decoration: none; "&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;http://www.archive.org/details/PlayInThe&lt;wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;span class="Apple-style-span"  style="color:#FFFFFF;"&gt;Sno&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3169421953686097671?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3169421953686097671/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3169421953686097671' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3169421953686097671'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3169421953686097671'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/11/media-center-closed-today.html' title='Media Center Closed Today'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_OGml_wzutRk/TOwS03eR8jI/AAAAAAAAAOM/XFmMN6FhFxY/s72-c/Picture%2B4.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6776001685924019874</id><published>2010-10-27T09:22:00.000-07:00</published><updated>2010-10-27T09:30:49.280-07:00</updated><title type='text'>Happy World Day for Audiovisual Heritage!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_OGml_wzutRk/TMhTosb3XyI/AAAAAAAAAOE/6jtKVCLVvrk/s1600/IMG_0040+copy.JPG"&gt;&lt;img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 200px; height: 150px;" src="http://4.bp.blogspot.com/_OGml_wzutRk/TMhTosb3XyI/AAAAAAAAAOE/6jtKVCLVvrk/s200/IMG_0040+copy.JPG" alt="" id="BLOGGER_PHOTO_ID_5532764100812562210" border="0" /&gt;&lt;/a&gt;Happy World Day for Audiovisual Heritage! Audio/Video/Film contain the primary records of the 20th and 21st centuries, so please help us preserve and make them accessible. If you are interested in helping to support the Libraries Media Center attain these goals, check out this page:&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/giving.html"&gt;http://www.lib.washington.edu/media/giving.html &lt;/a&gt;&lt;br /&gt;You can learn more about the World Day for Audiovisual Heritage by visiting this page: &lt;a href="http://bit.ly/3mN91x" target="_blank" rel="nofollow" class="twitter-timeline-link"&gt;http://bit.ly/3mN91x&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6776001685924019874?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6776001685924019874/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6776001685924019874' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6776001685924019874'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6776001685924019874'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/10/happy-world-day-for-audiovisual.html' title='Happy World Day for Audiovisual Heritage!'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_OGml_wzutRk/TMhTosb3XyI/AAAAAAAAAOE/6jtKVCLVvrk/s72-c/IMG_0040+copy.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3342696435626847173</id><published>2010-09-17T10:20:00.000-07:00</published><updated>2010-09-25T21:13:28.059-07:00</updated><title type='text'>Dawg Dazed - Films from the Vault</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_OGml_wzutRk/TJOoaQn0p8I/AAAAAAAAAN4/p289N3xXLKU/s1600/Slide1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 185px; height: 242px;" src="http://3.bp.blogspot.com/_OGml_wzutRk/TJOoaQn0p8I/AAAAAAAAAN4/p289N3xXLKU/s200/Slide1.jpg" alt="" id="BLOGGER_PHOTO_ID_5517939137551050690" border="0" /&gt;&lt;/a&gt;Thursday Sept 30 9am-12n in Odegaard Library Room 220&lt;br /&gt;&lt;br /&gt;Experience a postmodern pastiche of movies and flicks at the Media Center's "Films from the Vault" fest. Nerdy, but welcoming, AV technicians will be on hand, rolling out wizened 16mm film (yes, actual film) from our Educational Media Collection bunker and projecting them in all of their deteriorating analog glory.                    &lt;p&gt; While projecting, we will simultaneously digitize the films for preservation. Besides exposing you to some really bizarre cinema (you won't find these titles on Netflix), you will also learn about how you can borrow thousands of DVDs and CDs from the Media Center, legally and for free!&lt;/p&gt;&lt;p&gt;Tentative Schedule&lt;/p&gt;&lt;p&gt;&lt;span class="Apple-style-span"   style="  ;font-family:Tahoma, Helvetica, sans-serif;font-size:12px;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;h2&gt;Pen Point Percussion with Loops&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1951 ----- color ----- 9 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2165&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;An explanation of the principles and production of synthetic sounds showing Norman McLaren's experimentation with hand-drawn sounds on film. An introduction to films in which both the sound and the visuals are created entirely by the artist drawing directly upon his film with ordinary pen and ink.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/98" target="_blank"&gt;Motion Pictures: Animation&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/100" target="_blank"&gt;Motion Pictures: Experimental&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;For Your Pleasure&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1971 ----- color ----- 4 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=1062&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;A brilliant animationist gives us a time-lapse portrayal in caricature of urbanization usurping control over the environment. A century materializes in a flash as &lt;i&gt;The Hay Wain&lt;/i&gt;, a painting by John Constable, crumbles into disrepair, the details slowly changing to correspond to the present. Eventually, even the museum in which the painting hangs becomes swallowed up in an urban squeeze of its own.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/48" target="_blank"&gt;Ecology&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/64" target="_blank"&gt;Geography&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Land of the Dancing Shiva&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1959 ----- b &amp;amp; w ----- 11 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=1633&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;(Historical Collection) Set against the temples of South India, the famous devotional dance, &lt;i&gt;Bhrat Natyam&lt;/i&gt;, is shown.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/57" target="_blank"&gt;Ethnomusicology&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/150" target="_blank"&gt;South Asian Studies&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Buzkashi&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1971 ----- color ----- 8 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=406&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Buzkashi is performed on horseback by Afghan tribesmen honoring the King on his birthday at an annual festival in Kabul. One of the toughest sports in the world, buzkashi requires incredible riding ability on magnificent horses. The intense pride and rivalry of a tribal society, as well as the role of physical superiority and competition in the society, are implicit.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/13" target="_blank"&gt;Anthropology: Cultural&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/150" target="_blank"&gt;South Asian Studies&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Salmon Research: Water Pollution&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1973 ----- color ----- 8 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2500&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Pollutants in water are not merely a matter of life and death. Long-term effects can severely influence fish populations. Research techniques in a modern physiology laboratory are examined. Fish with a variety of sensing devices implanted to monitor heart rate, blood pressure, blood oxygen levels and breathing movements are subjected to different types and levels of pollutants in order to determine the acceptable concentrations.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/48" target="_blank"&gt;Ecology&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/61" target="_blank"&gt;Fisheries&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/171" target="_blank"&gt;Marine Biology&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Bags&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1967 ----- color ----- 9 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=235&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Presents a sardonic allegory on the nature of tyranny and the twists of revolution. Using animated live objects, the conflict between a greedy, swaggering bag and miscellaneous attic objects is followed. Like Orwell's &lt;i&gt;Animal Farm&lt;/i&gt;, it presents an icy statement on the failure of "systems," the hypocrisy of revolution, the temptations of power and the frightening theme of a movement becoming what it defeats.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/16" target="_blank"&gt;Art&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/98" target="_blank"&gt;Motion Pictures: Animation&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/149" target="_blank"&gt;Sociology&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;News Events of 1940, Including the Tacoma Bridge Collapse&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1940 ----- b &amp;amp; w ----- 10 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2021&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;(Historical Collection) Events of 1940 including: The Battle of Britain, the military draft in the United States, President Roosevelt defeating Wendell Wilkie and the Tacoma Narrows Bridge collapsing in the wake of heavy winds.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/40" target="_blank"&gt;Communications&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/70" target="_blank"&gt;History: American&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/108" target="_blank"&gt;Pacific Northwest&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Spanish Gypsies in Flamenco Songs and Dances&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1948 ----- b &amp;amp; w ----- 10 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=2663&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;(Historical Collection) Spanish gypsies hold a family festival in a Granada grotto. Juan Salido and a group of artists perform dances and songs.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/57" target="_blank"&gt;Ethnomusicology&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/58" target="_blank"&gt;Europe&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;h2&gt;Cross-Cultural Approach to Cognition, A&lt;/h2&gt;&lt;ul&gt;&lt;li&gt;1974 ----- color ----- 20 min ----- &lt;a href="http://www.css.washington.edu/emc/prints/?mid=690&amp;amp;format=16mm" target="_blank"&gt;16mm&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Using varied locations such as Japan, Kenya and Guatemala, the invariant sequence of milestones of psychological development, regardless of environment, is explored. Included is an analysis of characteristics of infants; growth of play, growth of reflectivity and appearance of concrete operational thinking.&lt;/li&gt;&lt;li&gt;Topics: (&lt;a href="http://www.css.washington.edu/emc/topic/11" target="_blank"&gt;Anthropology&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/36" target="_blank"&gt;Child Study&lt;/a&gt;, &lt;a href="http://www.css.washington.edu/emc/topic/51" target="_blank"&gt;Educational Psychology&lt;/a&gt;)&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3342696435626847173?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3342696435626847173/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3342696435626847173' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3342696435626847173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3342696435626847173'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/09/dawg-dazed-films-from-vault.html' title='Dawg Dazed - Films from the Vault'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_OGml_wzutRk/TJOoaQn0p8I/AAAAAAAAAN4/p289N3xXLKU/s72-c/Slide1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4332589308300087904</id><published>2010-09-16T11:15:00.000-07:00</published><updated>2010-09-16T11:17:14.943-07:00</updated><title type='text'>Crocodile &amp; Puget Sounds Highlighted</title><content type='html'>UW's Art &amp;amp; Sciencing blog gives Media Center audio collections a nod: &lt;a href="http://bit.ly/9GOwMR"&gt;http://bit.ly/9GOwMR &lt;/a&gt;Thanks, Sohroosh...&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4332589308300087904?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4332589308300087904/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4332589308300087904' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4332589308300087904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4332589308300087904'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/09/crocodile-puget-sounds-highlighted.html' title='Crocodile &amp; Puget Sounds Highlighted'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6320947486151730517</id><published>2010-09-11T14:53:00.000-07:00</published><updated>2010-09-11T14:55:42.718-07:00</updated><title type='text'>9/11 video titles @ the MC</title><content type='html'>&lt;span class="Apple-style-span" style="font-family: 'Lucida Grande', sans-serif; font-size: 14px; color: rgb(51, 51, 51); line-height: 16px; "&gt;Loose change, Aftermath, United93, Other American Voices, and more 9/11 video titles @ the Media Center &lt;a href="http://bit.ly/aPBQim" class="tweet-url web" rel="nofollow" target="_blank" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-decoration: none; color: rgb(0, 153, 153); "&gt;http://bit.ly/aPBQim&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6320947486151730517?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6320947486151730517/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6320947486151730517' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6320947486151730517'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6320947486151730517'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/09/911-video-titles-mc.html' title='9/11 video titles @ the MC'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1645638072444783296</id><published>2010-07-08T09:09:00.000-07:00</published><updated>2010-07-08T09:13:58.560-07:00</updated><title type='text'>New DVDs for July 2010</title><content type='html'>&lt;div style="text-align: right;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_OGml_wzutRk/TDX5Dcx0baI/AAAAAAAAANI/AE0teTDWbek/s1600/Screen+shot+2010-07-08+at+8.52.09+AM.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 124px;" src="http://1.bp.blogspot.com/_OGml_wzutRk/TDX5Dcx0baI/AAAAAAAAANI/AE0teTDWbek/s200/Screen+shot+2010-07-08+at+8.52.09+AM.png" alt="" id="BLOGGER_PHOTO_ID_5491569158308261282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;New DVDs for July 2010. There are many. Browse a selection below or &lt;a href="http://www.lib.washington.edu/media/new/dvds201007.html"&gt;go directly to the full list&lt;/a&gt;:&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6039267"&gt;Aankhen&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;     &lt;a href="http://catalog.lib.washington.edu/record=b6039361"&gt;Aashiqui&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6328989"&gt;Astro Boy&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6042827"&gt;Bas ek pal&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6039723"&gt;Bhai-Bhai&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6328986"&gt;Breaking the bank&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6039324"&gt;Dard ka rishta&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6039823"&gt;Dhund&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6399794"&gt;Diálogos de exiliados&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6042284"&gt;Dil chahta hai&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6038799"&gt;Dil vil pyar vyar&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5935673"&gt;.S. Pinafore, or The lass that loved a sailor&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6393780"&gt;Kamisama, mou sukoshi dake&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6356953"&gt;Day watch&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6420428"&gt;Kinaz' Vladimir&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6415965"&gt;Modern techniques in language teaching&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6261852"&gt;Money-driven medicine&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6039829"&gt;Mukesh Bhatt's Criminal&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6331312"&gt;Suden vuosi&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6331310"&gt;Vieraalla maalla&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6329039"&gt;The washing of tears&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6412625"&gt;Zui yu fa&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1645638072444783296?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1645638072444783296/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1645638072444783296' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1645638072444783296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1645638072444783296'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/07/new-dvds-for-july-2010.html' title='New DVDs for July 2010'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_OGml_wzutRk/TDX5Dcx0baI/AAAAAAAAANI/AE0teTDWbek/s72-c/Screen+shot+2010-07-08+at+8.52.09+AM.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4545561091329446873</id><published>2010-06-22T18:15:00.000-07:00</published><updated>2010-06-22T18:21:23.982-07:00</updated><title type='text'>New For June 2010</title><content type='html'>Need something to watch or listen to this summer? We have you covered with mountains of VHS tapes, container loads of CDs, and more. For example, here are &lt;a href="http://www.lib.washington.edu/media/new/dvds201006.html"&gt;June's new DVDs&lt;/a&gt;: &lt;br /&gt;Otto e mezzo&lt;br /&gt;A long walk&lt;br /&gt;A nos amours&lt;br /&gt;The adventures of Sherlock Holmes&lt;br /&gt;Agustín's newspaper&lt;br /&gt;L'empire de la passion&lt;br /&gt;Ai no rukeichi &lt;br /&gt;Mahal kita&lt;br /&gt;Akhir film&lt;br /&gt;All about Anna &lt;br /&gt;Along the great divide&lt;br /&gt;The amazing transparent man&lt;br /&gt;American gangster &lt;br /&gt;American Legacy&lt;br /&gt;Ang anino ni Asedillo&lt;br /&gt;El ángel exterminador&lt;br /&gt;Anne Frank remembered&lt;br /&gt;Antonio Gaudí&lt;br /&gt;L'armée des ombres&lt;br /&gt;The art of illusion : one hundred years of Hollywood special effects&lt;br /&gt;As seen through these eyes&lt;br /&gt;Asmara, Eritrea&lt;br /&gt;Astaire and Rogers : partners in rhythm&lt;br /&gt;Avatar &lt;br /&gt;Azur &amp; Asmar&lt;br /&gt;The gamble&lt;br /&gt;Banlieue 13 ultimatum &lt;br /&gt;Late spring &lt;br /&gt;Barricade &lt;br /&gt;The battle for the Arctic&lt;br /&gt;The beautiful truth&lt;br /&gt;Beauty and the beast&lt;br /&gt;Bernard Shaw's Androcles and the lion&lt;br /&gt;Hakuchu no torima&lt;br /&gt;Bernard Shaw's Major Barbara&lt;br /&gt;Bigger than Enron&lt;br /&gt;Blacking up : hip-hop's remix of race and identity&lt;br /&gt;Boris Groys : thinking in loop, three videos on iconoclasm, ritual and immortality&lt;br /&gt;Brainstorm&lt;br /&gt;Brute force&lt;br /&gt;Skeleton crew : Buried secrets&lt;br /&gt;Burma VJ : reporting from a closed country&lt;br /&gt;Burnt oranges &lt;br /&gt;Buster Keaton collection &lt;br /&gt;Buster Keaton rides again&lt;br /&gt;By the people : the election of Barack Obama&lt;br /&gt;The call to be good news : the 4th World Meeting of Familes&lt;br /&gt;La Caminata &lt;br /&gt;A Canterbury tale&lt;br /&gt;The card game&lt;br /&gt;Carrier&lt;br /&gt;Cattle town&lt;br /&gt;Father, mother apologize you&lt;br /&gt;Chal aljido mothamyonso&lt;br /&gt;Changeling&lt;br /&gt;Children of Armageddon&lt;br /&gt;Ch'injorhan Kumjassi&lt;br /&gt;Chris Rock : bring the pain&lt;br /&gt;Civil rights anniversary, 1965 : where has the year gone?&lt;br /&gt;The Civilian Conservation Corps&lt;br /&gt;Civilisation&lt;br /&gt;Close to home : scenes from a recession&lt;br /&gt;Combat shock&lt;br /&gt;Un conte de noël&lt;br /&gt;Copyright criminals&lt;br /&gt;Countdown&lt;br /&gt;The couple in the cage : a Guatinaui odyssey&lt;br /&gt;Crazy heart&lt;br /&gt;Crisis &lt;br /&gt;Cross Bronx&lt;br /&gt;Cuba, the battle of America&lt;br /&gt;The curse of the jade scorpion &lt;br /&gt;Da dou sai mau&lt;br /&gt;Daluyong : the Filipino worker in the era of globalization&lt;br /&gt;Dark knight&lt;br /&gt;A death in Tehran&lt;br /&gt;Democracy now! May 23, 2006&lt;br /&gt;Digital underground in the People's Republic&lt;br /&gt;Disgrace &lt;br /&gt;Divorzio all'italiana&lt;br /&gt;Dnevnoi dozor&lt;br /&gt;Dr. Cornel West and Carl Dix : the current state of black America&lt;br /&gt;Dramah 82&lt;br /&gt;Dream wife &lt;br /&gt;Edgar Rice Burroughh's Tarzan's savage fury&lt;br /&gt;Edgar Rice Burrough's Tarzan and the she-devil&lt;br /&gt;Edgar Rice Burrough's Tarzan and the slave girl&lt;br /&gt;Edgar Rice Burrough's Tarzan's magic fountain&lt;br /&gt;The Eleanor Roosevelt story&lt;br /&gt;Is this art? Episode 1: Elevate and re-define contemporary dance&lt;br /&gt;Children of paradise&lt;br /&gt;Les enfants terribles&lt;br /&gt;Epimaco Velasco, NBI&lt;br /&gt;Equinox&lt;br /&gt;Er Dong&lt;br /&gt;Etsuraku&lt;br /&gt;Faces of America&lt;br /&gt;Family of cops&lt;br /&gt;Fear and loathing in Las Vegas&lt;br /&gt;February 9, 2009: Democracy Now!&lt;br /&gt;Le feu follet&lt;br /&gt;The Fighting Lady &lt;br /&gt;A finished life : the goodbye &amp; no regrets tour&lt;br /&gt;Jing wu ying xiong&lt;br /&gt;Five minutes of heaven&lt;br /&gt;Flüstern &amp; Schreien&lt;br /&gt;For my wife--&lt;br /&gt;Francesco, giullare di Dio&lt;br /&gt;Free Willy&lt;br /&gt;Friends : Season 1 v.1-2&lt;br /&gt;Fumiko Hayashida : the woman behind the symbol&lt;br /&gt;The Furies&lt;br /&gt;Gara-gara bola! : kesebelasan mereka cuma dua orang&lt;br /&gt;The gatekeeper of Enmyoin : according to a 95-year-old female Buddhist priest&lt;br /&gt;Gimme shelter&lt;br /&gt;Glee : Season 1&lt;br /&gt;Goin' down the road &lt;br /&gt;Gomorra&lt;br /&gt;Good for her &lt;br /&gt;Greetings from Siberia&lt;br /&gt;Grieg, genes, and global reach v.2-3&lt;br /&gt;The treatment&lt;br /&gt;Hakuchu no torima&lt;br /&gt;Her night of romance&lt;br /&gt;The inheritors &lt;br /&gt;Wings of desire &lt;br /&gt;Hindi pa tapos ang laban&lt;br /&gt;Hollywood Goes to War&lt;br /&gt;Hoop dreams&lt;br /&gt;Hunchback of Notre Dame&lt;br /&gt;The Hurricane&lt;br /&gt;In the shadow of the stars : the lives of singers&lt;br /&gt;The Indian&lt;br /&gt;It happened on Yesler's hill &lt;br /&gt;The Italian straw hat&lt;br /&gt;It's complicated&lt;br /&gt;IX Latvijas skolu jaunatnes dziesmu un deju svetki&lt;br /&gt;Jangal &lt;br /&gt;Janji Joni &lt;br /&gt;Japanese paper balloon&lt;br /&gt;La jetée&lt;br /&gt;Judgment at Nuremberg&lt;br /&gt;Kaette kita yopparai&lt;br /&gt;Kenya Boran&lt;br /&gt;Kill Rock Stars video fanzine III&lt;br /&gt;Meiji &lt;br /&gt;Kukka taep'yo&lt;br /&gt;Kurutta kajitsu&lt;br /&gt;Lagaan&lt;br /&gt;Leon&lt;br /&gt;Let us be gay &lt;br /&gt;Lockdown USA&lt;br /&gt;Long night's journey into day : South Africa's search for truth &amp; reconciliation&lt;br /&gt;Loose change 9/11 : an American coup&lt;br /&gt;The lost battalion&lt;br /&gt;Louis Clyde Stouman's Black fox : the true story of Adolf Hitler&lt;br /&gt;Love it like a fool : a film about Malvina Reynolds&lt;br /&gt;Lovely bones&lt;br /&gt;Lupa ay laya&lt;br /&gt;M&lt;br /&gt;Citizen dog&lt;br /&gt;Maciste&lt;br /&gt;Mad Max : beyond Thunderdome&lt;br /&gt;Made in Jamaica&lt;br /&gt;Made in U.S.A&lt;br /&gt;The Madoff affair&lt;br /&gt;Mafioso&lt;br /&gt;Maging akin muli&lt;br /&gt;Man from God's country&lt;br /&gt;The man who skied down Everest&lt;br /&gt;The man with the golden arm&lt;br /&gt;Le mani sulla citta&lt;br /&gt;Mark of Zorro&lt;br /&gt;Märkamisaeg&lt;br /&gt;May the bomb be with you&lt;br /&gt;Maybe baby&lt;br /&gt;Meiji&lt;br /&gt;El memorial del 68&lt;br /&gt;Memories of a generation : the story of Ali Saeed and other Ethiopian political victims&lt;br /&gt;The Messenger&lt;br /&gt;Mga pusang gala&lt;br /&gt;Minority report&lt;br /&gt;Il mio viaggio in Italia &lt;br /&gt;Missing&lt;br /&gt;Mr. Vampire&lt;br /&gt;Monsoon wedding&lt;br /&gt;The mosque in Morgantown&lt;br /&gt;Mr. Lucky&lt;br /&gt;Mr. Patterns &lt;br /&gt;Mrs. Miniver&lt;br /&gt;Muerte de un ciclista&lt;br /&gt;Mujer sin cabeza &lt;br /&gt;Mumbai massacre&lt;br /&gt;Munich&lt;br /&gt;Murder, spies &amp; voting lies : the Clint Curtis story&lt;br /&gt;Muri shinju Nihon no natsu&lt;br /&gt;My dinner with André&lt;br /&gt;.My Winnipeg &lt;br /&gt;Mystical brain&lt;br /&gt;Napló gyermekeimnek&lt;br /&gt;New year parade&lt;br /&gt;The leaves of time &lt;br /&gt;Nihon shunka-ko&lt;br /&gt;Nihon teien : wa no niwa o tanoshimi tukusu, teien meguri v.1-3&lt;br /&gt;Nogaku meienshu III v.1-3&lt;br /&gt;Not your typical Bigfoot movie&lt;br /&gt;Obama's war&lt;br /&gt;The Oklahoman&lt;br /&gt;El olvido&lt;br /&gt;Option for the poor : from pristine robes to red flag of struggle&lt;br /&gt;Who are the DeBolts? : and where did they get 19 kids?&lt;br /&gt;Paris, Texas&lt;br /&gt;Pieta&lt;br /&gt;Pinakatagong lihim ng simbahan&lt;br /&gt;Pixar short films collection. Volume 1&lt;br /&gt;The power of booktalking&lt;br /&gt;Pratap Chatterjee&lt;br /&gt;Precious attractions of Central Java&lt;br /&gt;Pressure cooker&lt;br /&gt;Prima ballerina&lt;br /&gt;I pugni in tasca&lt;br /&gt;Pyaasa &lt;br /&gt;Le quai des brumes&lt;br /&gt;Quantum of solace&lt;br /&gt;Queer China, Comrade China&lt;br /&gt;Queer icon : the cult of Bette Davis&lt;br /&gt;Quest for the Phoenicians&lt;br /&gt;Red cartoons : animated films from East Germany.&lt;br /&gt;La règle du jeu&lt;br /&gt;Repulsion&lt;br /&gt;Reservoir dogs&lt;br /&gt;Ride with the Devil&lt;br /&gt;The road to peace : the continuing pursuit of the comprehensive peace process&lt;br /&gt;Road to perdition&lt;br /&gt;Rolands Kalnins' forbidden films&lt;br /&gt;Room for one more&lt;br /&gt;Rudolph, the red-nosed reindeer&lt;br /&gt;Rules of engagement&lt;br /&gt;Rumi : poet of the heart&lt;br /&gt;Ruta ni Ka Roda&lt;br /&gt;Sa ngalan ng tubó&lt;br /&gt;Sacred soil&lt;br /&gt;Saram ul ch'assumnida&lt;br /&gt;Shatranj ke khilari&lt;br /&gt;The science of sex appeal &lt;br /&gt;Scooby-Doo and the ghoul school&lt;br /&gt;The secret&lt;br /&gt;A separate peace &lt;br /&gt;Seppuku&lt;br /&gt;September 24, 2009 : Michael Moore goes to the source in Capitalism: a love story&lt;br /&gt;September 28, 2009 : Democracy Now!&lt;br /&gt;Séraphine&lt;br /&gt;Shall we dance&lt;br /&gt;Show boat&lt;br /&gt;Shugendo now&lt;br /&gt;Simón del desierto&lt;br /&gt;Sliding Liberia : a story of war, peace and surfing&lt;br /&gt;Soul power&lt;br /&gt;Stagecoach&lt;br /&gt;Stiliagi&lt;br /&gt;Strira patra&lt;br /&gt;Suden vuosi&lt;br /&gt;Tagumpay&lt;br /&gt;Tales from the script&lt;br /&gt;Tarzan's peril&lt;br /&gt;Teito tanjo&lt;br /&gt;Ten more good years&lt;br /&gt;They dump the sick to satisfy investors&lt;br /&gt;Thief of Bagdad&lt;br /&gt;This sporting life&lt;br /&gt;A letter from Dong Van&lt;br /&gt;The toast of New York&lt;br /&gt;Tokyo orimpikku&lt;br /&gt;Tootsie&lt;br /&gt;Training day &lt;br /&gt;Treasure planet &lt;br /&gt;Tuya de hun shi&lt;br /&gt;Unfinished business : the Japanese-American internment cases&lt;br /&gt;The union: the business behind getting high&lt;br /&gt;Viaggio in Italia&lt;br /&gt;El viaje de Carol&lt;br /&gt;Vieraalla maalla&lt;br /&gt;Wagon master&lt;br /&gt;Walker&lt;br /&gt;Walking with cavemen&lt;br /&gt;Waterfalls &lt;br /&gt;We are together&lt;br /&gt;Weeds : Season 1&lt;br /&gt;Weeds : Season 2 &lt;br /&gt;What are dreams? &lt;br /&gt;Why we laugh &lt;br /&gt;Wichita&lt;br /&gt;William Kunstler : disturbing the universe&lt;br /&gt;With one voice : awaken to the reality that unites us all&lt;br /&gt;Wo de lao fu qin&lt;br /&gt;Wo he ba ba&lt;br /&gt;Old partner &lt;br /&gt;Xue chan &lt;br /&gt;Yamagata sukurimu&lt;br /&gt;The young Victoria &lt;br /&gt;Zhao Liang : 3 films documentaires.&lt;br /&gt;Zulfikar Sheikh's Khaali aankhain&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4545561091329446873?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4545561091329446873/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4545561091329446873' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4545561091329446873'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4545561091329446873'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/06/new-for-june-2010.html' title='New For June 2010'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2386365746434751900</id><published>2010-06-04T22:36:00.000-07:00</published><updated>2010-06-07T15:38:39.293-07:00</updated><title type='text'>Ethnographic Video Online now available</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_OGml_wzutRk/TAnjzXOukyI/AAAAAAAAAMQ/fh-jys0vzaw/s1600/ethno.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 133px;" src="http://3.bp.blogspot.com/_OGml_wzutRk/TAnjzXOukyI/AAAAAAAAAMQ/fh-jys0vzaw/s200/ethno.jpg" alt="" id="BLOGGER_PHOTO_ID_5479160893221540642" border="0" /&gt;&lt;/a&gt;&lt;span class="Apple-style-span"  style="font-family:arial,serif;"&gt;&lt;div&gt;Ethnographic video junkie? Can't get enough Ax Fight or Bitter Melon? You will be happy. UW Libraries now subscribes to Ethnographic Video Online. This resource is UW Net ID protected, so &lt;a href="http://offcampus.lib.washington.edu/login?url=http://www.lib.washington.edu/media/"&gt;log in here&lt;/a&gt; if you are off campus before viewing it here: &lt;a href="http://bit.ly/cQKVVJ"&gt;http://bit.ly/cQKVVJ&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;What is Ethnographic Video Online? Ethnographic Video Online provides a comprehensive resource for the study of human culture and behavior – more than 750 hours and 1,000 films at completion. The collection features the work of many of the most influential documentary filmmakers of the 20th century, including interviews, previously unreleased raw footage, field notes, study guides, and more. Historical coverage ranges from the early work of Robert Flaherty in 1922 to the most current anthropological films from every region of the world. Documentaries from key filmmakers such as John Marshall, Timothy Asch, Robert Gardner, David MacDougall, John Bishop, David Plath. Thematic areas include: language and culture, kinesthetics, body language, food and foraging, cooking, economic systems, social stratification and status, caste systems and slavery, male and female roles, kinship and families, political organization, conflict and conflict resolution, religion and magic, music and the arts, culture and personality, and sex, gender, and family roles. A core collection for use across the curriculum—from introductory anthropology and sociology courses to advanced interdisciplinary courses in women’s studies, economics, and international studies— Ethnographic Video Online is Semantically Indexed to enable cross-cultural comparisons.&lt;/div&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2386365746434751900?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2386365746434751900/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2386365746434751900' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2386365746434751900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2386365746434751900'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/06/ethnographic-video-online-now-available.html' title='Ethnographic Video Online now available'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_OGml_wzutRk/TAnjzXOukyI/AAAAAAAAAMQ/fh-jys0vzaw/s72-c/ethno.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4659169948948011100</id><published>2010-05-14T09:10:00.000-07:00</published><updated>2010-05-27T20:25:25.633-07:00</updated><title type='text'>May DVDs, VHS videos, and CDs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_OGml_wzutRk/S-14jelRUcI/AAAAAAAAAMI/YR2L2C85_9A/s1600/wildthings.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 110px; height: 160px;" src="http://2.bp.blogspot.com/_OGml_wzutRk/S-14jelRUcI/AAAAAAAAAMI/YR2L2C85_9A/s200/wildthings.jpg" alt="" id="BLOGGER_PHOTO_ID_5471161673225163202" border="0" /&gt;&lt;/a&gt;What do &lt;a href="http://catalog.lib.washington.edu/record=b6345027"&gt;Afghan star&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=b6345026"&gt;Big fan&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=b6394101"&gt;Dada&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=b5900976"&gt;Tipong Pinoy&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=b6374168"&gt;Fanny&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=b3706846"&gt;Firestarter&lt;/a&gt;, and &lt;a href="http://catalog.lib.washington.edu/record=b6370881"&gt;Live at the Croc&lt;/a&gt; have in common? They are merely a few of the Libraries Media Center's many recently arrived &lt;a href="http://www.lib.washington.edu/media/new/dvds201005.html"&gt;DVDs&lt;/a&gt;, &lt;a href="http://www.lib.washington.edu/media/new/VHS201005.html"&gt;VHS&lt;/a&gt; videos, and &lt;a href="http://www.lib.washington.edu/media/new/cds201005.html"&gt;CDs&lt;/a&gt;. Check them out...for free!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4659169948948011100?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4659169948948011100/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4659169948948011100' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4659169948948011100'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4659169948948011100'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/05/what-do-afghan-star-big-fan-dada-tipong.html' title='May DVDs, VHS videos, and CDs'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_OGml_wzutRk/S-14jelRUcI/AAAAAAAAAMI/YR2L2C85_9A/s72-c/wildthings.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7655766866890804601</id><published>2010-05-13T17:03:00.000-07:00</published><updated>2010-05-15T20:54:01.446-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='emc'/><category scheme='http://www.blogger.com/atom/ns#' term='music documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='foreign films'/><category scheme='http://www.blogger.com/atom/ns#' term='screening'/><title type='text'>FILMS FROM THE VAULT</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_ftM8g_lyEoQ/S-8kuq1ZNtI/AAAAAAAAADc/XJ3N7e9UWLc/s1600/Films_Fromthe_Vault%2BPoster_color.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 309px; height: 400px;" src="http://1.bp.blogspot.com/_ftM8g_lyEoQ/S-8kuq1ZNtI/AAAAAAAAADc/XJ3N7e9UWLc/s400/Films_Fromthe_Vault%2BPoster_color.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5471632456469264082" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ftM8g_lyEoQ/S-yUE7dVn3I/AAAAAAAAADU/WqbJ8OP1nAA/s1600/Films_From_The_Vault_color.jpg"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span"  style="font-size:100%;"&gt;Lazy woodcutters being mocked.&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;" class="Apple-style-span"&gt; &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;b style="font-weight: bold;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Potential marriage partners being evaluated. &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span class="Apple-style-span"  style="font-weight: normal;font-size:100%;"&gt;Olympic marmots being introduced. &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Czechoslovakia being historicized. Snow being metamorphized.&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;br /&gt;Experience a postmodern pastiche of educational flicks &lt;/span&gt;&lt;/b&gt;at our FREE and daylong Films from the Vault fest. Media Center technicians will be on hand, rolling out wizened 16mm film from our &lt;a href="http://www.lib.washington.edu/media/emc.html"&gt;Educational Media Collection&lt;/a&gt; bunker and then  projecting them in all of their deteriorating analog glory. While we project we will simultaneously digitize all the films for preservation at the UW Libraries.&lt;br /&gt;&lt;br /&gt;Wednesday May 26 from 9AM to 5PM in Odegaard Library Room 220. See you then and there.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;THE SCHEDULE&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;&lt;br /&gt;Lazy Act 1: 9 am- Noon&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;  &lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;p class="MsoNormal"&gt;&lt;b style=""&gt;KAMABARA: THE SICKLE AND INJURED PRIDE&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;9am, 21 min.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;A lazy woodcutter, not wanting to work, threatens suicide by using his sickle trying to frighten his strong-willed wife. She mocks him and urges him on until a passerby intervenes. He is humiliated. The woodcutter finds a way to back down and saves his pride. Finally, he accepts his responsibility with honor and returns to work.  (In Japanese &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;without&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; English subtitles) &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;UKIYO-E&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;9:30 am, 19 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Provides a chronological presentation of 300 examples of the &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;ukiyo-e&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; painters favorite subject matter: the komono-clad beauties of the day. It also features works by modern artists who are carrying on the &lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;ukiyo-e&lt;/span&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt; tradition. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Two Japanese Landscape Scrolls&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;10 am, 21 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;The "long scroll" of Sesshu Toyo (fifteenth century artist), a seasonal panorama of Chinese landscapes is contrasted with scroll of Japanese countryside by Taikan Yokoyama (contemporary artist)&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Choosing for Happiness&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;10:30 am, 14 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Points out character traits that are important to look for when evaluating a marriage partner. Stresses the importance of self-analysis and the acceptance in a marriage partner of those basic attributes which cannot be changed.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;HAPPY ANNIVERSARY&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;10: 50 am, 12 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;France's Pierre Etaix directed and acted in this comic portrayal of a man trying to reach home to celebrate his wedding anniversary. Etaix presents without words the humorous but frustrating plight of the husband who encounters delay after delay in Paris traffic.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;FELICIA&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;11:15 am, 12 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Filmed in her home, school and neighborhood in Watts, California, Felicia is shown observing the area as it was in the spring of 1965, a few months before Watts was devastated by rioting. Felicia comments on hopes and frustrations experienced by the black population as a whole. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Coast to Coast in 48 Hours&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;11:30, 19 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;An historical documentary presentation of the ability of persons to travel from New York to Los Angeles on Transcontinental Air Transport, the combined railroad and air transport line of the 1930's. Charles A. Lindberg, as one of the company's directors, makes an appearance. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;b style=""&gt;&lt;span style=";font-family:&amp;quot;;color:black;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;hr /&gt; &lt;p class="MsoNormal"&gt;&lt;span class="apple-style-span"&gt;&lt;b&gt;&lt;span style=";font-family:&amp;quot;;color:black;"&gt;&lt;span class="Apple-style-span"&gt;ACT 2: UNIVERSITY OF WASHINGTON FILMS, Noon- 2pm&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;b style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;A PROGRAM OF SONGS BY LIGHTNIN' SAM HOPKINS&lt;br /&gt;&lt;b style=""&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Noon, 8 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Illustrates an informal performance by Lightnin' Sam Hopkins, one of the best-known country blues guitar players alive today. He sings "Baby, Please Don't Go," "Mojo Hand" and "Take Me Back." (Release of University of Washington Press)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;RETURN TO BIKINI&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;12:10, 23 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Presents a report of the scientific survey by a team from the Laboratory of Radiation Biology, University of Washington, to determine the condition of Bikini and Aniwetok atolls six years after the last nuclear test detonation. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Snow Metamorphism &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;12:40 pm, 9 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Time-lapse micrographs taken at the Institute of Low Temperature Science, Sapporo, Japan, directly and vividly illustrate such phenomena as snow compaction under load, equitemperature (destructive) and temperature-gradient (constructive) metamorphism, sintering melt metamorphism and melt.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Marmots of the Pacific Northwest&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;12:55 pm, 20 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;One of the Northwest's unique wildlife species, the Olympic marmot is introduced. The remarkable habits of the animal in hibernation, reproduction, feeding and social interaction are examined in the marmot's natural environment of the high mountain meadows of Washington's Olympic Peninsula&lt;/span&gt;.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Time-Lapse Studies of Glacier Flow&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;1:15 pm, 13 mins.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Includes material collected over several years from Pacific Northwest glaciers. Illustrates the flow of glacier ice over an icefall during periods of three to four months. From special time-lapse photography in tunnels the internal deformation of ice under pressure and the flow of a glacier over bedrock is illustrated. One time-lapse scene also illustrates the up-glacier retreat of a snowline during the summer. (Some color sequences)&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Village Potters of Onda &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;1:30 pm, 27 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Shows Japanese folk potters at work using techniques that have remained relatively unchanged for over 250 years. Includes a description of their way of life and the methods used in clay-mixing, throwing, decorating and firing. (Produced by Robert Sperry, School of Art)&lt;/span&gt;&lt;/p&gt; &lt;hr /&gt; &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b&gt;&lt;span class="Apple-style-span"&gt;Act 3: 2- 5pm&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;SKANDA SASTI&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;2 pm, 17 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Filmed in Tiruchendur in south India the film presents ``the festival of conquest'' celebrating the victory of Skanda, the six-headed son of Shiva, over the Demon in all of its various incarnations. It shows the worship of the iconic statues of Skanda and his two consorts including the showing of the 101 lights. On the seventh day of the festival the battle between Skanda and the Demon is presented in a pagent showing that, finally, man does not destroy the world, but masters it. Ends with the ritual marriage of the god and his consorts. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;INDIRA GANDHI: A HERITAGE OF POWER&lt;span style=""&gt;        &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;2:25 pm, 22 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Brought up in the shadow and influence of her father and grandfather, Indira Gandhi grew up to a legacy of great power and prestige. In a country where women have been totally subordinated by men, Indira became the first woman elected Prime Minister of a major country. After Mrs. Gandhi imposed curbs on civil liberties, she was interviewed, responding with apparent candor and charm to some very searching questions about her political acts. She hints that the West does not understand India or her own situation. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;&lt;span style="text-transform: uppercase;"&gt;Dream about a House&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;2:55 pm, 12 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;In this film with a surreal quality the camera is driven relentlessly through the streets of Budapest, wandering restlessly about the architecture. Suddenly a woman beckons and, there, sitting in front of an old apartment house, are those who have shared its living quarters and history. Lovers and prostitutes, old peddlers and young boys, war and peace and others at the opposite poles of the spectrum, have their niche in this world where an elderly lady winds an old clock and time moves on. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;CZECHOSLOVAKIA&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;3:15 pm, 16 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;The history of Czechoslovakia is presented from its birth at Versailles to the Communist coup at the end of World War II&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;A DIFFERENT APPROACH&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;3:40 pm, 21 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Uses broad comedy strokes to deal with the traditionally serious subject of employment of the handicapped. Irreverent humor, a singing and dancing handicapped chorus, top television celebrities and the story of a film within a film dispels myths and prejudices about the handicapped. Edward Asner, Norman Lear, Jim Nabors and Betty White introduce vignettes which include satires on advertising approaches, as well as candid interviews where people speak out about what it's like to work with, employ, or be, the handicapped.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;DISCOVERING JAZZ&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;4:05 pm, 22 min.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;The history of jazz is traced from its roots in 19th century Black America. The Black American added rhythmic and melodic freedom to the harmony and structure of European music and contributed such techniques as note bending and call and response. Jazz soon became popular throughout the country. Its form progressed from Dixieland and blues through such styles as swing, bop, cool jazz, funky and free improvisation. Old styles of jazz never fade out yet jazz itself keeps changing as new groups contribute their ideas to this uniquely American art form. &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;STARFISH REALM&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;4: 30 pm. 14 min.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;The film has its setting in two places, the laboratory and the ocean. The first sequence is of starfish and other aquatic creatures, the anemone and the sea slug among others. This is a ballet, of sorts, showing the delicate and rhythmic motion of the animals. The second part is an encounter in the laboratory between a crab and an octopus.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style=""&gt;DARK SECRETS, BRIGHT VICTORY&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;4:50 pm, 13 min.&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span class="Apple-style-span" style="font-weight: normal;"&gt;Depicts the actual events in one family's battle against bulimia. Teenage Heidi is the one with "the problem," yet her eating disorder is an integral part of the overall family dynamic. She allowed her addictive behavior to provide a temporary release from what seemed otherwise overwhelming problems. In an emotionally charged family counseling session, the family pattern of deception emerges and the foundation for Heidi's hidden habits becomes clear.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/p&gt;&lt;/b&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-size:100%;"&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7655766866890804601?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7655766866890804601/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7655766866890804601' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7655766866890804601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7655766866890804601'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/05/films-from-vault-screening-of-rare.html' title='FILMS FROM THE VAULT'/><author><name>Ben</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ftM8g_lyEoQ/S-8kuq1ZNtI/AAAAAAAAADc/XJ3N7e9UWLc/s72-c/Films_Fromthe_Vault%2BPoster_color.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-928172486318121241</id><published>2010-04-30T06:54:00.001-07:00</published><updated>2010-04-30T07:05:53.548-07:00</updated><title type='text'>New Media for April?</title><content type='html'>Why has it taken so long for me to post April's DVD/VHS/CD list to our blog and FB page? While it has been a busy month, Cathy Zegelin (the Media Center's intrepid Grad Student Specialist) created these about a month ago! So before April is over here they are: "new" DVD/VHS/CD titles for the month of April...&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.lib.washington.edu/media/new/dvds201004.html"&gt;April DVDs&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.lib.washington.edu/media/new/VHS201004.html"&gt;April VHS&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.lib.washington.edu/media/new/cds201004.html"&gt;April CDs&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://www.lib.washington.edu/media/searches/"&gt;As always, you can also find these and all of our past lists here&lt;/a&gt;.&lt;div&gt;&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-928172486318121241?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/928172486318121241/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=928172486318121241' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/928172486318121241'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/928172486318121241'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/04/new-media-for-april.html' title='New Media for April?'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7991647073854724515</id><published>2010-03-25T20:37:00.000-07:00</published><updated>2010-04-01T08:42:11.415-07:00</updated><title type='text'>Bikini: Radio-Biological Laboratory</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_OGml_wzutRk/S6wxictvrCI/AAAAAAAAALg/AUeysQKR_As/s1600/Picture+4.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 152px;" src="http://3.bp.blogspot.com/_OGml_wzutRk/S6wxictvrCI/AAAAAAAAALg/AUeysQKR_As/s200/Picture+4.png" alt="" id="BLOGGER_PHOTO_ID_5452787716732202018" border="0" /&gt;&lt;/a&gt;Between 1946 and 1958, 23 nuclear devices were detonated at Bikini Atoll, beginning with the Operation Crossroads series in the summer of 1946. For numerous years UW Applied Fisheries Lab researchers spent time on the atoll studying the effect of widespread radioactive contamination on plant and animal life. In this 1950 film - "Bikini: Radio-Biological Laboratory" - (&lt;a href="http://bit.ly/csb5pL"&gt;http://bit.ly/csb5pL&lt;/a&gt;), UW researchers are shown at work, tracing the nature of this radioactivity in the life cycles of an aquatic environment.&lt;br /&gt;&lt;br /&gt;This film is from our Educational Media Collection, a historical collection of some 7,000 moving image and sound recording titles. More information about the film is available at &lt;a href="http://www.lib.washington.edu/media/emc.html"&gt;h&lt;/a&gt;&lt;a href="http://www.lib.washington.edu/media/emc.html"&gt;ttp://www.lib.washington.edu/media/emc.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7991647073854724515?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7991647073854724515/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7991647073854724515' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7991647073854724515'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7991647073854724515'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/03/bikini-radio-biological-laboratory.html' title='Bikini: Radio-Biological Laboratory'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_OGml_wzutRk/S6wxictvrCI/AAAAAAAAALg/AUeysQKR_As/s72-c/Picture+4.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-474580509781147571</id><published>2010-03-24T13:52:00.000-07:00</published><updated>2010-03-24T14:02:42.064-07:00</updated><title type='text'>March Media Madness</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_OGml_wzutRk/S6p9ceHSs3I/AAAAAAAAALQ/afW4ni2BTAs/s1600/Screen+shot+2010-03-24+at+1.50.17+PM.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 209px;" src="http://4.bp.blogspot.com/_OGml_wzutRk/S6p9ceHSs3I/AAAAAAAAALQ/afW4ni2BTAs/s320/Screen+shot+2010-03-24+at+1.50.17+PM.png" alt="" id="BLOGGER_PHOTO_ID_5452308226958865266" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;OLD NEWS ALERT! March DVDs, VHS, and CD titles have been in for several weeks! Check out all the items @ &lt;a href="http://www.lib.washington.edu/media/searches/"&gt;http://www.lib.washington.edu/media/searches/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6343177"&gt;13 short documentary films&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6005022"&gt;, 20th century box  : 1995-2001&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6010659"&gt;, 1937:the fact in Nan Jing&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6337446"&gt;, Eye on dance :Actors dancing &amp;amp; dancers acting&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5887537"&gt;, Eye on dance : African-American footprints leading to&lt;br /&gt;  the future&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6021888"&gt;, Alif nun&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6343933"&gt;, Almas sin fronteras&lt;/a&gt;&lt;span style="text-decoration: underline;"&gt;, &lt;/span&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5903684"&gt;Alpha bravo charlie&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6337661"&gt;, Amreeka&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6042198"&gt;, Andrzej Munk&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6209190"&gt;, The blue bird&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6327934"&gt;, The Apes of Barbary&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5887512"&gt;, Eye on dance :. Art of Leonide Massine&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6181925"&gt; Attorney Romeo T. Capulong&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6085065"&gt;Balkan rhapsodies : 78 measures of war&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6077096"&gt; Battleship Antarctica&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6327504"&gt; Behavioral characteristics of the rhesus monkey&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6234489"&gt; The big energy gamble&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6234831"&gt; The Billy Nayer show: the early years&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5736343"&gt; Blood diamond&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6311473"&gt; Blu in you&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6208720"&gt; Bo shibari&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6337663"&gt; Bright star&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6066470"&gt; Buddy Holly story&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b4908514"&gt; Buffy, the vampire slayer : Season 2&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6027945"&gt; Bums are people too!&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6327942"&gt; The Chacma baboons&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5887508"&gt; Eye on dance : Changing trends in dance&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6317288"&gt; Chasseurs de dragons&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6312191"&gt; Che&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5016393"&gt; Chicago&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6329737"&gt; Christianity&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6234844"&gt; Claude Levi-Strauss par lui-même&lt;/a&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6345033"&gt; Coco avant Chanel&lt;/a&gt;  &lt;a href="http://catalog.lib.washington.edu/record=b6085691"&gt;La commune  : (Paris 1871)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b5903807"&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-474580509781147571?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/474580509781147571/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=474580509781147571' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/474580509781147571'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/474580509781147571'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/03/march-media-madness.html' title='March Media Madness'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_OGml_wzutRk/S6p9ceHSs3I/AAAAAAAAALQ/afW4ni2BTAs/s72-c/Screen+shot+2010-03-24+at+1.50.17+PM.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6228645923509496088</id><published>2010-01-28T16:43:00.000-08:00</published><updated>2010-01-30T22:10:17.646-08:00</updated><title type='text'>Countdown to delirium? Newish DVD/VHS/CD titles</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_OGml_wzutRk/S2UeurGmbeI/AAAAAAAAALI/lxR66gxZfdE/s1600-h/wordbubble.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 207px;" src="http://4.bp.blogspot.com/_OGml_wzutRk/S2UeurGmbeI/AAAAAAAAALI/lxR66gxZfdE/s320/wordbubble.png" alt="" id="BLOGGER_PHOTO_ID_5432782312685596130" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Yes, new DVDs, VHS, and CDs @ the Media Center. Everything from&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6290104"&gt;Adventureland&lt;/a&gt; and &lt;a href="http://catalog.lib.washington.edu/record=b6290118"&gt; Valkyrie&lt;/a&gt;, to &lt;a href="http://catalog.lib.washington.edu/record=b6305482%7ES6"&gt;Lemur's Tale&lt;/a&gt; and the &lt;a href="http://catalog.lib.washington.edu/record=b6307022"&gt;Seattle Phonographers Union&lt;/a&gt;. Check out them out @&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/dvd201001.html"&gt;http://www.lib.washington.edu/media/new/dvd201001.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/VHS201001.html"&gt;http://www.lib.washington.edu/media/new/VHS201001.html&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/cd201001.html"&gt;http://www.lib.washington.edu/media/new/cd201001.html&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6228645923509496088?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6228645923509496088/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6228645923509496088' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6228645923509496088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6228645923509496088'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/01/countdown-to-delirium-newish-dvdvhscd.html' title='Countdown to delirium? Newish DVD/VHS/CD titles'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_OGml_wzutRk/S2UeurGmbeI/AAAAAAAAALI/lxR66gxZfdE/s72-c/wordbubble.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-8233258605284444600</id><published>2010-01-21T09:07:00.000-08:00</published><updated>2010-01-21T09:21:55.768-08:00</updated><title type='text'>Sound Archiving in Ethnomusicology</title><content type='html'>This quarter UW ethnomusicology archivist Laurel Sercombe and I are leading a seminar called Sound Archiving in Ethnomusicology. Our 20 grad students come from both ethnomusicology and information studies. The breadth of their perspectives and experiences is great, as is the collective expertise of our guest lecturers: John Gibbs (UW Music Library), Gary Louie (UW School of Music), and Colin Todd  (UW School of Music). Check out our class blog @ http://uwsoundarchiving.blogspot.com/&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-8233258605284444600?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/8233258605284444600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=8233258605284444600' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8233258605284444600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8233258605284444600'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/01/sound-archiving-in-ethnomusicology.html' title='Sound Archiving in Ethnomusicology'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1038524880472717345</id><published>2010-01-06T16:04:00.000-08:00</published><updated>2010-01-07T14:35:03.959-08:00</updated><title type='text'>2009 National Film Registry</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_OGml_wzutRk/S0ZhSCjbxTI/AAAAAAAAAJY/Z25avagaDjw/s1600-h/library-of-congress.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 229px;" src="http://4.bp.blogspot.com/_OGml_wzutRk/S0ZhSCjbxTI/AAAAAAAAAJY/Z25avagaDjw/s320/library-of-congress.jpg" alt="" id="BLOGGER_PHOTO_ID_5424129763765372210" border="0" /&gt;&lt;/a&gt;Under the terms of the National Film Preservation Act, each year the Librarian of Congress names 25 films to the registry that are "culturally, historically or aesthetically" significant to be preserved for all time (quite a commitment!). These films are not selected as the "best" (however that is defined) American films of all time, but rather as works of enduring importance to American culture.&lt;br /&gt;&lt;p&gt;&lt;/p&gt;From the Act: "Established by Congress in 1989, the National Film Registry spotlights the importance of protecting America’s matchless film heritage and cinematic creativity," said Billington. "By preserving the nation’s films, we safeguard a significant element of our cultural patrimony and history."&lt;br /&gt;&lt;br /&gt;The UW Libraries holds or has access to several of the films identified in this year's round of the registry. To find these films, click on the linked titles below. However, as you will see, many of this year's additions are not available due to their rarity.  We hope that by being added to the Registry, these films will find a wider audience and perhaps then be released for purchase.&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;a href="http://catalog.lib.washington.edu/search/X?%28Dog%20Day%20Afternoon%29&amp;amp;p=g"&gt;Dog Day Afternoon&lt;/a&gt; (1975)&lt;/strong&gt;&lt;br /&gt;&lt;p&gt;Director Sidney Lumet balances suspense, violence and humor in Frank Pierson’s Oscar-winning adaptation of a true-life bank robbery turned media circus. Al Pacino is the engaging Sonny, a smart yet self-destructive Brooklyn tough guy whose plan to rob the local bank to pay for his lover’s sex change goes awry. Lumet artfully conducts his talented cast through machinations that twist and turn from the political to the personal, and inevitably lead to a downward spiral played out before an audience of millions.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://catalog.lib.washington.edu/record=b6109115%7ES6"&gt;The Exiles&lt;/a&gt; (1961)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Released nearly 48 years ago, "The Exiles" remains one of the few non-stereotypical films that honestly depict Native Americans. With the perspective of a true outsider, filmmaker Kent MacKenzie captures the raw essence of a group of 20-something Native Americans who left reservation life in the 1950s to live among the decayed Victorian mansions of Los Angeles’ Bunker Hill district. MacKenzie’s day-in-the-life narrative pieces together interviews that allow the people in his film to tell their own stories without ascribing artificial sentimentality. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;Heroes All (1920)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;The Red Cross Bureau of Pictures produced more than 100 films, including "Heroes All," from 1917-1921, which are invaluable historical and visual records of the era with footage from World War I and its aftermath. "Heroes All" examines returning wounded WWI veterans and their treatment at Walter Reed Hospital, along with visits to iconic Washington, D.C., landmarks. Several Red Cross cinematographers achieved notable film careers, including Ernest Schoedsack and A. Farciot Edouart.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Hot Dogs for Gauguin (1972)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;This hilarious New York University student film (with a cast including Danny DeVito and Rhea Perlman in her film debut) was written and directed by Martin Brest who later went on to direct "Beverly Hills Cop," "Scent of a Woman" and "Meet Joe Black." In the film, DeVito plays a down-on-his-luck photographer determined to capture visual magic and fame. He concocts an intricate plot to blow up the Statue of Liberty and sets his camera to record the exact moment of its destruction. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/5552920"&gt;The Incredible Shrinking Man&lt;/a&gt; (1957)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;This sci-fi classic about a man who starts to shrink after being exposed to a strange cloud while on vacation is notable for its intelligent script and imaginative special effects. Jack Arnold’s sparse direction and Richard Matheson’s poignant script allow the tension to build naturally in a world where a house cat and common spider become the ultimate threat to existence and leave an indelible mark on the audience’s consciousness.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://catalog.lib.washington.edu/record=b4610200%7ES6"&gt;Jezebel&lt;/a&gt; (1938)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Bette Davis won her second Academy Award for this William Wyler-directed classic. Cast to perfection as a tempestuous southern belle, Davis’ head-strong heroine must eventually learn self-sacrifice in order to save the man she loves. Despite its melodramatic underpinnings, the film endures because of Davis’ flawless performance and for its examination of both the American South and women’s societal roles. The movie co-stars Henry Fonda and Fay Bainter, who also won an Oscar for her work.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;The Jungle (1967)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;With the guidance of Temple University social worker Harold Haskins, a group of African-American teenage boys in Philadelphia made this hybrid documentary/dramatization of their lives in the 12th and Oxford Street gang. Shot in an original and natural style, this 22-minute film was recognized with festival awards, but was never theatrically released. In 1968, Churchill Films distributed the film in 16mm for the educational market. The production led several of the gang members to earn high school and college degrees. &lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/466106893"&gt;The Lead Shoes &lt;/a&gt;(1949)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;"The Lead Shoes" is a dreamlike trance showing the unconscious acts of a disturbed mind through a distorted lens and other abstract visual techniques (such as reverse and stop motion). "Narrative succumbs to the comic devices of inconsequence and illogic," said writer and independent filmmaker Sidney Peterson of his film. Peterson is considered the father of San Francisco avant-garde cinema. &lt;/p&gt; &lt;p&gt;   &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/55612250"&gt;Little Nemo&lt;/a&gt; (1911)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;This classic work, a mix of live action and animation, was adapted from Winsor McCay’s famed 1905 comic strip "Little Nemo in Slumberland." Its fluidity, graphics and story-telling was light years beyond other films made during that time. A seminal figure in both animation and comic art, McCay profoundly influenced many generations of future animators, including Walt Disney. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;Mabel’s Blunder (1914)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Mabel Normand, who wrote, directed and starred in "Mabel’s Blunder," was the most successful of the early silent screen comediennes. The film tells the tale of a young woman who is secretly engaged to the boss’ son. When a new employee catches the young man’s eye, a jealous Mabel dresses up as a chauffeur to spy on them, which leads to a series of mistaken identities. The film showcases Normand’s spontaneous and intuitive playfulness and her ability to be both romantically appealing and boisterously funny. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/53254543"&gt;The Mark of Zorro&lt;/a&gt; (1940)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Under Rouben Mamoulian’s inventive direction, Tyrone Power plays Don Diego, son of a 19th-century Los Angeles governor who has been unseated by a mercenary despot and his sadistic captain, portrayed by Basil Rathbone. Convincingly foppish by day, Don Diego conceals his heroic alter-ego to avenge his father and the terrorized citizenry, carving his signature "Z" with his trusty sword as he goes. Mamoulian cleverly cuts in and out of scenes to heighten the drama and action as the film crescendos to a thrilling duel between Rathbone and Power.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/54975940"&gt;Mrs. Miniver&lt;/a&gt; (1942)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;This remarkably touching wartime melodrama pictorializes the classic British stiff upper lip and the courage of a middle-class English family (headed by Greer Garson and Walter Pidgeon) amid the chaos of air raids and family loss. The film’s iconic tribute to the sacrifices on the home front, as movingly directed by William Wyler, did much to rally America’s support for its British allies. "Mrs. Miniver" won six Oscars including Best Picture, Best Director and Best Actress.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/47815037"&gt;The Muppet Movie &lt;/a&gt;(1979)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Muppet creators Jim Henson and Frank Oz immersed their characters into a well-crafted combination of musical comedy and fantasy adventure. Kermit the Frog leads TV series regulars Miss Piggy, Fozzie Bear, Ralph and Animal on a road trip to Hollywood where they encounter numerous characters played by such actors as Steve Martin, Mel Brooks and Charles Durning. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/53303049"&gt;Once Upon a Time in the West&lt;/a&gt; (1968)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Disdained as "Spaghetti Westerns" when they first appeared in American movie theaters, the best of these films, such as "Once Upon a Time in the West," are now recognized as among the greatest achievements of the Western movie genre. Director Sergio Leone’s operatic visual homage to the American Western legend is a chilling tale of vengeance set against the backdrop of the coming of the railroad. Ennio Morricone’s magnificent score (especially the elegiac "Jill’s Theme") is likewise recognized for its brilliance.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/62294485"&gt;Pillow Talk&lt;/a&gt; (1959 )&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;The first film to co-star Doris Day and Rock Hudson, "Pillow Talk" remains one of the screen’s most definitive, influential and timeless romantic comedies. Sweet and sophisticated, it is a time capsule of 1950s America. Two single New Yorkers develop an anonymous, antagonistic relationship by sharing a telephone "party line." Both romance and complications ensue when they finally meet in person. The film is a perfect showcase for its two charismatic stars, especially the effervescent Day who demonstrates why she was both America’s Sweetheart and one of cinema’s finest comediennes.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Precious Images (1986)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Chuck Workman’s legendary compilation film to commemorate the 50th anniversary of the Directors Guild of America is also a dazzling celebration of the first near-century of American cinema. The pioneer of rapid-fire film history montages, "Precious Images" contains in the space of seven short minutes nearly 500 clips from classic films spanning the years 1903-1985. It became the most influential and widely shown short film in history. Workman is known for creating the montages shown during the annual Academy Awards broadcast.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Quasi at the Quackadero (1975)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;"Quasi at the Quackadero" has earned the term "unique." Once described as a "mixture of 1930s Van Beuren cartoons and 1960s R. Crumb comics with a dash of Sam Flax," and a descendent of the "Depression-era funny animal cartoon," Sally Cruikshank’s wildly imaginative tale of odd creatures visiting a psychedelic amusement park careens creatively from strange to truly wacky scenes. It became a favorite of the Midnight Movie circuit in the 1970s. Cruikshank later created animation sequences for "Sesame Street," the 1986 film "Ruthless People" and the "Cartoon Land" sequence in the 1983 film "Twilight Zone: The Movie." &lt;/p&gt; &lt;p&gt;&lt;strong&gt;The Red Book (1994)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Renowned experimental filmmaker and theater/installation artist Janie Geiser’s work is known for its ambiguity, explorations of memory and emotional states and exceptional design. She describes "The Red Book" as "an elliptical, pictographic animated film that uses flat, painted figures and collage elements in both two and three dimensional settings to explore the realms of memory, language and identity from the point of view of a woman amnesiac."&lt;/p&gt; &lt;p&gt;  &lt;/p&gt; &lt;p&gt;&lt;strong&gt;The Revenge of Pancho Villa (1930-36)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;This extraordinary compilation film was made by the Padilla family in El Paso, Texas, from dozens of fact-based and fictional films about Pancho Villa. The films were stitched together with original bilingual title cards and dramatic reenactments of Villa’s assassination were added to the revised print. "The Revenge of Pancho Villa" provides stirring evidence of a vital Mexican-American film presence during the 1910-30s. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;Scratch and Crow (1995)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;Helen Hill’s student film was made at the California Institute of the Arts. Consistent with the short films she made from age 11 until her death at 36, this animated short work is filled with vivid color and a light sense of humor. It is also a poetic and spiritual homage to animals and the human soul.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Stark Love (1927)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;A maverick production in both design and concept, "Stark Love" is a beautifully photographed mix of lyrical anthropology and action melodrama from director Karl Brown. "Man is absolute ruler. Woman is working slave." Such are the rigid attitudes framing this tale of a country boy’s beliefs about chivalry that lead him to try to escape a brutal father with the girl he loves. "Stark Love," cast exclusively with amateur actors and filmed entirely in the Great Smoky Mountains, is an illuminating portrayal of the Appalachian people. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/44451145"&gt;The Story of G.I. Joe&lt;/a&gt; (1945)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;William Wellman’s gritty portrayal of the realities of war was based on the newspaper columns of war correspondent Ernie Pyle, played with understated realism by Burgess Meredith. In the film, Pyle follows a small group of ordinary infantrymen from North Africa into Italy, and his observations reflect the full gamut of human emotion that war invokes while trying to make sense of the inhuman randomness of war’s destruction. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;A Study in Reds (1932)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;This polished amateur film by Miriam Bennett spoofs women’s clubs and the Soviet menace in the 1930s. While listening to a tedious lecture on the Soviet threat, Wisconsin Dells’ Tuesday Club members fall asleep and find themselves laboring in an all-women collective in Russia under the unflinching eye of the Soviet special police. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/50194071"&gt;Thriller&lt;/a&gt; (1983)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;The most famous music video of all time, "Thriller" caused such a buzz that it was also released theatrically in 35mm. As a follow-up to his smash 1982 album and single, Michael Jackson revolutionized the music industry with this lavish and expensive production. Acclaimed filmmaker John Landis ("Animal House" and "Blues Brothers") directed and co-wrote the video. &lt;/p&gt; &lt;p&gt;&lt;strong&gt;&lt;a href="http://uwashington.worldcat.org/oclc/234318403"&gt;Under Western Stars &lt;/a&gt;(1938)&lt;/strong&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;"Under Western Stars" turned Roy Rogers into a movie star. In the film, Rogers plays a populist cowboy/congressman elected to champion for small ranchers’ water rights during the Dust Bowl. He and his golden palomino Trigger appeared in nearly 100 films and a long-running television series. Known as "King of the Cowboys," the popular Rogers had an enormous impact on American audiences. Rogers was perceived as the almost perfect embodiment of what a cowboy should be in appearance, values, good manners and chivalrous behavior.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1038524880472717345?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1038524880472717345/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1038524880472717345' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1038524880472717345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1038524880472717345'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2010/01/2009-national-film-registry.html' title='2009 National Film Registry'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_OGml_wzutRk/S0ZhSCjbxTI/AAAAAAAAAJY/Z25avagaDjw/s72-c/library-of-congress.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4133984129876778923</id><published>2009-12-11T10:02:00.000-08:00</published><updated>2009-12-11T13:43:00.225-08:00</updated><title type='text'>December DVDs, VHS, and CDs</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_OGml_wzutRk/SyKVa2LRFvI/AAAAAAAAAJM/-2QRX4SVvWo/s1600-h/Screen+shot+2009-12-11+at+9.50.24+AM.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 213px;" src="http://1.bp.blogspot.com/_OGml_wzutRk/SyKVa2LRFvI/AAAAAAAAAJM/-2QRX4SVvWo/s320/Screen+shot+2009-12-11+at+9.50.24+AM.png" alt="" id="BLOGGER_PHOTO_ID_5414053990504666866" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6248465"&gt;American astronaut&lt;/a&gt;&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6290101"&gt;Anvil&lt;/a&gt;&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt;,&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt; &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6299464"&gt;Cornish Ordinalia&lt;/a&gt;,&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt; &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6288300"&gt;Evil Dead&lt;/a&gt;,&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt; &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6286087"&gt;Folk music of India&lt;/a&gt;,&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt; &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6100592"&gt;Lincoln and Black Hawk&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6297021"&gt;Lempad         of Bali&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6247670"&gt;Love songs&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6087825"&gt;Milk&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6296018"&gt;Racial Structure&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6227863"&gt;Siaka: an African musician&lt;/a&gt;&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6286611"&gt;Unsung&lt;/a&gt;,&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt; &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6255949"&gt;Urgh! A music war&lt;/a&gt;&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt;, &lt;/span&gt;&lt;/span&gt;&lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6297092"&gt;World erotica&lt;/a&gt; - December&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt; DVDs, VHS, and CDs now listed @ &lt;a href="http://bit.ly/11WIfL" class="tweet-url web" rel="http://bit.ly/plugins/iframe?hashUrl=http%3A%2F%2Fbit.ly%2F11WIfL" target="_blank"&gt;http://bit.ly/11WIfL&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4133984129876778923?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4133984129876778923/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4133984129876778923' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4133984129876778923'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4133984129876778923'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/12/american-astronaut-anvil-cornish.html' title='December DVDs, VHS, and CDs'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_OGml_wzutRk/SyKVa2LRFvI/AAAAAAAAAJM/-2QRX4SVvWo/s72-c/Screen+shot+2009-12-11+at+9.50.24+AM.png' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1387648121709794829</id><published>2009-11-18T13:10:00.001-08:00</published><updated>2009-11-18T13:16:48.850-08:00</updated><title type='text'>New(ish) DVDs, CDS, and VHS tapes!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_OGml_wzutRk/SwRkFQGBeMI/AAAAAAAAAIs/-wKen9e2Mxo/s1600/Picture+1.png"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 207px;" src="http://1.bp.blogspot.com/_OGml_wzutRk/SwRkFQGBeMI/AAAAAAAAAIs/-wKen9e2Mxo/s320/Picture+1.png" alt="" id="BLOGGER_PHOTO_ID_5405555494133790914" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Our belated new arrival DVD/CD/VHS lists are now &lt;a href="http://www.lib.washington.edu/media/searches/"&gt;online and ready for browsing&lt;/a&gt;. What's in store for you? &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6087828"&gt;Battle                   in Seattle&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b5692346"&gt;Double                   indemnity&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6085612"&gt;WWII : a filmed history from the National Archives&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6268636"&gt;Dolphins             : the wild side&lt;/a&gt;, &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6256409"&gt;The great American bailout&lt;/a&gt; (the 1991 S&amp;amp;L bailout), &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b5716128"&gt;International sad hits. Volume one, Altaic language group&lt;/a&gt; and &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/record=b6257076"&gt;Are             you swimming in a sewer?&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1387648121709794829?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1387648121709794829/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1387648121709794829' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1387648121709794829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1387648121709794829'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/11/newish-dvds-cds-and-vhs-tapes.html' title='New(ish) DVDs, CDS, and VHS tapes!'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_OGml_wzutRk/SwRkFQGBeMI/AAAAAAAAAIs/-wKen9e2Mxo/s72-c/Picture+1.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-704136981667790337</id><published>2009-11-09T15:34:00.000-08:00</published><updated>2009-11-09T15:35:39.323-08:00</updated><title type='text'>Don’t Burn It -  Film and Discussion, November 10</title><content type='html'>Ðừng Ðốt (Don’t Burn It), Film and Discussion, November 10&lt;br /&gt;The UW Libraries and the Southeast Asian Studies Center Present Ðừng Ðốt (Don’t Burn It), a film in Vietnamese with English subtitles, followed by discussion, November 10, 4.30 pm Odegaard Undergraduate Library, Room 220. Directed by pre-eminent Vietnamese film maker Ðặng Nhật Minh, the film is based on the published diary of Dr Đặng Thùy Trâm.  The diary became a best-seller in Vietnam, published as Nhật kỳ Đặng Thùy Trâm, and has been much acclaimed in translation as Last Night I Dreamed of Peace. (&lt;a href="https://staffweb.lib.washington.edu/news/won/won-articles/thung-thot-don2019t-burn-it-film-and-discussion-november-10"&gt;more&lt;/a&gt;)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-704136981667790337?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/704136981667790337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=704136981667790337' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/704136981667790337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/704136981667790337'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/11/dont-burn-it-film-and-discussion.html' title='Don’t Burn It -  Film and Discussion, November 10'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3393918826077728886</id><published>2009-11-04T11:55:00.000-08:00</published><updated>2009-11-04T13:45:14.744-08:00</updated><title type='text'>Films to consider for November</title><content type='html'>It's November! As no one is acclimated to the cold yet, November means abuse of the thermostat and Snuggies (&lt;a href="http://op9.net/images/snuggie.jpg"&gt;am i right?&lt;/a&gt;), both very conducive to watching movies. Equally accommodating is the four day Thanksgiving Break we get in November. While I love the opportunity to feast on delicious fall foods and spend time with friends and family, it's important to remember what the Thanksgiving story represents for many people. Why not bring a film home for Thanksgiving from this DVD series titled &lt;a href="http://catalog.lib.washington.edu/search~S6?/tJournal+of+the+first+Americans/tjournal+of+the+first+americans/-3%2C-1%2C0%2CB/exact&amp;FF=tjournal+of+the+first+americans&amp;1%2C5%2C"&gt;Journal Of The First Americans&lt;/a&gt;, or one from the &lt;a href="http://catalog.lib.washington.edu/search~S6?/X(native%20americans)&amp;p=g&amp;SORT=D/X(native%20americans)&amp;p=g&amp;SORT=D&amp;SUBKEY=(native%20americans)/1%2C100%2C100%2CB/frameset&amp;FF=X(native%20americans)&amp;p=g&amp;SORT=D&amp;21%2C21%2C"&gt;Before Columbus&lt;/a&gt; series? These are just a teeny tiny sampling of the educational films we have about contemporary Native American issues and historical colonization. Learn some things!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3393918826077728886?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3393918826077728886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3393918826077728886' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3393918826077728886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3393918826077728886'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/11/films-to-consider-for-november.html' title='Films to consider for November'/><author><name>juliana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_d5dmZ_QCT1I/S5lD5DyYmzI/AAAAAAAAAK4/tPm8t-GtNyM/S220/IMG_1869.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4348129479195913526</id><published>2009-10-27T13:04:00.000-07:00</published><updated>2009-10-27T13:45:59.254-07:00</updated><title type='text'>Happy Audiovisual Heritage Day!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_OGml_wzutRk/Sudb1eU5RFI/AAAAAAAAAIk/JvmNXLOqRl4/s1600-h/Photo+16.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="http://4.bp.blogspot.com/_OGml_wzutRk/Sudb1eU5RFI/AAAAAAAAAIk/JvmNXLOqRl4/s320/Photo+16.jpg" alt="" id="BLOGGER_PHOTO_ID_5397383652658725970" border="0" /&gt;&lt;/a&gt;&lt;span class="newsKOlongDesc"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Audiovisual materials--audio recordings, videos, films--embody a wealth of information and represent a vast swath of 20th of 21st century cultural heritage.  Unfortunately, these documents are also by their very nature unstable and prone to obsolescence (did you know that the life expectancy of a DVD is about 30 years IF stored under ideal conditions?).&lt;br /&gt;&lt;br /&gt;Today--UNESCO's fourth annual AV Heritage Day--is meant to raise awareness about the &lt;/span&gt;&lt;span class="newsKOlongDesc"&gt;importance of audiovisual recordings and the dire need to preserve them&lt;/span&gt;&lt;span class="newsKOlongDesc"&gt;.&lt;br /&gt;&lt;br /&gt;Are you interested in making sure that UW's audiovisual materials will be preserved for the long haul? If so, &lt;a href="mailto:medialib@uw.edu"&gt;let us know&lt;/a&gt;! By working together we can make it happen.&lt;br /&gt;&lt;br /&gt;About AV Heritage Day: "In 2005 UNESCO's General Conference proclaimed 27 October as World Day for Audiovisual Heritage to raise awareness of the importance of audiovisual documents as integral part of national identities and draw attention to the urgent need to protect them. Every year activities are organized around a theme agreed upon by CCAAA; this year’s theme will be "Fading heritage - we can save it".&lt;br /&gt;&lt;br /&gt;Audiovisual heritage comprises all forms of moving images and recorded sounds, regardless of the means of creation, preservation or delivery. It also includes associated information, documents, objects, artifacts and technology, and graphical material selected in its own right. Such heritage expresses a nation as a place and people and considered to be most characteristic of the 20th and 21st centuries. Its cultural influence and informational content are immense, and rapidly increasing.&lt;br /&gt;&lt;br /&gt;Transcending language and cultural boundaries, appealing immediately to the eye and the ear, to the literate and illiterate alike, audiovisual documents have transformed society by becoming a permanent complement to the traditional written record. Their content cannot be reduced to written form, and its integrity is closely tied to the format of its carrier – be it film, magnetic or optical media. Because of their fragility, many audiovisual documents have been lost and continue to be lost if no action is undertaken" (&lt;a href="http://bit.ly/iMhkh"&gt;http://bit.ly/iMhkh&lt;/a&gt;).  &lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4348129479195913526?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4348129479195913526/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4348129479195913526' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4348129479195913526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4348129479195913526'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/10/happy-audiovisual-heritage-day.html' title='Happy Audiovisual Heritage Day!'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_OGml_wzutRk/Sudb1eU5RFI/AAAAAAAAAIk/JvmNXLOqRl4/s72-c/Photo+16.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-9221438279555472057</id><published>2009-10-26T17:04:00.000-07:00</published><updated>2009-10-26T17:06:03.220-07:00</updated><title type='text'>Chinese Film Week: October 26-31</title><content type='html'>&lt;h1 class="documentFirstHeading"&gt;                       &lt;span class="" id="parent-fieldname-title"&gt;&lt;/span&gt;&lt;/h1&gt;&lt;p class="documentDescription"&gt;                      &lt;span class="" id="parent-fieldname-description"&gt;                      &lt;/span&gt;              &lt;/p&gt;                                         &lt;div class="" id="parent-fieldname-text"&gt;              &lt;p&gt;FREE! BEGINS TONIGHT!&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Come to Meet with the Director and Actor during the Chinese Film Week.  The East Asia Library and the China Studies Program will host a Chinese film week October 26-31, 2009, in celebration of the 30th anniversary of US-China relations. The theme of the film week is “Shanghai Women Film Directors,” featuring PENG Xiaolian of the renowned 5th generation of Chinese film directors.  There will be five films by PENG Xiaolian for screening during the week. Ms Peng and an award-winning actor from Seattle will be here to interact with the audience and share their personal accounts. All movies will have English Subtitles except the one entitled Storm under the Sun, which will be in English. The events and film screenings are free and open to the public. We warmly invite you to join the director and actor for a fun and fascinating film week.&lt;br /&gt;&lt;br /&gt;Schedule&lt;/p&gt; &lt;ul&gt;&lt;li&gt;10/26/2009  Grand Opening - OUGL 220&lt;br /&gt;6:00-7:00  Prof. Yomi Braester: Two Women Film Directors&lt;br /&gt;                     Peng Xiaoliang : Introduction to My Films&lt;br /&gt;7:00-9:30 Screening: Shanghai Story&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul&gt;&lt;li&gt;10/27/2009 - OUGL 220&lt;br /&gt;6:00-8:00   Screening: Kids in Shanghai&lt;br /&gt;8:00 – 9:00 Q&amp;amp;A with Peng Xiaoliang and a lead actor&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul&gt;&lt;li&gt;10/28/2009 - OUGL 220&lt;br /&gt;6:00- 8:00  Screening: Shanghai Women&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul&gt;&lt;li&gt;10/29/2009 - Allen Auditorium&lt;br /&gt;12:00-12:30  Peng Xiaolian: A Tribute to My Father: the making of Storm Under the Sun&lt;br /&gt;12:30-2:00 Screening: Storm under the Sun.  Q&amp;amp;A with the Director&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul&gt;&lt;li&gt;10/30/2009 - OUGL 220&lt;br /&gt;6:00-8:00  Screening: Red Persimmons&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul&gt;&lt;li&gt;10/31/09 - OUGL 220&lt;br /&gt;6:00-8:00   Screening: Doors, directed by Li Shaohong&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;                       &lt;/div&gt;               &lt;div class="relatedItems"&gt;                                          &lt;/div&gt;              &lt;div class="visualClear"&gt;&lt;!-- --&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-9221438279555472057?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/9221438279555472057/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=9221438279555472057' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/9221438279555472057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/9221438279555472057'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/10/chinese-film-week-october-26-31.html' title='Chinese Film Week: October 26-31'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2991398010190070508</id><published>2009-10-11T08:55:00.000-07:00</published><updated>2009-10-11T08:57:02.075-07:00</updated><title type='text'>Should we subscribe to American History in Video?</title><content type='html'>&lt;span class="status-body"&gt;&lt;span class="entry-content"&gt;Free access to American History in Video through Nov. 15th - &lt;a href="http://bit.ly/bkjTN" class="tweet-url web" rel="http://bit.ly/plugins/iframe?hashUrl=http%3A%2F%2Fbit.ly%2FbkjTN" target="_blank"&gt;http://bit.ly/bkjTN&lt;span class="bittip" classname="bittip"&gt;&lt;span&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. Should UW subscribe? Let us know: &lt;a href="http://bit.ly/r1LS0" class="tweet-url web" rel="http://bit.ly/plugins/iframe?hashUrl=http%3A%2F%2Fbit.ly%2Fr1LS0" target="_blank"&gt;http://bit.ly/r1LS0&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2991398010190070508?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2991398010190070508/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2991398010190070508' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2991398010190070508'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2991398010190070508'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/10/should-we-subscribe-to-american-history.html' title='Should we subscribe to American History in Video?'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5543724955186677527</id><published>2009-10-09T15:05:00.000-07:00</published><updated>2009-10-09T15:07:16.416-07:00</updated><title type='text'>MEF Online @ UW</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_OGml_wzutRk/Ss-z-bks15I/AAAAAAAAAIc/xqvPKKbRIJc/s1600-h/media_education_foundation-2.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 38px;" src="http://3.bp.blogspot.com/_OGml_wzutRk/Ss-z-bks15I/AAAAAAAAAIc/xqvPKKbRIJc/s320/media_education_foundation-2.jpg" alt="" id="BLOGGER_PHOTO_ID_5390725164120725394" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;     &lt;p align="left"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p align="left"&gt;14 full-length documentaries from the Media Education Foundation &lt;a bitly="BITLY_PROCESSED" href="http://www.mediaed.org/"&gt;(MEF)&lt;/a&gt; are   online and available to UW faculty, students, and staff. &lt;a bitly="BITLY_PROCESSED" href="https://media.lib.washington.edu/html/uwonly/mediactr/mef/"&gt;&lt;strong&gt;Click here to watch &lt;/strong&gt;&lt;/a&gt;(UW Net ID required). These titles include: &lt;/p&gt;       &lt;ul&gt;&lt;li&gt; Bell Hooks: Cultural Criticism &amp;amp; Transformation&lt;/li&gt;&lt;li&gt;Class Dismissed: How TV Frames the Working Class&lt;/li&gt;&lt;li&gt;Consuming Kids: The Commercialization of Childhood&lt;/li&gt;&lt;li&gt;Dreamworlds 3: Desire, Sex &amp;amp; Power in Music Video&lt;/li&gt;&lt;li&gt;Freedom of Expression: Resistance &amp;amp; Repression in the Age of Intellectual Property&lt;/li&gt;&lt;li&gt;Game Over: Gender, Race &amp;amp; Violence in Video Games&lt;/li&gt;&lt;li&gt;Hip Hop: Beyond Beats &amp;amp; Rhymes&lt;/li&gt;&lt;li&gt;Killing Us Softly 3: Advertising's Image of Women&lt;/li&gt;&lt;li&gt;Mickey Mouse Monopoly&lt;/li&gt;&lt;li&gt;Myth of the Liberal Media: The Propaganda Model of News&lt;/li&gt;&lt;li&gt;Rich Media, Poor Democracy &lt;/li&gt;&lt;li&gt;Slim Hopes: Advertising &amp;amp; the Obsession with Thinness&lt;/li&gt;&lt;li&gt;Tough Guise: Violence, Media, and the Crisis in Masculinity&lt;/li&gt;&lt;li&gt;Wrestling with Manhood: Boys, Bullying &amp;amp; Battering&lt;/li&gt;&lt;/ul&gt;       These are many more MEF titles are also available on DVD and VHS from the Libraries. &lt;a bitly="BITLY_PROCESSED" href="http://catalog.lib.washington.edu/search%7ES6?/aMedia+Education+Foundation/amedia+education+foundation/-3%2C-1%2C0%2CB/exact&amp;amp;FF=amedia+education+foundation&amp;amp;1%2C101%2C"&gt;Click here to browse these holdings&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5543724955186677527?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5543724955186677527/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5543724955186677527' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5543724955186677527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5543724955186677527'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/10/mef-online-uw.html' title='MEF Online @ UW'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_OGml_wzutRk/Ss-z-bks15I/AAAAAAAAAIc/xqvPKKbRIJc/s72-c/media_education_foundation-2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2064570616725384112</id><published>2009-09-29T10:14:00.000-07:00</published><updated>2009-09-30T16:49:51.340-07:00</updated><title type='text'>Dawg Film Fest | This Friday</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_OGml_wzutRk/SsJBff4p4wI/AAAAAAAAAIU/L2x4wv7ErBY/s1600-h/ddff.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 320px;" src="http://3.bp.blogspot.com/_OGml_wzutRk/SsJBff4p4wI/AAAAAAAAAIU/L2x4wv7ErBY/s320/ddff.jpg" alt="" id="BLOGGER_PHOTO_ID_5386940113679409922" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Come join us a for the Media Center's 2nd Annual Dawg Daze Film Festival! Everyone is invited and it's very affordable: free!&lt;br /&gt;&lt;br /&gt;When? This Friday, October 2nd, 9:00-4:45 pm.&lt;br /&gt;&lt;br /&gt;Where? Odegaard Undergraduate Library, Room 220 on 2nd floor (&lt;a href="http://www.washington.edu/maps/?loc=OUG"&gt;map&lt;/a&gt;).&lt;br /&gt;&lt;br /&gt;Why? Dawg Daze, i.e., welcome UW's new class of students to the Libraries, the Media Center, and their extensive collections!&lt;br /&gt;&lt;br /&gt;What? See below...&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;9:00-10:30 &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Consuming Kids&lt;/span&gt; - Consuming Kids throws desperately needed light on the practices of a relentless multi-billion dollar marketing machine that now sells kids and their parents everything from junk food and violent video games to bogus educational products and the family car. Drawing on the insights of health care professionals, children's advocates, and industry insiders, the film focuses on the explosive growth of child marketing in the wake of deregulation, showing how youth marketers have used the latest advances in psychology, anthropology, and neuroscience to transform American children into one of the most powerful and profitable consumer demographics in the world. Consuming Kids pushes back against the wholesale commercialization of childhood, raising urgent questions about the ethics of children's marketing and its impact on the health and well-being of kids (call number DVD MEF 037 ) (90 min.).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;10:45 - 12:00&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;War Made Easy&lt;/span&gt; - Exposes how presidential administrations of both parties have relied on a combination of deception and media complicity to sell one war after another to the American people. Narrated by actor Sean Penn, and based on the acclaimed book by Norman Solomon, the film exhumes five decades of remarkable archival footage to reveal in stunning detail how the American news media have uncritically disseminated, and glamorized, the pro-war messages of successive presidential administrations. The film gives special attention to parallels between the Vietnam War and Iraq, setting government spin and media collusion from the present alongside virtually identical patterns from the past. An invaluable introduction to war propaganda and public relations that transcends politics as it raises serious questions about the role of journalism and political communication in democratic societies (call number DVD DISI 014)(72 min.).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;12:15 - 1:45&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;King Corn&lt;/span&gt; - In King Corn, Ian Cheney and Curt Ellis, best friends from college on the east coast, move to the heartland to learn where their food comes from. With the help of friendly neighbors, genetically modified seeds, nitrogen fertilizers, and powerful herbicides, they plant and grow a bumper crop of America's most productive, most subsidized grain on one acre of Iowa soil. But when they try to follow their pile of corn into the food system, what they find raises troubling questions about how we eat (call number DVD TAC 1671) (92 min.).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;2:00 - 3:30&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Sari Soldiers&lt;/span&gt;  - Documentary that follows six Nepalese women on the forefront of the civil war in Nepal and the escalating instability and violence that is engulfing the country. Over the course of three years, the film follows these women on the different sides of the conflict and witnesses the challenges they face as women taking such a strong role in a male dominated society, and why they are willing to risk their lives to make a difference in Nepal (call number DVD WMM 026 ) (93 min.).&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;3:45 - 4:45&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Capitalism hits the fan&lt;/span&gt; - Richard Wolff breaks down the root causes of today's economic crisis, showing how it was decades in the making and in fact reflects seismic failures within the structures of American-style capitalism itself. Wolff traces the sources of the economic crisis to the 1970's, when wages began to stagnate and American workers were forced into a dysfunctional spiral of borrowing and debt that ultimately exploded in the mortgage meltdown (call number DVD MEF 035) (57 min.).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2064570616725384112?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2064570616725384112/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2064570616725384112' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2064570616725384112'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2064570616725384112'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/09/dawg-film-fest-this-friday.html' title='Dawg Film Fest | This Friday'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_OGml_wzutRk/SsJBff4p4wI/AAAAAAAAAIU/L2x4wv7ErBY/s72-c/ddff.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-992740594704436275</id><published>2009-09-09T20:16:00.000-07:00</published><updated>2009-09-09T20:27:21.618-07:00</updated><title type='text'>New media - September 2009</title><content type='html'>Summer's almost over, but there are still a few more weeks before school starts. Why not check out some of our new media?&lt;br /&gt;&lt;br /&gt;Some of the new DVDs this month include ... Milk, the Wrestler, and Synecdoche, New York (Philip Seymour Hoffman!), and the first three seasons of Curb Your Enthusiasm.&lt;br /&gt;&lt;br /&gt;We've also got some new music for you including the likes of Lucinda Williams, the Ramones, the Kinks, Bob Dylan, Iggy Pop, REM, Blondie, and Elvis Costello.&lt;br /&gt;&lt;br /&gt;And, as always, we've got some classics for you on our beloved dying format (aka VHS). Check out Doll Squad, Doll face, Dolls, or the Dolly sisters. Or, perhaps, Dick Tracy?&lt;br /&gt;&lt;br /&gt;Enjoy!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/Media/new/default.html"&gt;Click here for a list of new titles.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-992740594704436275?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/992740594704436275/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=992740594704436275' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/992740594704436275'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/992740594704436275'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/09/new-media-september-2009.html' title='New media - September 2009'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7798342916564118145</id><published>2009-09-01T10:28:00.001-07:00</published><updated>2009-09-01T13:41:17.899-07:00</updated><title type='text'>VHS BBQ</title><content type='html'>How do you like your VHS? At the Media Center we like them rare, really rare.&lt;br /&gt;&lt;br /&gt;Come to our VHS BBQ on Wednesday Sept. 2, from 9-5, in Odegaard 220. Drop in to watch and discuss selections from the Media Center's recently acquired rare and unique VHS titles. That's right, we are the only library that own these VHS titles! While we watch we simultaneously be digitizing these titles for preservation purposes.  &lt;ul&gt;&lt;li&gt;9:00-9:25 University of Washington: A Resource Worth Preserving  (VHS UWIMS 082). Shows the importance of the University of Washington as a  national and regional resource as important to the region as forests,  water  and other natural resources.&lt;span class="link-external"&gt;&lt;a bitly="BITLY_PROCESSED" href="http://uwashington.worldcat.org/oclc/428107858"&gt;http://uwashington.worldcat.org/oclc/428107858&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;9:30-10:40 Boldt  decision (VHS KCTS 024). In 1975, U. S. Judge George Boldt ruled that treaty Indians in Washington are entitled to half the harvestable catch of salmon and steelhead. This decision has had wide-reaching effects both emotionally and economically. First the views of those most affected by the decision--commercial, sports and Indian fishermen, and those in related industries--are presented. Finally a studio discussion is shown with representatives from state fisheries, the court and Indian and non-Indian fishermen. &lt;span class="link-external"&gt;&lt;a bitly="BITLY_PROCESSED" href="http://uwashington.worldcat.org/oclc/419552786"&gt;http://uwashington.worldcat.org/oclc/419552786&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;10:45-11:20 Litinies  of Satan (VHS TARG 001). A jolting "recitation" by avant garde vocalist  Diamánda Galás of parts of a poem by Charles Baudelaire. The screeching  delivery is augmented by images of the performer heavily manipulated with  light and color. &lt;span class="link-external"&gt;&lt;a bitly="BITLY_PROCESSED" href="http://uwashington.worldcat.org/oclc/82034895"&gt;http://uwashington.worldcat.org/oclc/82034895&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;11:25-12:00 Women  in modern Spain (VHS UWIMS 042). Host Al Page speaks with Maria Duran, Professor of Sociology at the University of Madrid and Guest Lecturer at the University of Washington. They discuss the power that women have in Spain, historically, and in the present. Professor Duran speaks of abortion and divorce in Spain, the difficulty of women's choices between traditional and modern values, and how changes in the culture continually affect those choices. Changes in the culture, the economy and the legislature have also affected the raising of children, education and the stability of Spain itself (30 min). &lt;span class="link-external"&gt;&lt;a bitly="BITLY_PROCESSED" class="external-link" href="http://uwashington.worldcat.org/oclc/368602073"&gt;http://uwashington.worldcat.org/oclc/368602073&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;12:00-1:00 LUNCH (actual BBQ on your own, if you like: just not in 220)&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt; &lt;ul&gt;&lt;li&gt;1:00 - 2:00 Devo : the men who  make the music (VHS WHV 272). This film, intended to be the first video LP,  combines concert footage with music videos and a story about Devo's rocky  relationship with 'big entertainment'. &lt;span class="link-external"&gt;&lt;/span&gt;&lt;span class="link-external"&gt;&lt;/span&gt;&lt;a href="http://uwashington.worldcat.org/oclc/423060534"&gt;http://uwashington.worldcat.org/oclc/423060534&lt;/a&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;2:15 - 3:25 Situation Zero (VHS USCFR 002). More  than 300,000 Cambodians are living in "temporary" evacuation sites along  the Thai-Cambodian border; many have lived in these condition since 1979.  The largest of these camps is Site-2, with a population of over 180,000.  Follows the daily life of Yan Chheing, a sixty-year old grandmother and  former peasant farmer, her daughter and three grandchildren. As she speaks  of their present situation, the personal and tragic story of her family is  shown. &lt;span class="link-external"&gt;&lt;a bitly="BITLY_PROCESSED" class="external-link" href="http://uwashington.worldcat.org/oclc/422752008"&gt;http://uwashington.worldcat.org/oclc/422752008&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;3:30 -  4:10 A Northwest plan for the future (VHS UWIMS 064). Host Al Page speaks  with Professor Douglas Kelbaugh, Chairman of the Department of  Architecture, University of Washington. After a brief general discussion of  the objective and subjective aspects of architecture, Professor Kelbaugh  describes the positive elements that make Seattle a vital, dynamic city--a  city of villages. He develops the idea that the automobile and television  have changed the city. He explains the "pocket community" idea of urban  development as an effort to control the suburban "smear across the  countryside. &lt;span class="link-external"&gt;&lt;a bitly="BITLY_PROCESSED" href="http://uwashington.worldcat.org/oclc/402596993"&gt;http://uwashington.worldcat.org/oclc/402596993&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;ul&gt;&lt;li&gt;4:15  - 5:00 Crusaders and Mamluks (VHS UWIMS 076). Instructors Jere Bacharach  and Irene Bierman discuss the architecture and decorative arts of the  Mamluks, an imported Turkish warrior class which represented European's  first contact with Islam in many cases. The Mamluks built many religious  structures and commissioned Quʻran's as a means of influencing the  religious power structure throughout the empire. &lt;span class="link-external"&gt;&lt;a bitly="BITLY_PROCESSED" href="http://uwashington.worldcat.org/oclc/42487554"&gt;http://uwashington.worldcat.org/oclc/42487554  &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7798342916564118145?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7798342916564118145/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7798342916564118145' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7798342916564118145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7798342916564118145'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/09/vhs-bbq.html' title='VHS BBQ'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2465724609289807267</id><published>2009-08-31T08:21:00.000-07:00</published><updated>2009-09-01T10:48:18.390-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ESL'/><category scheme='http://www.blogger.com/atom/ns#' term='ELP'/><category scheme='http://www.blogger.com/atom/ns#' term='learning english'/><title type='text'>Movie list for ESL patrons</title><content type='html'>It's hard to know which movies in our catalog are helpful for learning English just by looking at the call numbers. This website, &lt;a href="http://www.eslnotes.com/"&gt;ESLnotes.com&lt;/a&gt; is a great resource. Not only have they compiled an extensive list of movies that they feel are beneficial for intermediate to advanced English learners, but they have included detailed notes on each film to help you pick one that sounds interesting to you. This is a great place to start if you're not sure what you're looking for.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2465724609289807267?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2465724609289807267/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2465724609289807267' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2465724609289807267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2465724609289807267'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/08/movie-list-for-esl-patrons.html' title='Movie list for ESL patrons'/><author><name>juliana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_d5dmZ_QCT1I/S5lD5DyYmzI/AAAAAAAAAK4/tPm8t-GtNyM/S220/IMG_1869.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-506626572691023970</id><published>2009-08-25T12:37:00.000-07:00</published><updated>2009-08-27T12:01:38.340-07:00</updated><title type='text'>Science is Fiction: 23 Films by Jean Painlevé</title><content type='html'>&lt;span style="font-style: italic;"&gt;Science is Fiction: 23 Films by Jean Painlevé&lt;/span&gt; (&lt;a href="http://catalog.lib.washington.edu/search%7ES6?/fDVD+CRIT+358/fdvd+crit+358/-3,-1,,E/browse"&gt;DVD CRIT 358&lt;/a&gt;), released by the Criterion Collection, has recently been added to our collection. This comprehensive, three-disc release is just... so &lt;span style="font-style: italic;"&gt;cool&lt;/span&gt;. The first disc contains thirteen of Painlevé's popular short films selected from hundreds completed during his extensive film career, plus, and this is the part I find especially cool, "The Sounds of Science," a collection of eight films accompanied by an original score written by indie-rock band Yo La Tengo. Disc two contains ten films, including one animation. All are united by the final disc called "Jean Painlevé Through his Films," made in 1988. Apparently the scientist/filmmaker first got into film through his connections with the Dada art movement, and later used his films as an expression of his contempt for the Nazis. His anti-nazi sentiments later forced him to flee from France, a feat he achieved by escaping &lt;span style="font-style: italic;"&gt;underwater all the way to Spain&lt;/span&gt; using scubadiving gear he invented.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-506626572691023970?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/506626572691023970/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=506626572691023970' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/506626572691023970'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/506626572691023970'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/08/science-is-fiction-23-films-by-jean.html' title='Science is Fiction: 23 Films by Jean Painlevé'/><author><name>juliana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_d5dmZ_QCT1I/S5lD5DyYmzI/AAAAAAAAAK4/tPm8t-GtNyM/S220/IMG_1869.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3226438967435815858</id><published>2009-08-20T08:37:00.000-07:00</published><updated>2009-08-20T08:42:34.357-07:00</updated><title type='text'>Browsing Collection</title><content type='html'>You can now browse a selection DVDs in-person at the UW Libraries Media Center, located on the mezzanine level of Odegaard Undergraduate Library. Read a Daily Article about it &lt;a href="http://dailyuw.com/2009/8/12/new-program-makes-library-film-collection-more-acc/"&gt;here&lt;/a&gt; and &lt;a href="http://www.lib.washington.edu/media/about.html#contact"&gt;let us know&lt;/a&gt; if you like this idea!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3226438967435815858?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3226438967435815858/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3226438967435815858' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3226438967435815858'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3226438967435815858'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/08/browsing-collection.html' title='Browsing Collection'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-8928167577662847906</id><published>2009-08-05T13:50:00.000-07:00</published><updated>2009-08-05T15:58:20.981-07:00</updated><title type='text'>Crocodile Collection Goes Live on August 11</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_OGml_wzutRk/SnoOXPGFFxI/AAAAAAAAAH0/fnh47tuMyUA/s1600-h/croccafe.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer; width: 133px; height: 200px;" src="http://2.bp.blogspot.com/_OGml_wzutRk/SnoOXPGFFxI/AAAAAAAAAH0/fnh47tuMyUA/s200/croccafe.jpg" alt="" id="BLOGGER_PHOTO_ID_5366617698317178642" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Help us celebrate the launch of Jim Anderson's Crocodile Cafe Collection at the University of Washington!&lt;br /&gt;&lt;p align="left"&gt;&lt;br /&gt;When? Next Tuesday, August 11th, at 4pm.&lt;br /&gt;Where? &lt;a href="http://bit.ly/5YMr1"&gt;Odegaard Undergraduate Library&lt;/a&gt; room 220 to start and then we will visit the listening stations at the Libraries Media Center.&lt;br /&gt;&lt;/p&gt;&lt;p align="left"&gt;&lt;span style="font-weight: bold;"&gt;ABOUT THE COLLECTION&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;p align="left"&gt;From &lt;a href="http://www.lib.washington.edu/media/crocodile.html"&gt;http://www.lib.washington.edu/media/crocodile.html&lt;/a&gt;&lt;/p&gt;&lt;p align="left"&gt;The Crocodile Café Collection contains over 2,800 hours of live music recordings. Recorded at the Café between May 2002 and December 2007 by audio engineer &lt;a bitly="BITLY_PROCESSED" href="http://www.thestranger.com/seattle/Content?oid=247495"&gt;Jim Anderson&lt;/a&gt;, these recordings document performances by dozens of artists, both notable and obscure. &lt;/p&gt;       &lt;p align="left"&gt;&lt;strong&gt;FAQ&lt;/strong&gt;&lt;/p&gt;       &lt;p align="left"&gt;&lt;em&gt;Can I listen to the recordings? If so, how? &lt;/em&gt;&lt;/p&gt;       &lt;p align="left"&gt;Beginning on August 11, yes! The collection will be made available via iTunes on two listening stations at the &lt;a bitly="BITLY_PROCESSED" href="http://www.lib.washington.edu/media/"&gt;Libraries Media Center&lt;/a&gt;, which is located on the mezzanine level of Odegaard Undergraduate Library (hours and location information  available &lt;a bitly="BITLY_PROCESSED" href="http://www.lib.washington.edu/about/hours/media.html"&gt;here&lt;/a&gt;). &lt;/p&gt;       &lt;p align="left"&gt;&lt;em&gt;What's in the collection?&lt;/em&gt;&lt;/p&gt;       &lt;p align="left"&gt; Click &lt;a bitly="BITLY_PROCESSED" href="http://www.lib.washington.edu/media/croc.htm"&gt;here&lt;/a&gt; to view a preliminary list of the collection's contents.&lt;br /&gt;&lt;br /&gt;  &lt;em&gt;Why aren't the recordings online? &lt;/em&gt;&lt;/p&gt;       &lt;p align="left"&gt;The University of Washington owns the recordings but not the rights to the intellectual content captured on the recordings. Therefore, in order to prevent unauthorized duplication and distribution of the recordings, we restrict access to in-library use only. &lt;/p&gt;       &lt;p align="left"&gt;&lt;em&gt;Why is it housed at the University of Washington? &lt;/em&gt;&lt;/p&gt;       &lt;p align="left"&gt;Mr. Anderson donated the original  digital recordings to the  &lt;a bitly="BITLY_PROCESSED" href="http://www.music.washington.edu/ethno/index.php?page=archives"&gt;UW Ethnomusicology Archives&lt;/a&gt; in October 2008 (Collection number 2008.12). They are being preserved and made accessible by the Archives and the UW Libraries. This collection complements the Ethnomusicology Archive's regional collections and the Media Center's &lt;a bitly="BITLY_PROCESSED" href="http://www.lib.washington.edu/media/ps/"&gt;Puget Sounds&lt;/a&gt; project, which aims to document music in the Pacific NW. &lt;/p&gt;       &lt;p align="left"&gt;&lt;em&gt;What if I have  questions about the collection?&lt;/em&gt;&lt;/p&gt;       &lt;p align="left"&gt;Contact the Libraries Media Center at medialib@uw.edu or (206) 543-6051. &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-8928167577662847906?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/8928167577662847906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=8928167577662847906' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8928167577662847906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8928167577662847906'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/08/crocodile-collection-goes-live-on.html' title='Crocodile Collection Goes Live on August 11'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_OGml_wzutRk/SnoOXPGFFxI/AAAAAAAAAH0/fnh47tuMyUA/s72-c/croccafe.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1409107927132334955</id><published>2009-08-05T12:15:00.000-07:00</published><updated>2009-08-06T12:26:45.646-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='scene selections'/><category scheme='http://www.blogger.com/atom/ns#' term='nouveau vague'/><category scheme='http://www.blogger.com/atom/ns#' term='new wave'/><category scheme='http://www.blogger.com/atom/ns#' term='Chytilova'/><category scheme='http://www.blogger.com/atom/ns#' term='Menzel'/><category scheme='http://www.blogger.com/atom/ns#' term='Godard'/><title type='text'>Impressions of New Wave Cinema</title><content type='html'>&lt;meta equiv="Content-Type" content="text/html; charset=utf-8"&gt;&lt;meta name="ProgId" content="Word.Document"&gt;&lt;meta name="Generator" content="Microsoft Word 12"&gt;&lt;meta name="Originator" content="Microsoft Word 12"&gt;&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5Cougldesk%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5Cougldesk%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5Cougldesk%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-US&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;ZH-TW&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;AR-SA&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;    &lt;w:usefelayout/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val="Cambria Math"&gt;    &lt;m:brkbin val="before"&gt;    &lt;m:brkbinsub val="&amp;#45;-"&gt;    &lt;m:smallfrac val="off"&gt;    &lt;m:dispdef/&gt;    &lt;m:lmargin val="0"&gt;    &lt;m:rmargin val="0"&gt;    &lt;m:defjc val="centerGroup"&gt;    &lt;m:wrapindent val="1440"&gt;    &lt;m:intlim val="subSup"&gt;    &lt;m:narylim val="undOvr"&gt;   &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:latentstyles deflockedstate="false" defunhidewhenused="true" defsemihidden="true" defqformat="false" defpriority="99" latentstylecount="267"&gt;   &lt;w:lsdexception locked="false" priority="0" semihidden="false" unhidewhenused="false" qformat="true" name="Normal"&gt;   &lt;w:lsdexception locked="false" priority="9" semihidden="false" unhidewhenused="false" qformat="true" name="heading 1"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 2"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 3"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 4"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 5"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 6"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 7"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 8"&gt;   &lt;w:lsdexception locked="false" priority="9" qformat="true" name="heading 9"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 1"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 2"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 3"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 4"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 5"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 6"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 7"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 8"&gt;   &lt;w:lsdexception locked="false" priority="39" name="toc 9"&gt;   &lt;w:lsdexception locked="false" priority="35" qformat="true" name="caption"&gt;   &lt;w:lsdexception locked="false" priority="10" semihidden="false" unhidewhenused="false" qformat="true" name="Title"&gt;   &lt;w:lsdexception locked="false" priority="1" name="Default Paragraph Font"&gt;   &lt;w:lsdexception locked="false" priority="11" semihidden="false" unhidewhenused="false" qformat="true" name="Subtitle"&gt;   &lt;w:lsdexception locked="false" priority="22" semihidden="false" unhidewhenused="false" qformat="true" name="Strong"&gt;   &lt;w:lsdexception locked="false" priority="20" semihidden="false" unhidewhenused="false" qformat="true" name="Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="59" semihidden="false" unhidewhenused="false" name="Table Grid"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Placeholder Text"&gt;   &lt;w:lsdexception locked="false" priority="1" semihidden="false" unhidewhenused="false" qformat="true" name="No Spacing"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" unhidewhenused="false" name="Revision"&gt;   &lt;w:lsdexception locked="false" priority="34" semihidden="false" unhidewhenused="false" qformat="true" name="List Paragraph"&gt;   &lt;w:lsdexception locked="false" priority="29" semihidden="false" unhidewhenused="false" qformat="true" name="Quote"&gt;   &lt;w:lsdexception locked="false" priority="30" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Quote"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 1"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 2"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 3"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 4"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 5"&gt;   &lt;w:lsdexception locked="false" priority="60" semihidden="false" unhidewhenused="false" name="Light Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="61" semihidden="false" unhidewhenused="false" name="Light List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="62" semihidden="false" unhidewhenused="false" name="Light Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="63" semihidden="false" unhidewhenused="false" name="Medium Shading 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="64" semihidden="false" unhidewhenused="false" name="Medium Shading 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="65" semihidden="false" unhidewhenused="false" name="Medium List 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="66" semihidden="false" unhidewhenused="false" name="Medium List 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="67" semihidden="false" unhidewhenused="false" name="Medium Grid 1 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="68" semihidden="false" unhidewhenused="false" name="Medium Grid 2 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="69" semihidden="false" unhidewhenused="false" name="Medium Grid 3 Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="70" semihidden="false" unhidewhenused="false" name="Dark List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="71" semihidden="false" unhidewhenused="false" name="Colorful Shading Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="72" semihidden="false" unhidewhenused="false" name="Colorful List Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="73" semihidden="false" unhidewhenused="false" name="Colorful Grid Accent 6"&gt;   &lt;w:lsdexception locked="false" priority="19" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="21" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Emphasis"&gt;   &lt;w:lsdexception locked="false" priority="31" semihidden="false" unhidewhenused="false" qformat="true" name="Subtle Reference"&gt;   &lt;w:lsdexception locked="false" priority="32" semihidden="false" unhidewhenused="false" qformat="true" name="Intense Reference"&gt;   &lt;w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"&gt;   &lt;w:lsdexception locked="false" priority="37" name="Bibliography"&gt;   &lt;w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt; &lt;!--  /* Font Definitions */  @font-face 	{font-family:新細明體; 	panose-1:2 2 3 0 0 0 0 0 0 0; 	mso-font-alt:PMingLiU; 	mso-font-charset:136; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:3 135135232 22 0 1048577 0;} @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:1; 	mso-generic-font-family:roman; 	mso-font-format:other; 	mso-font-pitch:variable; 	mso-font-signature:0 0 0 0 0 0;} @font-face 	{font-family:Calibri; 	panose-1:2 15 5 2 2 2 4 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:swiss; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1073750139 0 0 159 0;} @font-face 	{font-family:"\@新細明體"; 	panose-1:2 2 3 0 0 0 0 0 0 0; 	mso-font-charset:136; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:3 135135232 22 0 1048577 0;}  /* Style Definitions */  p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin-top:0in; 	margin-right:0in; 	margin-bottom:10.0pt; 	margin-left:0in; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:新細明體; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:Arial; 	mso-bidi-theme-font:minor-bidi;} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:新細明體; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:Arial; 	mso-bidi-theme-font:minor-bidi;} .MsoPapDefault 	{mso-style-type:export-only; 	margin-bottom:10.0pt; 	line-height:115%;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.25in 1.0in 1.25in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --&gt; &lt;/style&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin-top:0in; 	mso-para-margin-right:0in; 	mso-para-margin-bottom:10.0pt; 	mso-para-margin-left:0in; 	line-height:115%; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin;} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;I will say right off the bat that I am not a film scholar, and although I love movies, I have the attention span of a gold fish. I think this quality alone is what draws me to New Wave Cinema. The filmmakers of this genre are presenting me with a challenge: can you sit through this film? Can you &lt;i&gt;handle&lt;/i&gt; it?&lt;span style=""&gt;  &lt;/span&gt;I have mixed feeling about marathon movies, but I have found that most of the new wave films I’ve sat through are rewarding. Here is a list of scenes that stand out in my memory, for people with similar attention issues. The first four scenes are from Czech directors, and the rest are French Nouveau Vague by Mr. Jean-Luc Godard:&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“The Last Meal” scene in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28daisies%29&amp;amp;p=g&amp;amp;SORT=D/X%28daisies%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28daisies%29/1%2C3%2C3%2CB/frameset&amp;amp;FF=X%28daisies%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;2%2C2%2C"&gt;Daisies&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Cutting up” scene in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28daisies%29&amp;amp;p=g&amp;amp;SORT=D/X%28daisies%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28daisies%29/1%2C3%2C3%2CB/frameset&amp;amp;FF=X%28daisies%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;2%2C2%2C"&gt;Daisies&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Outrage!” &lt;span style=""&gt; &lt;/span&gt;scene in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28closely%20watched%20trains%29&amp;amp;p=g&amp;amp;SORT=D/X%28closely%20watched%20trains%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28closely%20watched%20trains%29/1%2C2%2C2%2CB/frameset&amp;amp;FF=X%28closely%20watched%20trains%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;Closely Watched Trains&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Resistance” scene in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28closely%20watched%20trains%29&amp;amp;p=g&amp;amp;SORT=D/X%28closely%20watched%20trains%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28closely%20watched%20trains%29/1%2C2%2C2%2CB/frameset&amp;amp;FF=X%28closely%20watched%20trains%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;Closely Watched Trains&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Paul interviews ‘Miss 19’ of 1965” in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28masculine%20feminine%29&amp;amp;p=g&amp;amp;SORT=D/X%28masculine%20feminine%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28masculine%20feminine%29/1%2C3%2C3%2CB/frameset&amp;amp;FF=X%28masculine%20feminine%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;Masculine Feminine&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Madeleine recording her album in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28masculine%20feminine%29&amp;amp;p=g&amp;amp;SORT=D/X%28masculine%20feminine%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28masculine%20feminine%29/1%2C3%2C3%2CB/frameset&amp;amp;FF=X%28masculine%20feminine%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;Masculine Feminine&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“Traffic Jam” scene in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/Xweek+end&amp;amp;searchscope=3&amp;amp;SORT=DZ/Xweek+end&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=week%20end/1%2C152%2C152%2CB/frameset&amp;amp;FF=Xweek+end&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;1%2C1%2C"&gt;Weekend&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“The Lewis Carrol Way” scene in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/Xweek+end&amp;amp;searchscope=3&amp;amp;SORT=DZ/Xweek+end&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=week%20end/1%2C152%2C152%2CB/frameset&amp;amp;FF=Xweek+end&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;1%2C1%2C"&gt;Weekend&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;“You Like All of Me?” scene in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28le%20mepris%29&amp;amp;p=g&amp;amp;SORT=D/X%28le%20mepris%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28le%20mepris%29/1%2C2%2C2%2CB/frameset&amp;amp;FF=X%28le%20mepris%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;Contempt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;Camille in a wig in &lt;i&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28le%20mepris%29&amp;amp;p=g&amp;amp;SORT=D/X%28le%20mepris%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28le%20mepris%29/1%2C2%2C2%2CB/frameset&amp;amp;FF=X%28le%20mepris%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;Contempt&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/p&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1409107927132334955?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1409107927132334955/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1409107927132334955' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1409107927132334955'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1409107927132334955'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/08/impressions-of-new-wave-cinema.html' title='Impressions of New Wave Cinema'/><author><name>juliana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_d5dmZ_QCT1I/S5lD5DyYmzI/AAAAAAAAAK4/tPm8t-GtNyM/S220/IMG_1869.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4135702507965294572</id><published>2009-08-04T16:07:00.000-07:00</published><updated>2009-08-04T16:16:31.478-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='new'/><category scheme='http://www.blogger.com/atom/ns#' term='media'/><title type='text'>New Media - August 2009</title><content type='html'>Lots of great classic and alternative rock added this month, including Buffalo Springfield, The Go-Go's, P.J. Harvey, Dr. John, Kiss, 2Pac, The Stooges, Talking Heads, and The Velvet Underground. Check out all of our new music this month &lt;a href="http://www.lib.washington.edu/Media/new/cds200908.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;New additions to our DVD collection include Dr. Who (the complete first series), Donnie Brasco, Sharkwater, Murnau classics including Tartuffe and The Last Laugh, Stop-Loss, The Wire (Season 4), and Help! Check out all of our new DVDs &lt;a href="http://www.lib.washington.edu/Media/new/dvds200908.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;We are also continually adding to our VHS collection from a large gifts donation. This month's titles include Demons of the Mind, Desire and Hell at the Sunset Motel, Desperado, Desperate Measures, The Devil's Advocate, Devo: The Men Who Make the Music, Devil's Rain, and Destination Moon Base Alpha! Check out all of our newest VHS acquisitions &lt;a href="http://www.lib.washington.edu/Media/new/vhs200908.html"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4135702507965294572?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4135702507965294572/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4135702507965294572' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4135702507965294572'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4135702507965294572'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/08/new-media-august-2009.html' title='New Media - August 2009'/><author><name>Brendan</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-8270525199813767162</id><published>2009-07-31T13:28:00.000-07:00</published><updated>2009-07-31T14:24:06.845-07:00</updated><title type='text'>The Manic Pixie Dream Girl</title><content type='html'>A friend of mine recently explained to me the cinematic phenomenon of the "manic pixie dream girl," after seeing &lt;a href="http://catalog.lib.washington.edu/search/X?%28lovers%20of%20the%20arctic%20circle%29&amp;amp;p=g"&gt;&lt;span style="font-style: italic;"&gt;Lovers of the Arctic Circle&lt;/span&gt;&lt;/a&gt;. MPDG's are described at length on &lt;a href="http://en.wikipedia.org/wiki/Manic_Pixie_Dream_Girl"&gt;wikipedia&lt;/a&gt;, but can be summed up by film critic Nathan Rabin, who coined the phrase, as "that bubbly, shallow cinematic creature that exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures."&lt;br /&gt;&lt;br /&gt;Movies immediately sprang to mind with this exact character. &lt;a href="http://catalog.lib.washington.edu/search%7ES6?/X%28eternal%20sunshine%29&amp;amp;p=g&amp;amp;SORT=D/X%28eternal%20sunshine%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28eternal%20sunshine%29/1%2C3%2C3%2CB/frameset&amp;amp;FF=X%28eternal%20sunshine%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;&lt;span style="font-style: italic;"&gt;Eternal Sunshine of the Spotless Mind&lt;/span&gt;&lt;/a&gt;'s entire plot is based around a straight-laced, mopey Jim Carey struggling with his MPDG, and thanks to MPDG in &lt;a href="http://catalog.lib.washington.edu/search%7ES6?/X%28garden%20state%29&amp;amp;p=g&amp;amp;SORT=D/X%28garden%20state%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28garden%20state%29/1%2C16%2C16%2CB/frameset&amp;amp;FF=X%28garden%20state%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;&lt;span style="font-style: italic;"&gt;Garden State&lt;/span&gt;&lt;/a&gt;, Zach Braff, along with the rest of the world were convinced that one song really will change your life.&lt;br /&gt;  &lt;br /&gt;Or every movie with Kirsten Dunst in it... ever.&lt;br /&gt;&lt;br /&gt;But even classics feature this amazingly flat enigma. Remember Audrey Hepburn in &lt;a href="http://catalog.lib.washington.edu/search%7ES3?/X%28sabrina%29&amp;amp;p=g&amp;amp;SORT=D/X%28sabrina%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;SUBKEY=%28sabrina%29/1%2C23%2C23%2CB/frameset&amp;amp;FF=X%28sabrina%29&amp;amp;p=g&amp;amp;SORT=D&amp;amp;1%2C1%2C"&gt;Sabrina&lt;/a&gt;, and &lt;a href="http://catalog.lib.washington.edu/search%7ES3?/Xbreakfast+at+tiffany%27s&amp;amp;searchscope=3&amp;amp;SORT=DZ/Xbreakfast+at+tiffany%27s&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;extended=0&amp;amp;SUBKEY=breakfast%20at%20tiffany%27s/1%2C19%2C19%2CB/frameset&amp;amp;FF=Xbreakfast+at+tiffany%27s&amp;amp;searchscope=3&amp;amp;SORT=DZ&amp;amp;3%2C3%2C"&gt;Breakfast at Tiffany's&lt;/a&gt;, and... I guess every movie with her in it ever.&lt;br /&gt;&lt;br /&gt;I'm not saying these movies aren't valid. Let's face it, MPDGs are fantastic tools for a good drama or romantic comedy, and it's great to pretend for a couple hours that people are quirky and exciting 24 hours a day.  But don't worry, people are actually boring sometimes too.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-8270525199813767162?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/8270525199813767162/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=8270525199813767162' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8270525199813767162'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8270525199813767162'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/07/manic-pixie-dream-girl.html' title='The Manic Pixie Dream Girl'/><author><name>juliana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_d5dmZ_QCT1I/S5lD5DyYmzI/AAAAAAAAAK4/tPm8t-GtNyM/S220/IMG_1869.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7691549934401465287</id><published>2009-07-28T11:54:00.000-07:00</published><updated>2009-07-28T14:55:11.199-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reviews'/><category scheme='http://www.blogger.com/atom/ns#' term='foreign films'/><category scheme='http://www.blogger.com/atom/ns#' term='boarding school'/><category scheme='http://www.blogger.com/atom/ns#' term='drama'/><title type='text'>Innocence (DVD IEF 226)</title><content type='html'>This film by director Lucile Hadzihalilovic is a stunning example of contemporary symbolist fiction. Based on the novella by Frank Wedekind (author of &lt;i&gt;Spring Awakening&lt;/i&gt;), the story follows the daily routine of an unusual all-girls school located in an isolated forest.&lt;span style=""&gt;  &lt;/span&gt;I was pulled in by the extreme vividness of the cinematography; the green of the forest and the colored ribbons in the girls’ hair is completely saturated amongst crisp pastels and high contrasts. A very sparse soundtrack of classical music is supplemented by heightened ambient noise, adding an eeriness to the other-worldly environment. I recommend it if you liked &lt;i&gt;Picnic at Hanging Rock&lt;/i&gt; (&lt;a href="http://catalog.lib.washington.edu/search%7ES6?/fDVD+CRIT+053/fdvd+crit+053/-3,-1,,E/browse"&gt;DVD CRIT 053&lt;/a&gt;), &lt;strong&gt;&lt;i&gt;&lt;span style="font-weight: normal;"&gt;La mala educación &lt;/span&gt;&lt;/i&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-weight: normal;"&gt;(&lt;/span&gt;&lt;/strong&gt;&lt;a href="http://catalog.lib.washington.edu/search%7ES6?/fDVD+SONYHE+057/fdvd+sonyhe+057/-3,-1,,E/browse"&gt;DVD SONYHE 057&lt;/a&gt;), and &lt;i&gt;Palindromes &lt;/i&gt;(&lt;a href="http://catalog.lib.washington.edu/search%7ES6?/fDVD+WELL+027/fdvd+well+027/-3,-1,,E/browse"&gt;DVD WELL 027&lt;/a&gt;).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7691549934401465287?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7691549934401465287/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7691549934401465287' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7691549934401465287'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7691549934401465287'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/07/innocence-dvd-ief-226-by-lucile.html' title='Innocence (DVD IEF 226)'/><author><name>juliana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_d5dmZ_QCT1I/S5lD5DyYmzI/AAAAAAAAAK4/tPm8t-GtNyM/S220/IMG_1869.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1139345559931459033</id><published>2009-07-28T11:05:00.000-07:00</published><updated>2009-07-28T14:54:53.573-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='undergound'/><category scheme='http://www.blogger.com/atom/ns#' term='reviews'/><category scheme='http://www.blogger.com/atom/ns#' term='music documentary'/><title type='text'>Half Japanese: The band that would be king (DVD VANF 001)</title><content type='html'>Half Japanese is a band you want to love. Like the Shaggs, Daniel Johnston and Gary Wilson, Half Japanese earned their cred from their eccentric personalities and unconventional yet honest musical style. The great thing about watching a well made music documentary about this band, is that you don’t actually have to listen to the fifteen or so albums they produced before they knew how to play their instruments (arguably). The live and studio footage is enough to give you a feel of the band’s aesthetic and progression, and, thanks to a great editor, are all surprisingly enjoyable. Band members David and Jad Fair are fantastic eccentrics, who explain their inspirations and diligence with a seriousness that is both endearing and honorable. Footage of the band is interspursed with interviews with legend Mo Tucker of the Velvet Underground, and music critic Byron Coley, among others. This film is an homage to music nerds everywhere.&lt;br /&gt;&lt;br /&gt;Other music documentaries I suggest for kids who never got any good at sports: American Hardcore (&lt;a href="http://catalog.lib.washington.edu/record=b5729471~S6"&gt;DVD SONYHE 036&lt;/a&gt;), The Devil and Daniel Johnston (&lt;a href="http://catalog.lib.washington.edu/record=b5729385~S6"&gt;DVD SONYHE 038&lt;/a&gt;), and Joy Division (&lt;a href="http://catalog.lib.washington.edu/record=b6085609~S6"&gt;DVD GENI 047&lt;/a&gt;).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1139345559931459033?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1139345559931459033/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1139345559931459033' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1139345559931459033'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1139345559931459033'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/07/half-japanese-band-that-would-be-king.html' title='Half Japanese: The band that would be king (DVD VANF 001)'/><author><name>juliana</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='24' height='32' src='http://4.bp.blogspot.com/_d5dmZ_QCT1I/S5lD5DyYmzI/AAAAAAAAAK4/tPm8t-GtNyM/S220/IMG_1869.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-9125878276730546128</id><published>2009-07-25T09:12:00.000-07:00</published><updated>2009-07-25T09:15:45.299-07:00</updated><title type='text'>Are you "Building Social Skills in the Preschool Child"?</title><content type='html'>Need expert help? Then watch this seminal UW film:&lt;br /&gt;&lt;a href="http://bit.ly/TyzEc"&gt;http://bit.ly/TyzEc&lt;/a&gt; (part 1) &amp;amp;&lt;br /&gt;&lt;a href="http://bit.ly/1bmuaL"&gt;http://bit.ly/1bmuaL&lt;/a&gt; (part 2)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-9125878276730546128?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/9125878276730546128/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=9125878276730546128' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/9125878276730546128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/9125878276730546128'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/07/are-you-building-social-skills-in.html' title='Are you &quot;Building Social Skills in the Preschool Child&quot;?'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4287215807885659894</id><published>2009-07-14T20:18:00.001-07:00</published><updated>2009-07-28T14:35:46.960-07:00</updated><title type='text'>Bastille Day VHS Party</title><content type='html'>Can't get enough of the Bicentennial Celebration of Bastille Day? Watch all 4 volumes on VHS, now, while it's here: &lt;a href="http://bit.ly/WmZvQ"&gt;http://bit.ly/WmZvQ&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4287215807885659894?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4287215807885659894/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4287215807885659894' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4287215807885659894'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4287215807885659894'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/07/bastille-day-vhs-party.html' title='Bastille Day VHS Party'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5940371028273841115</id><published>2009-07-01T21:52:00.000-07:00</published><updated>2009-07-01T21:53:45.268-07:00</updated><title type='text'>New Media - July 2009</title><content type='html'>We've some great new media for July. Check it out ...&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://www.lib.washington.edu/Media/new/dvds200907.html" target="_blank" class="link"&gt;New DVDs&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href="http://www.lib.washington.edu/Media/new/vhs200907.html" target="_blank" class="link"&gt;New VHS&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href="http://www.lib.washington.edu/Media/new/cds200907.html" target="_blank" class="link"&gt;New CDs&lt;/a&gt; &lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5940371028273841115?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5940371028273841115/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5940371028273841115' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5940371028273841115'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5940371028273841115'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/07/new-media-july-2009.html' title='New Media - July 2009'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5877876251715317360</id><published>2009-06-22T22:34:00.000-07:00</published><updated>2009-07-28T15:24:26.230-07:00</updated><title type='text'>UW Welcomes Afghan Visitors</title><content type='html'>Three esteemed visitors from Radio Kabul/Afghanistan arrived in Seattle this past Monday for a 3-week audio archiving workshop sponsored by the UW Libraries and the UW School of Music.&lt;br /&gt;&lt;br /&gt;They are:&lt;br /&gt;•    Zafar Jan Daqiq, American Institute of Afghanistan Studies;&lt;br /&gt;•    Abdul Jamil Wardak, Radio Afghanistan;&lt;br /&gt;•    Abdul Wahed Popal, Radio Afghanistan.&lt;br /&gt;&lt;br /&gt;The workshop, which is funded by the National Endowment for the Humanities (NEH), has been developed to complement a larger NEH Preservation and Access grant that has enabled Radio Kabul/Afghanistan staff to digitize and preserve nearly 1500 hours of unique music recordings. In addition to providing the participants with hands-on training in audio preservation, the workshop is intended to connect the Radio Kabul/Afghanistan Archives to a larger community of international archives and archivists.&lt;br /&gt;&lt;br /&gt;The workshop is co-instructed by Laurel Sercombe (UW Ethnomusicology Archives), and myself, along with help from John Gibbs (UW Libraries), Gary Louie (UW School of Music), Colin Todd (UW School of Music, and others. The Principal Investigator for the workshop and the larger NEH grant is Hiromi Lorraine Sakata, former UW ethnomusicology professor and UCLA Professor Emerita.&lt;br /&gt;&lt;br /&gt;Following their 3 weeks in Seattle, Prof. Sakata will accompany the participants to Bloomington for a visit to Indiana University’s Archives of Traditional Music, where Mr. Wahid Nazari (President of Radio-Television Afghanistan) is scheduled to join the group. The group then flies to Washington DC where they will meet with representatives from the American Folklife Center, Library of Congress, and the Smithsonian until their return to Kabul in late July.&lt;br /&gt;&lt;br /&gt;More information about Radio Kabul/Afghanistan can be found here:&lt;br /&gt;&lt;a href="http://en.wikipedia.org/wiki/Radio_Kabul"&gt;http://en.wikipedia.org/wiki/Radio_Kabul&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A BBC story about the archive and how its staff members (Abdul Jamil Wardak  and Abdul Wahed Popal among them) helped save it, can be found here: &lt;a href="http://tinyurl.com/kr4fhf"&gt;http://tinyurl.com/kr4fhf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And if you see our honored guests around UW please make them feel welcome by saying “Salaam Alekum” (Dari for “Hello” / “Peace and blessings be upon you”).&lt;br /&gt;&lt;br /&gt;-John Vallier&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5877876251715317360?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5877876251715317360/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5877876251715317360' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5877876251715317360'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5877876251715317360'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/06/uw-welcomes-afghan-visitors.html' title='UW Welcomes Afghan Visitors'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>4</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2390430689339336639</id><published>2009-06-02T19:30:00.000-07:00</published><updated>2009-06-04T13:50:48.021-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='collection'/><category scheme='http://www.blogger.com/atom/ns#' term='new'/><title type='text'>New Media - June 2009</title><content type='html'>&lt;div class="entry"&gt; &lt;p&gt;We’re finishing up the academic year with some great additions to our collection. As for DVDs, we’ve just got in a nice little DIY documentary on &lt;a href="http://catalog.lib.washington.edu/record=i9089700"&gt;Red House&lt;/a&gt;, a punk venue in Olympia, Washington. There are also some new Criterion films: &lt;a href="http://catalog.lib.washington.edu/record=i9064046"&gt;Science is fiction&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=b6085654%7ES6"&gt;The curious case of Benjamin Button&lt;/a&gt;,  &lt;a href="http://catalog.lib.washington.edu/record=i9067040"&gt;L’età di Cosimo de’ Medici&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=i9066378"&gt;Ariel&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=i9067119"&gt;Blaise Pascal&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=i9067373"&gt;Cartesius&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=i9067390"&gt;The love parade&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=i9067725"&gt;Monte Carlo&lt;/a&gt;, &lt;a href="http://catalog.lib.washington.edu/record=i9067889"&gt;One hour with you&lt;/a&gt;, and &lt;a href="http://catalog.lib.washington.edu/record=i9066171"&gt;Varjoja paratiisissa&lt;/a&gt;. We also got a bunch of new television shows (&lt;a href="http://catalog.lib.washington.edu/record=i9124665"&gt;Battlestar Galactica&lt;/a&gt;,&lt;a href="http://catalog.lib.washington.edu/record=i9062219"&gt; SesameStreet&lt;/a&gt;, HBO’s &lt;a href="http://catalog.lib.washington.edu/record=i9126498"&gt;Carnivale&lt;/a&gt;) as well as new seasons to some shows we already carried.&lt;/p&gt; &lt;p&gt;As for VHS, we've added 260 this month. That's a lot for a dying format -- heh. This is largely due to cataloging videos from the recently acquired EMC collection. A lot of classic education titles in there. And, of course, we are still plodding through a large donation of VHS tapes -- we're up to D's so this month we have a lot of new day and death titles this month&lt;/p&gt; &lt;p&gt;As for CDs, a lot of great new additions to the &lt;a href="http://www.lib.washington.edu/media/ps/"&gt;Puget Sounds&lt;/a&gt; collection, including a bunch of &lt;a href="http://catalog.lib.washington.edu/search%7ES6/?searchtype=f&amp;amp;searcharg=cd+hardly&amp;amp;searchscope=6&amp;amp;sortdropdown=-&amp;amp;SORT=D&amp;amp;extended=1&amp;amp;SUBMIT=Search&amp;amp;searchlimits=&amp;amp;searchorigarg=fcd+hardly"&gt;titles from Hardly Art Records&lt;/a&gt;.&lt;/p&gt; &lt;p&gt;Check them all out here: &lt;a href="http://www.lib.washington.edu/Media/new/dvds200906.html"&gt;DVDs&lt;/a&gt;, &lt;a href="http://www.lib.washington.edu/Media/new/vhs200906.html"&gt;VHS&lt;/a&gt;, &lt;a href="http://www.lib.washington.edu/Media/new/cds200906.html"&gt;CDs&lt;/a&gt;&lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2390430689339336639?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2390430689339336639/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2390430689339336639' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2390430689339336639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2390430689339336639'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/06/new-for-june.html' title='New Media - June 2009'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4962678345194162260</id><published>2009-05-05T19:55:00.000-07:00</published><updated>2009-05-05T20:30:10.100-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='may'/><category scheme='http://www.blogger.com/atom/ns#' term='new'/><category scheme='http://www.blogger.com/atom/ns#' term='media'/><title type='text'>New Media - May 2009</title><content type='html'>Lots of great local music and hip hop added to out collection this month, including Black Moon, Jeru the Damaja, Sleater-Kinney, Prkr, Starfucker, Portugal. The Man, Pharcyde, and a whole lot of Bill Frisell! Check out all of our new music this month &lt;a href="http://www.lib.washington.edu/Media/new/cds200905.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;New additions to our DVD collection include 30 Rock (Season 1), Twilight, The Reader, Changeling, Farewell My Concubine, Spaced (Season 1 and 2), and the Prisoner of Shark Island!&lt;strong style="font-weight: normal;"&gt; Check out all of our new DVDs&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt; &lt;a href="http://www.lib.washington.edu/Media/new/dvds200905.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;And, of course, we're continually adding VHS to our collection from a large gifts donation, including &lt;/strong&gt;&lt;strong style="font-weight: normal;"&gt;Darkman 1, 2, and 3, the entire Die Hard series, Cloak and Dagger, the Dakota Incident, the Dark Crystal, and Dante's Peak! Check out all of our newest VHS acquisitions &lt;a href="http://www.lib.washington.edu/Media/new/vhs200905.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4962678345194162260?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4962678345194162260/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4962678345194162260' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4962678345194162260'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4962678345194162260'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/05/new-media-may-2009.html' title='New Media - May 2009'/><author><name>Brendan</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3682975087799431742</id><published>2009-05-01T17:03:00.001-07:00</published><updated>2009-05-01T17:05:14.729-07:00</updated><title type='text'>New loan period for videos: 7 days!</title><content type='html'>The loan period for DVDs and VHS increased today from 3 days to 7 days. And still with unlimited renewals!&lt;br /&gt;&lt;br /&gt;The loan period for CDs is still 3 days. And videos on course reserve will have shorter loan periods.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3682975087799431742?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3682975087799431742/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3682975087799431742' title='17 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3682975087799431742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3682975087799431742'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/05/new-loan-period-for-videos-7-days.html' title='New loan period for videos: 7 days!'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>17</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-5398640874475632032</id><published>2009-04-29T15:58:00.000-07:00</published><updated>2009-04-29T16:00:51.404-07:00</updated><title type='text'>Jazz Music Library - Free until May 1</title><content type='html'>Are you a cool cat who digs swing, free jazz, bop, or? Check out ASP's Jazz Music Library for free through May 1. Let us know if you like this database o' sound recordings and we'll consider subscribing.&lt;br /&gt;&lt;br /&gt;URL: http://jazz.alexanderstreet.com&lt;br /&gt;&lt;br /&gt;username: jazz&lt;br /&gt;&lt;br /&gt;password: sneakpeek&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-5398640874475632032?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/5398640874475632032/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=5398640874475632032' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5398640874475632032'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/5398640874475632032'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/04/jazz-music-library-free-until-may-1.html' title='Jazz Music Library - Free until May 1'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-2390193858103424669</id><published>2009-04-28T12:41:00.000-07:00</published><updated>2009-04-28T12:44:14.690-07:00</updated><title type='text'>UW Ethnomusicology Concert - Tonight (4/28)</title><content type='html'>The UW School of Music, Division of Ethnomusicology's annual recital by visiting artists spotlights music of Mongolia and South Africa. Visiting artist Li Bo, a master of the Mongolian morin khuur (a two-stringed horse-head fiddle), presents a virtuoso solo program. Mudzunga Junniah Davhula, visiting artist from the Venda region of South Africa, leads an ensemble of singing, drumming, and reed pipes.&lt;br /&gt;&lt;br /&gt;DATE AND TIME&lt;br /&gt;Tuesday, April 28, 7:30 p.m.&lt;br /&gt;Meany Theater&lt;br /&gt;&lt;br /&gt;TICKETS&lt;br /&gt;$15 ($10 students and seniors)&lt;br /&gt;&lt;br /&gt;PROGRAM DETAIL/BACKGROUND&lt;br /&gt;The School of Music's Division of Ethnomusicology has been hosting visiting artists from around the world since the mid-1960s. Each year, the division invites two master musicians to join the faculty as artists in residence. Artists have come from numerous countries in Africa, North and South America, Asia and Europe. Li Bo and Mudzunga Junniah Davhula are the division's artists in residence for the 2008-09 academic year.&lt;br /&gt;&lt;br /&gt;BIOS&lt;br /&gt;&lt;br /&gt;Li Bo, born in Inner Mongolia in 1955, is a distinguished performer on the morin khuur, the horse-head fiddle known in Chinese as matouqin. He has been a professional musician since the age of 15, when he joined a local performing arts troupe and began to travel across the steppes. Later he was a featured soloist with a national troupe, and eventually became the lead morin khuur player with the Inner Mongolian Radio/Television network. In the mid-1980s, he taught in the School of Music at the Inner Mongolia Normal University and, at the same time, studied composition.&lt;br /&gt;&lt;br /&gt;Li Bo has lived in Japan since 1995, but he has not lost touch with his roots. In 1996, he founded the Morin Khuur Fund Association and raised $20,000 for the 1st Annual Inner Mongolia Folk Music Competition. In 2001, he donated 140 sheep to people of his native region.&lt;br /&gt;&lt;br /&gt;He brings the same spirit to his international performances. When Li Bo came to the United States to perform at the Northwest Folklife Festival in 2004 and 2005, he volunteered to work with students in local primary and secondary schools.&lt;br /&gt;&lt;br /&gt;Mudzunga Junniah Davhula is a highly revered performer, teacher, and community leader from the Venda area of the Limpopo Province, South Africa. As a visiting artist at the University of Washington, she has introduced her students to Venda music traditions, focusing on the traditional reed pipe ensemble. This ensemble includes reed pipes, Venda drums, singing, and dancing. Her students have learned to play a variety of instruments and to sing traditional songs in several languages.&lt;br /&gt;&lt;br /&gt;Mrs. Davhula's appointment as a visiting artist at the University of Washington School of Music marks the first time that a visiting artist from the Venda culture has been appointed to such a position at a North American university.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Program detail&lt;br /&gt;Li Bo will perform solo works for morin khuur and will also be joined by pianist Sachi Hirakouji, dancer Xiaoyan Ban, and students Erin Maloney, April Nishimura, and Leah Pogwizd for several selections.&lt;br /&gt;&lt;br /&gt;Mudzunga Junniah Davhula will perform with a student ensemble.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-2390193858103424669?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/2390193858103424669/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=2390193858103424669' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2390193858103424669'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/2390193858103424669'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/04/uw-ethnomusicology-concert-tonight-428.html' title='UW Ethnomusicology Concert - Tonight (4/28)'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1481259121864957245</id><published>2009-04-27T22:14:00.000-07:00</published><updated>2009-04-27T22:20:57.073-07:00</updated><title type='text'>Warner Archive Collection</title><content type='html'>Have you been looking for a film that hasn't been released on DVD? Check out the following from Slate's Mark Harris and then let us know which titles will support your research and teaching needs: "The recent launch of the &lt;a href="http://www.wbshop.com/Warner-Archive/ARCHIVE,default,sc.html" target="_blank"&gt;Warner Archive Collection&lt;/a&gt; could well portend a revolution; it's DVD on demand, a way for Warner (and, one hopes, for every other studio) to make movies available without spending the $75,000 to $100,000 it costs to release an old title into an ominously contracting marketplace. Here's how it works: Go to &lt;a href="http://www.wbshop.com/Warner-Archive/ARCHIVE,default,sc.html" target="_blank"&gt;the archive&lt;/a&gt; and browse the titles. Click on the ones you want, and for $19.95 apiece, they'll burn a DVD-R and ship you the movie in a standard plastic case with cover art. There are no extras except the trailer, if it's available; there isn't even scene-by-scene chaptering. But you will get the film, shown in the correct aspect ratio and with a picture and soundtrack of mostly high quality. Virtually none of the movies in this collection has been available on DVD before. Many never even made it to VHS." http://www.slate.com/id/2216522/&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1481259121864957245?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1481259121864957245/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1481259121864957245' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1481259121864957245'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1481259121864957245'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/04/warner-archive-collection.html' title='Warner Archive Collection'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6158898824003239899</id><published>2009-04-07T19:53:00.000-07:00</published><updated>2009-04-07T19:56:08.704-07:00</updated><title type='text'>New items for April 2009!</title><content type='html'>Hi -- we're experimenting this month with making our "new" lists available through WorldCat local. Check them out and let us know what you think of the new format!&lt;br /&gt;&lt;a href="http://uwashington.worldcat.org/profiles/UW_Libraries_Media_Center/lists/"&gt;New DVDs, VHS, and CDs for April 2009&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6158898824003239899?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6158898824003239899/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6158898824003239899' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6158898824003239899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6158898824003239899'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/04/new-items-for-april-2009.html' title='New items for April 2009!'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-814102623591863955</id><published>2009-03-27T09:33:00.000-07:00</published><updated>2009-03-27T09:37:51.982-07:00</updated><title type='text'>Crocodile Re-Opens | Crocodile Collection in the Works</title><content type='html'>From &lt;a href="http://www.komonews.com/news/local/41552857.html"&gt;KOMO&lt;/a&gt;: At a time when local night spots are falling victim to the struggling economy, one club is making a comeback. The Crocodile Café was a dingy nightclub that became a second home for local musicians during grunge rock's heyday. Many of Seattle's most famous bands, including Nirvana and Pearl Jam, played there during its 16-year life. Money troubles shut down the Croc in December 2007, but the live music venue reopened on Thursday night, thanks to nothing short of a miracle.&lt;br /&gt;&lt;br /&gt;While the Crocodile Cafe re-opens, UW Ethnomusicology Archvies and UW Libraries continue to process the Crocodile Cafe Collection—a series of some 3,000 hours of live recordings made by soundman &lt;a href="http://www.thestranger.com/seattle/Content?oid=247495"&gt;Jim Anderson&lt;/a&gt;. Watch this blog for news about a listening and release party.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-814102623591863955?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/814102623591863955/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=814102623591863955' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/814102623591863955'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/814102623591863955'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/03/crocodile-re-opens-crocodile-collection.html' title='Crocodile Re-Opens | Crocodile Collection in the Works'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-892523493600558994</id><published>2009-03-27T08:42:00.000-07:00</published><updated>2009-03-27T08:44:39.510-07:00</updated><title type='text'>Washington Film Works - Viral Video Campaign</title><content type='html'>Attention Washington based filmmakers! Help WFW establish Washington State as the premier west-cost filming location. They're seeking five local filmmakers to create dynamic and entertaining viral videos. These viral videos will promote the state's diverse locations and topography as well as the seasoned local talent and crew. $1000 grants will be given to the five selected filmmakers to put towards production. Visit this &lt;a href="http://www.washingtonfilmworks.org/videocampaign.html"&gt;site&lt;/a&gt; for more info.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-892523493600558994?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/892523493600558994/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=892523493600558994' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/892523493600558994'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/892523493600558994'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/03/washington-film-works-viral-video.html' title='Washington Film Works - Viral Video Campaign'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3198909363603985013</id><published>2009-03-20T14:13:00.000-07:00</published><updated>2009-03-20T14:21:48.236-07:00</updated><title type='text'>The best 100 rap albums are here</title><content type='html'>The Media Center is proud to present a new collection of the best one hundred hip-hop albums of all time. Spanning from the early greats (Erik B. &amp;amp; Rakim, Grandmaster Flash, the Ultramagnetic MC's) through the 1990's (2Pac, Tribe Called Quest, Wu-Tang Clan) to some of most prominent voices in rap today (Kanye West, Lil' Wayne, Jay-Z), we have gathered a collection together that will both educate on the history of hip-hop and entertain the ears. View the list of the 100 greatest albums - as well as see snippets of reviews from various publications - at out website &lt;a href="http://www.lib.washington.edu/media/hiphop/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3198909363603985013?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3198909363603985013/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3198909363603985013' title='5 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3198909363603985013'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3198909363603985013'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/03/best-100-rap-albums-are-here.html' title='The best 100 rap albums are here'/><author><name>Brendan</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1790202016553680735</id><published>2009-03-18T16:36:00.000-07:00</published><updated>2009-03-18T16:42:23.597-07:00</updated><title type='text'>Digital television is coming. Are you ready?</title><content type='html'>The folks over at &lt;a href="http://www.reclaimthemedia.org"&gt;Reclaim the Media&lt;/a&gt; have put together some useful information on the switch to digital television. &lt;a href="http://reclaimthemedia.org/dtv/areyouready-2009"&gt;Check it out here.&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1790202016553680735?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1790202016553680735/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1790202016553680735' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1790202016553680735'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1790202016553680735'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/03/digital-television-is-coming-are-you.html' title='Digital television is coming. Are you ready?'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-772325420381797824</id><published>2009-03-13T10:53:00.000-07:00</published><updated>2009-03-13T11:01:53.679-07:00</updated><title type='text'>Free Smithsonian Folkways Podcasts</title><content type='html'>Songs of protest. Spoken word. Traditional musics. Sound FX. Smithsonian Folkways Recordings has it all. As a UW community member you can access these recordings online @ &lt;a href="http://washington2.classical.com/"&gt;&lt;i&gt;Smithsonian Global Sound&lt;/i&gt;&lt;/a&gt;. Now you can also download (&lt;span style="font-weight: bold;"&gt;free to everyone&lt;/span&gt;) 24 one-hour programs that explores the history of this collection: &lt;a href="http://www.folkways.si.edu/learn_discover/folkways_collection.aspx"&gt;click here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;More about the podcasts:  The music of modern day giants like Bruce Springsteen, Bob Dylan, and Ani Difranco is interwoven with original Folkways recordings to demonstrate the lasting legacy that Folkways Records has on popular music. Recent and archival interviews with Pete Seeger, Woody Guthrie, Lead Belly, Mickey Hart, Studs Terkel, and others help reveal the remarkable human stories behind this equally remarkable collection. The series was produced by CKUA Radio in Alberta, Canada and originally aired in 1999.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-772325420381797824?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/772325420381797824/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=772325420381797824' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/772325420381797824'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/772325420381797824'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/03/free-smithsonian-folkways-podcasts.html' title='Free Smithsonian Folkways Podcasts'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1083229810346443728</id><published>2009-03-03T18:25:00.000-08:00</published><updated>2009-03-03T18:36:10.142-08:00</updated><title type='text'>New Media - March 2009</title><content type='html'>Lots of great local music and hip hop added to out collection this month, including Burning Hearts, Tribe Called Quest, Cut Copy, Hercules and Love Affair, DJ/rupture, Raekwon, Sonando, Thanaton, and Ultramagnetic MC's. Check out all of our new music this month &lt;a href="http://www.lib.washington.edu/Media/new/cds200903.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;New additions to our DVD collection include The Best of the Colbert Report, Burn After Reading, Dali in New York, Paris Je'Taime, Man on Wire, Step Brothers, and The Wackness.&lt;strong style="font-weight: normal;"&gt; Check out all of our new DVDs &lt;a href="http://www.lib.washington.edu/Media/new/dvds200903.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;And, of course, we're continually adding VHS to our collection from a large gifts donation, including &lt;/strong&gt;&lt;strong style="font-weight: normal;"&gt;City Slickers I and II, The Cisco Kid, Class Action, Conan the Barbarian, Congo, Stakeout, and Coming to America. Check out all of our newest VHS acquisitions &lt;a href="http://www.lib.washington.edu/Media/new/vhs200903.html"&gt;here&lt;/a&gt;.&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1083229810346443728?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1083229810346443728/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1083229810346443728' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1083229810346443728'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1083229810346443728'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/03/new-media-march-2009.html' title='New Media - March 2009'/><author><name>Brendan</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7176109970289305934</id><published>2009-02-19T17:51:00.000-08:00</published><updated>2009-02-19T18:00:46.187-08:00</updated><title type='text'>Pitchfork Media's Best Albums of 2008</title><content type='html'>Just in at the Media Center are the best ten indie albums of 2008, as decided by Pitchfork Media. Pitchfork is the barometer of what's cool, as well as a prime example of how erudite music journalists can be. In either case, its a great selection of music that the Media Center is proud to offer as part of their collection:&lt;br /&gt;&lt;br /&gt;1. Fleet Foxes - Sun Giant EP/Fleet Foxes&lt;br /&gt;2. Portishead - Third&lt;br /&gt;3. New Age - Nouns&lt;br /&gt;4. Cut Copy - In Ghost Colours&lt;br /&gt;5. Deerhunter - Microcastle&lt;br /&gt;6. TV On The Radio - Dear Science&lt;br /&gt;7. Vampire Weekend - Vampire Weekend&lt;br /&gt;8. M83 - Saturdays = Youth&lt;br /&gt;9. Hercules and Love Affair - Hercules and Love Affair&lt;br /&gt;10. DJ/rupture - Uproot&lt;br /&gt;&lt;br /&gt;The Pitchfork Media top ten lists can be accessed &lt;a href="http://lib.washington.edu/media/pitchfork/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7176109970289305934?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7176109970289305934/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7176109970289305934' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7176109970289305934'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7176109970289305934'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/02/pitchfork-medias-best-albums-of-2008.html' title='Pitchfork Media&apos;s Best Albums of 2008'/><author><name>Brendan</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-931260025521691029</id><published>2009-02-19T16:09:00.000-08:00</published><updated>2009-02-19T17:03:54.444-08:00</updated><title type='text'>New Feb lists</title><content type='html'>Check it out ... the "new" lists for February are up:&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/dvds200902.html"&gt;DVD&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/vhs200902.html"&gt;VHS&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/media/new/cds200902.html"&gt;CD&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-931260025521691029?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/931260025521691029/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=931260025521691029' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/931260025521691029'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/931260025521691029'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/02/new-feb-lists.html' title='New Feb lists'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-3887173976750146568</id><published>2009-02-19T08:37:00.000-08:00</published><updated>2009-02-19T08:38:13.957-08:00</updated><title type='text'>Milo Ryan Phonoarchive @ NARA</title><content type='html'>Requests for material from the Milo Ryan Phonoarchive (KIRO-CBS collection of broadcasts from the World War II years and after) should be directed to mopix@nara.gov. The National Archives and Records Administration (&lt;a href="http://www.archives.gov/"&gt;NARA&lt;/a&gt;) owns the original recordings and makes access copies so long as permission is granted by KIRO-CBS. To search the Milo Ryan Phonoarchive access NARA's Archival Research Catalog: &lt;a href="http://www.archives.gov/research/arc/"&gt;http://www.archives.gov/research/arc/&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-3887173976750146568?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/3887173976750146568/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=3887173976750146568' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3887173976750146568'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/3887173976750146568'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/02/milo-ryan-phonoarchive-nara.html' title='Milo Ryan Phonoarchive @ NARA'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7104162615043621657</id><published>2009-02-18T13:07:00.000-08:00</published><updated>2009-07-28T14:49:50.697-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reviews'/><title type='text'>Cairo Station (1958) VHS AFD 023</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;(Spoiler alert)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;The urban poor of post-colonial Egypt stand at the center of Joussef Chahine’s dark masterpiece, &lt;span style="font-style: italic;"&gt;Cairo Station&lt;/span&gt;. The characters central to the story remain in focus for the entire film, while the hectic setting of Cairo’s main train station bustles around them. The constantly shifting, moving surroundings reflect the themes of movement, change and the mixing of cultures which appear in the film.  Western clothing, dress, ideas are all presented in passing within the station and on its trains, themselves a product of British colonialism. Meanwhile, distinctly traditional social groups cluster within the structure and maintain closely knit communities. From Islamic religious figures to women’s rights groups, a wealth of different, conflicting characters and attitudes appear, usually in passing and often with unclear messages and relations to the western technologies surrounding them.&lt;br /&gt;&lt;br /&gt;When addressing the issue of the portrayal of western culture within the film, there exists an ambivalence which is not easily resolved or understood. Clearly the western-style train station, as a harbor for the urban poor and as the primary means of transportation within Cairo, maintains the livelihood of many characters within the film. Yet it is the portrayals of women, and female sexuality in a typically western magazine-fashion that drives the main character, Qinawi, into obsession and eventual insanity. This could clearly be interpreted as a criticism of the western willingness to portray sexuality in order to turn profit, and the means by which sexuality, specifically western-style sexuality, can become dangerous, or lead to violent mental illness.&lt;br /&gt;&lt;br /&gt;If western standards of sexuality are to be seen as dangerous for an Egyptian man, then the film’s social commentary rests on the negative impact of western influences, yet if we see Qinawi as simply an unstable character from the beginning, who was merely susceptible to any violent influences, the social commentary lightens. After Qinawi’s employer, Farid, mentions a brutal murder in Egypt, Qinawi quickly changes his mood, quieting down and becomes visibly uneasy. Clearly this news influences Qinawi, and he leaves quickly to buy a large knife to develop his violent plans. This action does directly not support the argument that western influences were corrupting Qinawi, rather it implies that he needed only the idea of violence in order to commit murder. Furthermore, one of the few and short-lived joyous moments in the film is fueled by Hanuma dancing with western style rockabilly musicians on a train. In this scene, the music and the cheerful dancing counters the uneasy gaze of Qinawi, as Hanuma clearly attempts to neutralize tensions with the deranged man through offering him free soda. To this end western influences can be seen in a more positive light, where music and dance lightens to mood and lifts the character’s spirits.&lt;br /&gt;&lt;br /&gt;Joussef Chahine’s complex portrayal of insanity within the post-colonial urban context defies simple categorization, leaving the viewer with a wealth of possible interpretations. I find that this film directly depicts modern Egypt without a specific negative or positive agenda, while maintaining a highly critical eye that focuses on the modern activities of lower-class Egyptians.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7104162615043621657?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7104162615043621657/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7104162615043621657' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7104162615043621657'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7104162615043621657'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/02/cairo-station-1958-vhs-afd-023.html' title='Cairo Station (1958) VHS AFD 023'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1641390456140966616</id><published>2009-02-06T08:14:00.000-08:00</published><updated>2009-07-28T14:49:50.698-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reviews'/><title type='text'>Destination Tokyo (DVD WHV 269)</title><content type='html'>Where’s the dividing line between cinematic escapism and wartime propagandizing? Shouldn’t an effective—as in manipulative—piece of wartime propaganda inspire a citizenry to re-double their efforts to defeat the enemy du jour? And shouldn’t an effective—as in manipulative, again—piece of cinematic escapism temporarily lobotomize the viewer into a laconic stupor? They may seem like opposites a first—fervent vs. stupefied—but both share a common goal: beguiling the viewing into a state of non-reflexivity.&lt;br /&gt;&lt;br /&gt;With Destination Tokyo (1943), propagandist and escapist tendencies merge for a jingoistic underwater adventure. In this, Cary Grant’s only wartime movie, the submarine U.S.S. Copperfin sets off from SF for a secret reconnaissance mission of Tokyo Bay. This mission, in turn, gives Doolittle’s Raiders the info needed to inflict maximum punishment on the Imperial Fleet. Through a combination of racist rhetoric, diminutive special effects, an essentialized crew (e.g., hothead, rookie recruit, womanizer), and bombs-bombs-bombs, an escapist/propagandist haze reigns that makes no mention, of course, of the estimated 250,000 innocent Chinese that were killed by the Japanese as a result of the raids, or of the six Japanese schools that were accidentally bombed by the Raiders. So why watch it? Will it provide a lens through which we can better focus on today’s escapist, propagandist, and non-reflexive cinematic consumables?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1641390456140966616?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1641390456140966616/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1641390456140966616' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1641390456140966616'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1641390456140966616'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/02/destination-tokyo-dvd-whv-269.html' title='Destination Tokyo (DVD WHV 269)'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1620213705005976756</id><published>2009-01-26T19:14:00.000-08:00</published><updated>2009-07-28T14:49:50.698-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reviews'/><title type='text'>The Sheik - 1921</title><content type='html'>In George Melford’s The Sheik (1921) the viewer is presented with a wealth of western orientialist clichés and stereotypes that must have appeared standard for the era. This silent adventure-romance, though set in the desert town of Biskra, remains vague as to its exact location within the French Middle Eastern colonies.  The film unabashedly bases it’s wealth of generalizations on negative and often absurd portrayals and Arab culture or dress.  While the actual town of Biskra sits in modern-day Algeria, a former French colony, the town itself lies within a complex region dominated by Berber, Turkish and Arab influences. None of these complexities fit within the simplified image placed forward in the film, which simply refers to all the explicitly non-western peoples as Arabs.&lt;br /&gt;&lt;br /&gt;The portrayal of so-called Arab culture within the film may appear comical to some modern viewers, yet it is representative of an orientalizing impulse that appears throughout western literature and the arts of the time. As Edward Said, within the introduction of his groundbreaking work &lt;span style="font-style: italic;"&gt;Orientalism&lt;/span&gt; writes: “…there emerged a complex Orient suitable for study in the academy, for displaying the museum, for reconstruction in the colonial office”   This display, as illustrated in the film, could include harshly negative views of Arab culture as being barbaric, uncivilized, or cruel. The antagonizing forces within the film are Arab leaders and their henchmen. Furthermore, the Arab tribes never live within the city, and camp in the desert for no explicit purpose. &lt;br /&gt;&lt;br /&gt;Sexuality and gender roles play a pivotal role within the film, driving the characters into their actions and defining their positions of power or submissiveness. The film largely capitalizes on the romantic, erotic and supposed barbaric elements within Arab culture, as defined through an orientalist framework.  As Said makes note, cultural and racial generalizations on sexuality lead to “a great many Victorian pornographic novels [such as] The Lustful Turk”.   The Sheik fulfills this orientist role as a lustful character, and he clearly asserts this along with a startling sexual dominance. After capturing Diana, the Sheik says to the distraught Diana :“I could make you love me”, clearly asserting his power of seduction and sexuality over the independent western woman.&lt;br /&gt;&lt;br /&gt;The entire narrative revolves around this gradual shifting of power and gender roles, with the Shiek eventually re-affirming male dominance. Within the opening section of the film, Diana sees herself as clearly superior and more civilized than the Sheik, and at one point in the Casino,  she draws a gun on the Sheik with a stern face and rigid posture. Within Biskra, she believes herself to be above the Sheik, yet after her capture by the Sheik in the desert, the roll reverses and Diana stays at the mercy of her captor, begging and crying before him, while eventually succumbing to his authority.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1620213705005976756?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1620213705005976756/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1620213705005976756' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1620213705005976756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1620213705005976756'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/01/sheik-1921.html' title='The Sheik - 1921'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-6733093971981703713</id><published>2009-01-16T18:41:00.000-08:00</published><updated>2009-01-16T18:42:23.822-08:00</updated><title type='text'>Inauguration Watch in OUGL 220</title><content type='html'>&lt;table id="eventTable" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="label"&gt;&lt;span class="label-times"&gt;When:&lt;/span&gt;&lt;/td&gt;&lt;td class="value"&gt;&lt;span class="value-times"&gt;1/20/09 8:00 AM           -           1/20/09 12:00 PM&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="label"&gt;Where:&lt;/td&gt;&lt;td class="value"&gt;&lt;a href="http://www.washington.edu/home/maps/northcentral.html?OUG"&gt;Odegaard Undergraduate Library, Room 220; Health Sciences Libraries, 3rd floor learning/teaching lab&lt;/a&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="label"&gt;Description:&lt;/td&gt;&lt;td class="value"&gt;Join the campus community to watch Barack Obama become the 44th President of the United States. Odegaard Undergraduate Library, Room 220. And Health Sciences Libraries, 3rd floor learning/teaching lab.&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="label"&gt;Sponsor:&lt;/td&gt;&lt;td class="value"&gt;&lt;a href="http://www.lib.washington.edu/"&gt;University Libraries&lt;/a&gt;&lt;br /&gt;Phone: 206-543-0242&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="label"&gt;Categories:&lt;/td&gt;&lt;td class="value"&gt;Libraries                  Special Events                  Television                  &lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-6733093971981703713?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/6733093971981703713/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=6733093971981703713' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6733093971981703713'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/6733093971981703713'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/01/inauguration-watch-in-ougl-220.html' title='Inauguration Watch in OUGL 220'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-7357525289488580521</id><published>2009-01-14T11:10:00.000-08:00</published><updated>2009-03-03T13:52:36.103-08:00</updated><title type='text'>MC Search Box Defaults to "All UW Libraries"</title><content type='html'>We have modified the Media Center search box @ &lt;a href="http://www.lib.washington.edu/media/"&gt;http://www.lib.washington.edu/media/&lt;/a&gt; so that by default it searches for movies and videos across &lt;span style="font-weight: bold;"&gt;all 3 UW campuses&lt;/span&gt;. Previously the default was to search for movies and videos only in the Media Center in Odegaard Library. This option is now listed in the second position on the drop-down menu.&lt;br /&gt;&lt;br /&gt;As always, let us know if you have any suggestions or would like any individualized assistance in accessing the Media Centers resrouces and services.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-7357525289488580521?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/7357525289488580521/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=7357525289488580521' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7357525289488580521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/7357525289488580521'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/01/mc-search-box-deafults-to-all-uw.html' title='MC Search Box Defaults to &quot;All UW Libraries&quot;'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1225769154691728949</id><published>2009-01-02T14:20:00.000-08:00</published><updated>2009-01-02T14:42:13.437-08:00</updated><title type='text'>New Media - January '09</title><content type='html'>Lots of great local music added to our &lt;a href="http://www.lib.washington.edu/media/ps/"&gt;Puget Sounds&lt;/a&gt; collection this month including: 3 records by Calvin Johnson, Bronze Fawn's Lumber, Dyme Def's Space Music, 2 albums from the Fastbacks, Grand Hallway's Yes Is the Answer, Lunch Buddy Program's Rest stops and Roadmaps, Optimus Rhyme's He Dies in Rocket School, 3 albums from Johanna Kunin, and many more. Check out all of our new music this month &lt;a href="http://www.lib.washington.edu/Media/new/cds200901.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;New additions to our DVD collection include Before the Devil Knows You're Dead, Corpse Bride, Hellboy II: The Golden Army, Hercules: The Legendary Journey (Season 1), Indiana Jones and the Kingdom of the Crystal Skull, Planet B-Boy, Qui Etes Vous Polly Magoo?, Lost (Season 4), and WALL-E.&lt;strong style="font-weight: normal;"&gt; Check out all of our new DVDs &lt;a href="http://www.lib.washington.edu/Media/new/dvds200901.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;And, of course, we're continually adding some VHS to our collection from a large gifts donation, including Child's Play 1-3, Chasing Amy, Champagne for Caesar, 5 new Charlie Chan titles, &lt;/strong&gt;&lt;strong style="font-weight: normal;"&gt;Change of Habit, 3 versions of Charles Dickens' A Christmas Carol (almost in time for the holidays!), and Chopper Chicks in Zombietown. Check out all of our newest VHS acquisitions &lt;a href="http://www.lib.washington.edu/Media/new/vhs200901.html"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1225769154691728949?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1225769154691728949/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1225769154691728949' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1225769154691728949'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1225769154691728949'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2009/01/new-media-january-09.html' title='New Media - January &apos;09'/><author><name>Brendan</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4648519704289718259</id><published>2008-12-30T15:50:00.000-08:00</published><updated>2008-12-31T17:22:50.343-08:00</updated><title type='text'>Educational Media Collection Becomes Part of the Media Center</title><content type='html'>To better serve the University of Washington community and beyond, the Educational Media Collection (EMC), of Classroom Support Services, a division of the Office of Undergraduate Academic Affairs, has been transferred to the University Libraries. The EMC is a diverse, historical collection of between 6,000 - 7,000 titles covering a wide range of educational topics in formats such as 16mm, VHS, laserdisc, DVD, and audio tape. In the past, only educational (K-20) instructors and government agencies were able to use or rent titles from the EMC for in-classroom and instructional use.  It is the University Libraries' goal, whenever legally and operationally possible, to make all of its holding as widely accessible as possible. &lt;br /&gt;&lt;br /&gt;We believe that merging the EMC into the University Libraries will expand media instruction and research opportunities, as well as consolidate media discovery tools, for researchers and scholars. As with other media in the Libraries collection, the Media Center will restrict lending of the EMC to University Library borrowers and to Orbis Cascade Alliance borrowers.  Due to the uniqueness or fragility of certain titles, some titles may be restricted to "Library Use Only." Similarly, due to the fragility of the 16mm films, these items will no longer be available for viewing.  However, the University Libraries and Classroom Support Services will seek out and acquire--if possible-- copies of select 16mm films on such formats as DVD and VHS.  Please contact the Media Center with questions about viewing the EMC's 16mm film content.&lt;br /&gt;&lt;br /&gt;The EMC web site will remain active until all of the EMC titles are processed. The processing, locating, and reformatting of the titles will be done over time, but as a first step, the DVD and VHS tapes were moved to the University Libraries Media Center on December 15, 2008 and will be available for circulation upon request.  For a list of holdings, please consult the EMC website (http://www.css.washington.edu/emc/) and forward all requests for titles to the Media Center at medialib@u.washington.edu or via phone at 206-543-6051.&lt;br /&gt;&lt;br /&gt;Updates and other information about the EMC's integration into the Media Center's collections will be posted here: http://www.css.washington.edu/emc/&lt;br /&gt;&lt;br /&gt;For questions, contact John Vallier (vallier@u.washington.edu) or Jill McKinstry (jillmck@u.washington.edu)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4648519704289718259?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4648519704289718259/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4648519704289718259' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4648519704289718259'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4648519704289718259'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/educational-media-collection-becomes.html' title='Educational Media Collection Becomes Part of the Media Center'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1982923349181465919</id><published>2008-12-26T10:07:00.000-08:00</published><updated>2008-12-26T11:21:08.314-08:00</updated><title type='text'>Friday 12/26 - UW Libraries OPEN</title><content type='html'>Today--December 26, 2008--the University Libraries resumes normal operations. The Media Center is open, as scheduled, 9am - 5pm.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1982923349181465919?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1982923349181465919/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1982923349181465919' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1982923349181465919'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1982923349181465919'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/libraries-open-local-catalog-down.html' title='Friday 12/26 - UW Libraries OPEN'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4358252635155978392</id><published>2008-12-23T22:28:00.000-08:00</published><updated>2008-12-26T11:40:41.693-08:00</updated><title type='text'>Wednesday 12/24 - UW Libraries Closed</title><content type='html'>Due to the inclement weather, the University has suspended operations at UW Bothell, UW Tacoma, and UW Seattle for Wednesday, December 24. *No* libraries will open.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4358252635155978392?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4358252635155978392/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4358252635155978392' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4358252635155978392'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4358252635155978392'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/tuesday-1224-uw-libraries-closed.html' title='Wednesday 12/24 - UW Libraries Closed'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4537916736693137186</id><published>2008-12-22T23:40:00.000-08:00</published><updated>2008-12-22T23:42:16.583-08:00</updated><title type='text'>Tuesday 12/23 - UW Libraries Closed</title><content type='html'>Due to the inclement weather, the University has suspended operations at UW Bothell, UW Tacoma, and UW Seattle for Tuesday, December 23. *No* libraries will open.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4537916736693137186?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4537916736693137186/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4537916736693137186' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4537916736693137186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4537916736693137186'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/tuesday-1223-uw-libraries-closed.html' title='Tuesday 12/23 - UW Libraries Closed'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4542204632553560771</id><published>2008-12-22T07:28:00.000-08:00</published><updated>2008-12-22T07:29:31.022-08:00</updated><title type='text'>Monday 12/22 - UW Libraries Closed</title><content type='html'>Due to the inclement weather, the University has suspended operations at UW Bothell, UW Tacoma, and UW Seattle for Monday, December 22.  *No* libraries will open, and the Libraries home page has been updated to indicate the closures.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4542204632553560771?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4542204632553560771/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4542204632553560771' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4542204632553560771'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4542204632553560771'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/monday-1222-uw-libraries-closed.html' title='Monday 12/22 - UW Libraries Closed'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-8434388680106003645</id><published>2008-12-19T10:23:00.000-08:00</published><updated>2008-12-19T10:24:26.446-08:00</updated><title type='text'>Media Center to close at 3pm today</title><content type='html'>The Seattle campus libraries (including the Media Center and Odegaard Library) will close at 3:00 pm today, Friday, December 19, 2008, due to inclement weather.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-8434388680106003645?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/8434388680106003645/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=8434388680106003645' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8434388680106003645'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/8434388680106003645'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/media-center-to-close-at-3pm-today.html' title='Media Center to close at 3pm today'/><author><name>Amy H.</name><uri>http://www.blogger.com/profile/15821820498842768004</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-1637064683494031173</id><published>2008-12-18T12:06:00.000-08:00</published><updated>2008-12-18T12:21:25.200-08:00</updated><title type='text'>Media Center &amp; Odegaard Library to Close @ 3pm</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://depts.washington.edu/medialib/blog/uploaded_images/Photo-51-716419.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 150px;" src="http://depts.washington.edu/medialib/blog/uploaded_images/Photo-51-715858.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;The Seattle campus libraries (including the Media Center and Odegaard Library) will close at 3:00 pm today, Thursday, December 18, 2008, due to snow. No word yet about operations tomorrow.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-1637064683494031173?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/1637064683494031173/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=1637064683494031173' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1637064683494031173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/1637064683494031173'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/media-center-odegaard-library-to-close.html' title='Media Center &amp; Odegaard Library to Close @ 3pm'/><author><name>John Vallier</name><uri>http://www.blogger.com/profile/13656302881023938746</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://1.bp.blogspot.com/_OGml_wzutRk/TA8qacdCrOI/AAAAAAAAAMo/_ZbDV7l0m0Y/S220/l_a8e65743ac634462b39d3ee31a02eaca.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5728499551905977068.post-4135770246919827600</id><published>2008-12-10T17:00:00.000-08:00</published><updated>2008-12-10T17:16:53.986-08:00</updated><title type='text'>New for December</title><content type='html'>Check out our new lists just posted for December:&lt;br /&gt;&lt;a href="http://www.lib.washington.edu/Media/new/cds200812.html"&gt;CDs&lt;/a&gt;, &lt;a href="http://www.lib.washington.edu/Media/new/vhs200812.html"&gt;VHS&lt;/a&gt;, and &lt;a href="http://www.lib.washington.edu/Media/new/dvds200812.html"&gt;DVDs&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In particular, we just received a bunch of new local music additions to our &lt;a href="http://www.lib.washington.edu/media/ps/"&gt;Puget Sounds&lt;/a&gt; collection. Classic grunge-era relics such as Alice in Chains, Mudhoney, Hammerbox, 7 Year Bitch, the Gits, Screaming Trees, and the Posies. As well as more current music from the Microphones, Jason Webley, the Gossip, Jesse Sykes, Smoosh, and Maktub. Make sure to catch Mark Johnson's &lt;a href="http://catalog.lib.washington.edu/record=i8854941"&gt;Big Metal Boxes&lt;/a&gt; record which features local &lt;span class="style1"&gt;sounds recorded with condenser microphones placed within shipping containers. While you're at it, check out &lt;a href="http://catalog.lib.washington.edu/record=i8830441"&gt;Glasselan&lt;/a&gt; which features percussion music played on Chihuly and Oceana glass.&lt;/span&gt;&lt;br /&gt;&lt;table style="width: 514px; height: 21px;" cellpadding="0" cellspacing="3"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;br /&gt;&lt;/td&gt;&lt;td class="bibInfoData"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;If you're a local artist interested in joining this growing collection, send an email to John Vallier (vallier@u.washington.edu).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5728499551905977068-4135770246919827600?l=uwmediacenter.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://uwmediacenter.blogspot.com/feeds/4135770246919827600/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5728499551905977068&amp;postID=4135770246919827600' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4135770246919827600'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5728499551905977068/posts/default/4135770246919827600'/><link rel='alternate' type='text/html' href='http://uwmediacenter.blogspot.com/2008/12/new-for-december.html' title='New for December'/><author><name>cecilia</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='28' src='http://2.bp.blogspot.com/_iKXVTDvTXD4/Sm903EsMiVI/AAAAAAAAANo/hCvjgx6YWbk/S220/cecilia.JPG'/></author><thr:total>0</thr:total></entry></feed>
